Alexey Borisov

Way to the home II

2017

Art is a hobby? is an ironic piece of artwork that questions whether being an artist is a hobby or a profession. The question mark is important in th...

Lotus of Desires, The work was written to the sound of sirens and explosions. I express all my positive emotions on the canvas, live a full life, and breathe. On this canvas is a Lot...

Dear friends, I would like to introduce you to the author's painting “Mysteries of the Planet” Stretched canvas, oil. details: paste and acrylic. Size 5...

"Formula of Harmony" We can endlessly ask the Universe and the Cosmos for material wealth, health and well-being, but without spiritual wealth, everything worldly will sooner or late...

Garden of Eden, The work was written to the sound of sirens and explosions. I express all my positive emotions on the canvas, live life to the fullest, ...

Nataliia Svitlychna "Hopak"

Acrylic, ink, glitter on canvas Dimitri operates from the idea of the “unfinished.” It informs his choice of materials and the way he handles them. It informs the imagery. The unfin...

Signed, dated recto Acrylic on Canvas over Panel 76.2 x 101.6 cm 30 x 40 in. ------- Andy Burgess is known for his renditions of modernist and mid-century architecture, panoramic cit...

Represented by George Billis Gallery, NYC & LA -- From Robertson's Artist Statement, "Growing up on the plains of west Texas, I understood the notion of wide, open spaces. The tablet...

Signed (on stretcher): Stanley/ Twardowicz Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hard...

Signed (on stretcher): Twardowicz Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardscrabble u...

Out of many come one. A huge back mountain is formed out of scores of gas spewing smokestacks. The foreboding back mass fills most of the pictorial area. As one gets closer to the canvas, the complexity of the mass if revealed in low on contrast as we see the diverse variety of the stacks with accompanying petrochemical architecture. Above the stacks, plums of air pollutants like sulfur dioxide and nitrogen oxides rise gracefully into the atmosphere. The artist focuses less on the by-product of the stacks and more on his giant pollution machine that he has so astutely rendered. The work is mostly monochromatic but the artist has indicted a red tonality of a sunset/sunrise that offsets the charcoal blacks and grays. ______________________________________________ Submitted by Tamarind Institute Ian Davis...