Amy Bernays

My Sisters Game, Painting, Acrylic on Canvas

2021

Inspired by the Tuscany landscape. This painting captures the true atmosphere of Tuscany. She painted it with bold colors and lose brush strokes. Her style of painting is “random r...

This beautifully vibrant floral abstract piece has been influenced by mood rather than imagery. Like all of my work it grew out of a process, where I am largely guided by the emergin...

"Embrace 04" the addition of a medium-sized original in a space. Soft hue tints in a gestural seemingly haphazard series of brush strokes to a canvas. The soft layers and blends of...

Green of Forest, Apples, Mint on Soft Grey. Can be presented horizontally or vertically. :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of au...

Gold and blue abstract. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signatu...

Abstract painting with an organic-floral character. Against a rich green background, a vibrant color formation unfolds in shades of yellow, white, beige, brown, orange, red, magenta,...

Gray Scale Study for Pure Painting 1, 2016 Acrylic on museum board mounted to board Artwork size - 8 x 6.5 inches Framed Size - 16 x 20 inches signed and dated on recto Lee We...

Dimitris Foutris Perhaps in the right track towards the Infinite, 2015 mixed media on paper 69 x 200 cm (diptych)

Leandros Pigades Pame, 2015 acrylic on canvas 74 x 80 cm

Brave - Vigorous - Manful by Lélia Pissarro (b. 1963) Black and red acrylic, red glitter 121 x 126 cm (47 ⁵/₈ x 49 ⁵/₈ inches) Signed, titled and dated on the reverse Executed in 2007 Literature Lélia Pissarro, Abstraction, London, 2008, p. 3 (illustrated) This work is accompanied by a certificate of authenticity from the artist. Artist biography Born in Paris in 1963, Lélia is the third and youngest child of Hugues-Claude and Katia Pissarro. She was raised, however, in the loving care of her grandparents Paulémile Pissarro, Camille’s youngest son, and his wife Yvonne, in Clécy, Normandy. From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age. When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié. With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes. In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London. In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint. To coincide with a major exhibition at Stern Pissarro...

Curtis Kulig, Love Me on Canvas (Yellow & Red), 2011: This one of a kind ’Love Me' painting is impossible to overlook. An expressionist yellow background combined with Kulig's iconic...