Acee Blue Eagle

Hunt Scene

This piece is part of a very personal grouping of artwork was executed in the late 1960’s - early 1970’s and collected in the early 1970’s. Many of the works are labeled on the verso...

Provenance: –Private Collection, Paris, FR

Photograph - archival print on moab 300 natural

BOSCAR Falling Blue 01, 2016 Photograph - archival print on arches aquarelle 60” x 40”, edition of 3 $12,000.00 (custom frame)

Edition of 3, Photograph - archival print moab natural Dusk of Creation was a diptych that was inspired by the sculptures of dusk and dawn of Michelangelo. The idea was to represen...

Vickey Steckel El Mantel de Mamá 2, 2016 Photograph - archival print on arches aquarelle Edition of 5

"The owl, patron bird of Goddess Athena, has a history that goes beyond the common association with wisdom and knowledge. In ancient Egypt, owls were known to...

Subha Basu - Prehistoric Tempera on Paper, 17 x 21.25 inches, 2017 Born - 1982 at Kolkata. B.V.A from The Indian College of Art & Draftsmanship in 2006, M....

Subha Basu - The Bird Tempera on Paper, 17.72 x 13.4 inches, 2017 Born - 1982 at Kolkata. B.V.A from The Indian College of Art & Draftsmanship in 2006, M.F...

Clarence Holbrook Carter (American, 1904-2000) Over and Above Surprise (Serpent), 1967 Casein on board Signed lower right 7.75 x 5.5 inches Clarence Holbrook Carter achieved a lev...

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Migration (The Horses) by Orovida Pissarro (1893-1968) Egg tempera on linen laid on board 76 x 101 cm (29 ⅞ x 39 ...