Allan O'Marra

November 17, Painting, Oil on Canvas

2021

A new country in my journey 2022, and beautiful Tbilisi in a new series of landscapes. Original oil painting. Oil on canvas. Signed on the front side and accompanied by a Certificat...

My still life paintings vary from lively decorative colorful compositions to thoughtful studies of reality. I rip objects out of their context and put them to new context. Here they ...

A gallery wrapped oval canvas, the painted image extends around the perimeter of the painting avoiding the need for any framing. Supplied ready to hang with advice on hanging options...

A Skipjack, an oyster boat of the Chesapeake Bay, sailing off the Thomas Point Lighthouse. This painting was awarded the Katlan Family Seascape Award a...

Portrait of a musician during the performance. Paired with best quality oil paints on fine linen . :: Painting :: Realism :: This piece comes with an official certificate of authent...

Bees are buzzing, and the sun is intermittent as lazy winds move cloud shadows over the undulating land near White Cottage, Fairlight. I love London but I must admit when in England...

Oil on canvas, signed and dated 2018. French handmade Delf wooden frame, dark bronze patina with gold leaf. Unframed size: 19.7 inches high x 24.02 inches wide. Framed size: 28 inches high x 32.3 inches wide x 1.25 inches deep. Sold framed. Stefaan was gifted this skull by a friend, whose carpenter father found many years ago in a false ceiling. The skull sat in his workshop and was eventually named “Gilda”. The composition is unusual in its stark simplicity that speaks to the inevitable death we all face. Fascinating without being morbid, the arrangement is simple yet bold. Note the extraordinary brushwork detailed in the shroud, as well as the intricacies of the skull. The slash of cobalt blue in the background provides an ethereal quality. The title is adapted from Shakespeare’s Hamlet and is the artist’s inside joke on the character “Guildenstern” vs “Gilda”. Part of the title can be seen in the lower right quadrant of the painting. Compared to “Vanitas”, painted in 2000, the artist’s evolution in form and execution is most evident in this 2018 work. This painting is available for viewing at The Elemental Garden...

Oil on panel, signed and dated 2018. Classic French black wooden frame with gold leaf. Unframed size: 19.69 inches high x 19.69 inches wide. Framed size: 25.2 inches high x 25.2 inches wide x 1.25 inches deep. Sold framed. Inspired by the modest works of the French painter, Chardin, this classic composition focuses on the simple, zen-like qualities of the gustatory delights of Stefaan’s locale, where bread and cheeses are freshly made and sold at his favorite outdoor market. Interposed with a large knife and antique glass wine bottle...

Oil on panel, signed and dated 2000. Unframed size: 15.7 inches high x 23.6 inches wide x 0.25 inches deep. Sold unframed. Reverse side with older, faded Eyckmans' painting and artist's label. Created in 2000, and much inspired by the Old Masters, this painting combines many “vanitas” symbols—reminders that change and death are inevitable. The skull, aging books, extinguished candle, fallen cup, and stopped watch are beautifully composed in close-up, utilizing a minimum of negative space. One can see the fuzzy and unrecognizable reflection of the painter, quite rare for him, in the silver incense holder. Note the complex composition, the strong use of chiaroscuro, and the masterful depiction of the human skull, the threads of the unravelling books, and the smoke of the candle. Please note that the last photo is of the reverse side of the painting, indicating that the panel was reused. Unlike Stefaan’s other works, this painting is sold unframed. This painting is available for viewing at The Elemental Garden...

Oil on panel, signed and dated 2009. French handmade wooden Delf frame, red bolus ground with gold leaf. Unframed size: 11.8 inches high x 19.7 inches wide. Framed size: 21.3 inches high x 29.1 inches wide x 1.25 inches deep. Sold framed. This striking and animated combination of plums with a 15th Century earthenware bowl placed atop a worn plank table hearkens back to the Old Masters while remaining present-day through its geometric composition and use of negative space. Chosen for the pictorial qualities…their shape, color, scale, and satiny skin, a true representation of plums is difficult to capture, as their essence changes and degrades in a matter of hours. As such, the artist focused on including their essential details in the first layer, a practice that is unusual for him. Note the exceptional detailing in the fine variations of color and shape of the fruit, particularly the stems, and the progressive feel attained through the balance of light and color. This painting is available for viewing at The Elemental Garden in Woodbury, CT, the exclusive U.S. representative for the artist. Stefaan...

Oil on panel, signed and dated 2008. French handmade wooden Delf frame, black raised panel with gold leaf. Unframed size: 18.25 inches high x 15.25 inches wide. Framed size: 25.63 in...

Oil on canvas, signed and dated 2010. French handmade wooden Delf frame, pale cream patina with silver leaf inset and medallions. Unframed size: 27.5 inches high x 25.75 inches wide....