Austin Eddy

Austin Eddy aquatic oil painting 'Time Stretching Out On Waves Of Patience'

2019

'White Diamond Dust' by Hunt Slonem, 2022. Oil and acrylic with diamond dust on canvas, 36 x 48 in. This painting features Slonem's signature bunnies outlined in black over a white, diamond dusted background. Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent. Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973. Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art. His work has been exhibited globally, including in Madras, Quito, Venice, Gustavia, San...

'Blue Ascension August Moon' by Hunt Slonem, 2022. Oil on canvas, 30 x 40 in. This painting features Slonem's signature butterflies outlined in black over a blue, cross hatched background. Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent. Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973. Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art. His work has been exhibited globally, including in Madras, Quito, Venice, Gustavia, San Juan, Guatemala City, Paris, Amsterdam, Madrid, Stockholm, Oslo, Cologne, Tokyo, and Hong Kong. His work has been shown in thirty-one different museums including the Hunter Museum of American Art in Chattanooga, Tennessee, in 1981; the Museo Diocesano d'arte sacra...

'Finches' by Hunt Slonem, 2022. Oil on canvas, 48 x 48 in. This painting features Slonem's signature finches in white, red, blue, and green on a white background. Considered one of the great colorists of his time, Slonem’s neo-expressionist paintings feature an exuberant and bold, fauvist palette to emphasize his beloved menagerie of animals. Through the application of lavish, lush colors, Slonem’s painterly style continues to be fresh and innovative bordering on Pop Art aesthetics. Depicting his signature motifs of repeating whimsical animal imagery, the artist’s devotion to nature and its inhabitants are apparent. Born in Kittery, Maine in 1951, Hunt Slonem graduated with a Bachelor of Arts degree in Painting and Art History from Tulane University in New Orleans, Louisiana. Slonem later attended the prestigious Skowhegan School of Painting and Sculpture in Maine, where he was exposed to influential artists from the New York area including Alex Katz, Alice Neel, Richard Estes, Jack Levine, Louise Nevelson and Al Held. This exposure played a pivotal role in Slonem’s artistic career, as it aided in his decision to move to New York in 1973. Since 1977, Slonem has had over 250 solo exhibitions at prestigious galleries. Museums, both domestic and international, have collected his work, among them Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation, and the New Orleans Museum of Art. His work has been exhibited globally, including in Madras, Quito, Venice, Gustavia, San Juan, Guatemala City, Paris, Amsterdam, Madrid, Stockholm, Oslo, Cologne, Tokyo, and Hong Kong. His work has been shown in thirty-one different museums including the Hunter Museum of American Art in Chattanooga, Tennessee, in 1981; the Museo Diocesano d'arte sacra Sant'Apollonia in Venice, Italy, in 1986; the Albany Museum of Art in Albany, Georgia, in 2007; the Istanbul Museum of Modern Art in Istanbul, Turkey, in 2007; Museo de Arte de El Salvador in San Salvador...

'Chinensis The Mother' by Hunt Slonem, 2021. Oil on canvas, 48 x 48 in. This painting features Slonem's signature bunnies outlined in black over swirling colors of silver, pink, orange, and blue. This novel ‘bunnies’ painting is influenced by the hustle and bustle, 24 hour a day, irradiant lights of New...

Available at Madelyn Jordon Fine Art. 'Glisten Dawn' by Hunt Slonem, 2024. Oil and acrylic with diamond dust on canvas, 30 x 40 in. This painting features Slonem's signature bunnies...

Hunt Slonem bunny oil painting 'Mauve', 2021. Oil and diamond dust on wood, 10 x 8 in. / Frame: 14.5 x 12.5 in. This painting features Slonem's sign...

Jenny Day (b.1981) is a painter and sculptor who lives in Santa Fe, New Mexico. She earned an MFA in Painting from the University of Arizona, a BFA in Painting from the University of...

Jenny Day (b.1981) is a painter and sculptor who lives in Santa Fe, New Mexico. She earned an MFA in Painting from the University of Arizona, a BFA in Painting from the University of...

Jenny Day (b.1981) is a painter and sculptor who lives in Santa Fe, New Mexico. She earned an MFA in Painting from the University of Arizona, a BFA in Painting from the University of...

"Mixed Marriage" by Maureen O'Hara Ure, mixed media on panel, 16 x 24 inches. Relying on sturdy panel to hold up to months, sometimes years, of revisions, O'Hara Ure slowly builds up an image, obsessively laying down marks in thin, sanded layers of paint, ink, and pencil to create a uniquely smooth, almost polished texture distinctive to her style. When a panel returns to her studio from a show, she may begin to tinker with the image, perhaps first sanding out or painting over just a section. "Often as not, I keep going and start all over, using gesso to erase any memory I have of the painting." "For over fifteen years, all of my major projects have begun with my drawing overseas in museums and at historical sites. I returned to my studio and set about using some of the raw ideas in my travel sketchbooks to begin developing new work, taking liberties with the art-historical material I had collected. The exhibit of new paintings on panel at Phillips Gallery...

Retreating from the stress and chaos of the last year, I created another landscape; populated by an army of friendly creatures. Here the burdens of coronavirus, climate change, and political division are dismissed by hot pink kittens...

Retreating from the stress and chaos of the last year, I created another landscape; populated by an army of friendly creatures. Here the burdens of coronavirus, climate change, and political division are dismissed by hot pink kittens that arc gracefully through meter showers and owls that bury into beds of daffodils. In this place worry is edged out by the fantastic and mystical snails trail neon candy canes through the scorched earth. The apocalyptic is supplanted by the surreal and the allegorical. Anxiety followed me. The escapist reflects and distorts its shadow world, the real, a funhouse mirror...