Items Similar to Outward
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Adam MysockOutward2013
2013
About the Item
After: “Exploring Parties in the Vicinity of the Ground Station” by Chesley Bonestell (c. 1956)
In Outward, I chose to return to the allure of the distant. I took a Bonestell illustration with a great deal of grounded depth and cropped out the most foregrounded aspects and figures to reveal only those features too far off to obtain.
The preserved color – the muted orange – is the warmest, most visually aggressive hue and, therefore, advances out from its dim settings. Overall, I’m playing with two visual sensations of “outward.” As we look at the representational setting, we look outward at a depth of landscape. If we’re solely aware of the formal elements, however, we’re confronted with a small orange dot that pulls outward away from the flat surface of the panel.
Although it’s not necessarily a feature unique to this reference piece, I also enjoyed the arrow-like forms present in the ships and mountains as markers of an outward sense of movement.
ABOUT THE ARTIST
Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the manufacturing of pigments. On account of a steady stream of folk tales from his mother, his father's vividly dyed work clothes, and a solid Midwestern work ethic, he developed an interest in painting and drawing all things Americana from a very early age. Mysock earned a Bachelor of Fine Arts degree in Painting and Art History by 2004 from Tulane University. He then received an MFA from Southern Illinois University at Carbondale.
After his studies, he became the mural coordinator for the City of Cincinnati's MuralWorks mural program and worked as an adjunct drawing professor at Sinclair Community College in Dayton. In the summer of 2008, Mysock became a Professor of Practice at Tulane University where he currently teaches and maintains a studio. Mysock's work has been exhibited in Ohio, Kentucky, Illinois, Georgia, Mississippi and Louisiana and is in private collections across the US, including those of Thomas Coleman and Michael Wilkinson. He was a 2009 jury winner in the annual No Dead Artists juried exhibition. On August 4th, 2012 he was awarded first prize “Best in Show” in the Ogden Museum’s Louisiana Contemporary Annual Juried Exhibition. Mysock exhibited at Pulse Miami Art Fair in December 2012 with Jonathan Ferrara Gallery and he was selected for the 2013 Edition of New American Paintings. Mysock was exhibited in a solo project booth at the VOLTA9 Art Fair in Basel, Switzerland where he was acquired by the SØR Rusche Collection. Mysock’s work is currently featured in a Baroque and Contemporary group exhibition from the SØR Rusche Collection, Oelde/Berlin at Kunsthalle Jesuitenkirche as well as in a solo exhibition entitled When Everything Was Wonderful Tomorrow at Galerie Andreas Binder in Munich, Germany.
I’m a revisionist history painter. Rather than rewrite the narrative of the past to justify an ideology, I repaint yesterday’s imagery in order to rationalize our present circumstances.
Mysock says of his work, “Telling stories is a part of human nature; it’s how we relate to one another. The stories we have in common help us create sincere connections to our neighbors and our surroundings. What’s more, storytelling – for better or worse – typically involves hyperbole. We tend to exaggerate; we tend to lie.
Generally, we believe we control our narrative embellishments. What gets exaggerated from one telling to another gets exaggerated to challenge our listeners. What gets repeated gets repeated because it resonates with them. What gets omitted gets left out because it’s lost its meaning. We actively use embellishment to keep our audiences engaged.
Given enough distance, however, sources and accuracy fade out and substitutions become the new norms. Quietly, time redefines what is truth and what is fiction.
As a painter, I’m preoccupied by the undeniable role that the image plays in creating this acceptance of the fictional. A painting has the authority to make the intangible concrete, and a series of them has the ability to authenticate a fabrication in our collective memory.
When I begin a piece, I typically start with preexisting images, artifacts from this collective remembrance. I look for images that shape my pictorial consciousness, that are hard to question because when I first saw them they were presented as the truth. They have to capture my imagination and they have to feel largely descriptive of a greater story. From them, I’m given my task – I have to “disrepair” them. I have to consolidate an earlier world of historical and cultural visual-fact with an evolving understanding of subtlety and gradation. I find that the discrepancies I discover between the absolute and the nuanced inspire me most.
The resultant work is largely about storytelling, the ownership and authorship of our culture’s visual narratives, and the parallels between those tales. It’s meant to challenge the truth of “source” and the source of truth. After all, as Franz Kafka once wrote, "It is hard to tell the truth, for although there 'is' one, it is alive and constantly changes its face."
- Creator:Adam Mysock (1983, American)
- Creation Year:2013
- Dimensions:Height: 7.5 in (19.05 cm)Width: 7.5 in (19.05 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU1052491212
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1998
1stDibs seller since 2015
139 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: New Orleans, LA
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- High Hat MotelBy Kristin MooreLocated in New Orleans, LABorn and raised in Houston, KRISTIN MOORE began attending art classes at the Glassell School at a young age. She moved to Austin in 2009 to obtain her BA in Art from St. Edward’s University. Soon after graduating, Moore moved to Los Angeles to pursue her MFA at Otis College of Art + Design. Moore’s first solo exhibition, Rear Window, was unveiled during the culmination of her participation in the MFA program in 2016. Upon moving back to Texas, Moore continued to explore contemporary landscapes through painting. The juxtaposed architecture of LA, the smoggy atmosphere, and unique characteristics of the city became source material for her work. Upon moving back to Texas in 2016, Moore viewed Austin through the same lens; the architecture is quickly changing, a new atmosphere is emerging, and the skyline is directly reflecting those elements. Oscillating between these two bustling cities of Austin & LA, lies the open space and peaceful landscape of Marfa. Texas. Often a favorite pit stop during the long road trips back and forth from Texas to California, Marfa holds space as a source of continued inspiration for Moore. Her Texas roots and California influence have culminated into her current body of work. Often inspired by Ed Ruscha’s work Every Building on the Sunset Strip and A Few Palm Trees, Moore sources the images that influence her paintings from her many car rides, walks, and hikes up to overlooks. A homage to Hollywood, Moore also finds visual influence for her work in the world of film; particularly from visionaries such as Stanley Kubrick, Ridley Scott, and Alfred Hitchcock. Her work has been featured in group exhibitions such as Turbulent Landscapes at Modified Arts in Phoenix, AZ, Excavations; Shindig at Mantle Art...Category
21st Century and Contemporary Contemporary Landscape Paintings
MaterialsAcrylic, Wood Panel
- A Weak CompromiseBy Adam MysockLocated in New Orleans, LAA donkey, symbol of the Democratic Party Democrats promote themselves as consistently ethical. So, when they inevitably get caught lying, the fault i...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsVarnish, Acrylic, Wood Panel
- An Attempt at MoralityBy Adam MysockLocated in New Orleans, LAFrom Albrecht Dürer’s Adam and Eve, 1507 Akin to the historical narratives we’re fed in an attempt to steer us away from a life of lies, the narrative of Adam, Eve, and the serpent ...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsVarnish, Acrylic, Wood Panel
- A SeductionBy Adam MysockLocated in New Orleans, LAFrom John William Waterhouse’s A Mermaid, 1900 We have a wonderful capacity to impose fictions on others in order to make them desirable. We o...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsVarnish, Acrylic, Wood Panel
- A Pretty Face and a Nice BodyBy Adam MysockLocated in New Orleans, LAA portrait of Lance Armstrong We tend to exercise differing levels of tolerance for different liars. Some people get called out immediately, while oth...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsVarnish, Acrylic, Wood Panel
- Merge IIBy Bonnie MaygardenLocated in New Orleans, LABonnie Maygarden is a multimedia artist who received her MFA in Studio Arts from Tulane University. The destruction of Hurricane Katrina caused her to take leave of New Orleans to fu...Category
2010s Contemporary Abstract Paintings
MaterialsPaper, Acrylic, Wood Panel
You May Also Like
- "de la Agente Federal y el Rojo, la Emperatriz" painting diptychBy Claudio DicocheaLocated in Phoenix, AZClaudio Dicochea de la Agente Federal y el Rojo, la Emperatriz (of Federal Agent and Red, the Empress), 2010 acrylic, graphite, charcoal, transfer, wood 2 @ 48" x 36" Born in San Luis Río Colorado, Mexico and raised on the Mexican/US border in southern Arizona, Claudio Dicochea works at the intersection of colonialism, art history and contemporary popular culture. Using the model of the 18th century genre of Casta paintings...Category
2010s Contemporary Mixed Media
MaterialsCharcoal, Acrylic, Wood Panel, Graphite
- PLAYLIST - I WOKE UP BLACKBy Mukesh ShahLocated in Madrid, ESIn the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...Category
2010s Contemporary Mixed Media
MaterialsPanel, Acrylic
- PLAYLIST - THIS IS FAKE ARTBy Mukesh ShahLocated in Madrid, ESIn the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...Category
2010s Contemporary Mixed Media
MaterialsAcrylic, Panel
- PLAYLIST - WH?T DO YOU SEEBy Mukesh ShahLocated in Madrid, ESIn the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...Category
2010s Contemporary Mixed Media
MaterialsAcrylic, Panel
- PLAYLIST - LET THEM EAT ARTBy Mukesh ShahLocated in Madrid, ESIn the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...Category
2010s Contemporary Mixed Media
MaterialsAcrylic, Panel
- PLAYLIST - I LOVE DIOR!By Mukesh ShahLocated in Madrid, ESIn the past decade a series of big issues have emerged to define our times; we see demonstrations erupting somewhere every day. Interestingly, in a digital age, graffiti and slogans ...Category
2010s Contemporary Mixed Media
MaterialsPanel, Acrylic
Recently Viewed
View AllMore Ways To Browse
Cincinnati Art Gallery
Arrow Painting
Fair Ground Art
Midwestern Painting
Paintings Solid Color Series
Adam Thomas
Swiss Mountain Painting
English Georgian Painting
American Southern Folk Art
Mountain Stream Painting
Folk Art Arrow
Black Americana Painting
Painting Of Mountain Stream
Black Southern Folk Art
Southern Folk Art Painting
Thomas Painting Ships
English Solider Painting
Folk Art Ship Paintings