Unknown

Abstract in Blues, Reds, & Black

circa 1950's

A nice abstract oil painting by American artist Donald Hugo Stoltenberg (1927-2016). Stoltenberg was born in Milwaukee, WI, attended public grade school in Chicago, and High School i...

A wonderful large abstract still life oil painting with figures by Brazilian artist Menelaw Sete (aka Sete Menelaw, b. 1964). Menelaw Sete is internationally known as “The Picasso of...

A fine Mid Century vertical abstract expressionist oil painting by Panamanian artist Antonio Alvarado (b. 1938). Antonio studied under the figurative ...

A fine abstract in brown tones by American artist David Lund (b. 1925). David Lund’s illustrious painting career spans over 65 years. Born in New York, the...

Parallel Construction, oil on canvas, 48 x 54 in. Oonju Chun’s large abstract expressionist paintings delightfully employ the basics of good, nonobjective ...

Why The Long Face is an artistic collaboration by painters Mark Wilson and Paola Zarate where they painted simultaneously, often finishing each other's brushstrokes. The piece challe...

“Resonance in Red” is an original large abstract expressionist painting by Finnish multidisciplinary artist Emmi Iida. Measuring 90 x 70 cm, the piece is a striking exploration of rh...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated lower right; signed, titled, dated verso. 48 x 60 in. 49.75 x 61.75 in. (framed) Custom framed in a solid maple floater, with an heirloom white finish. Provenance Kootz Gallery, New York Collection of John G. and Kimiko Powers, New York/Aspen, CO Prentice-Hall Corporate Art Collection, New York Kyle Morris was born in Des Moines, IA in 1918. After serving in the U.S. Air Force during World War II, he completed M.F.A. programs at both Northwestern and Cranbrook Academy of Art before settling in New York and renting a studio on Mercer Street in downtown Manhattan during the 1950s. Transitioning away from the figurative painting of his formal training, he began to create the bold gestural works that would serve as his hallmark in the ever-growing fraternity of the New York School. Morris’ first major solo exhibition occurred at the Walker Art Center in Minneapolis in 1952. This show served as the catalyst for his recruitment onto the rosters of the prominent Stable and Kootz galleries in New York. In 1961, he was included in the Guggenheim’s landmark exhibition, American Abstract Expressionists and Imagists, which surveyed the abstract expressionist movement that would come to dominate contemporary American art...