Josie Morway

Senza Cozzar Dirocco

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

When I think of where McCauley fits into American art, as a contemporary painter, sculptor and naturalistic interpreter, I place him in the same philosophical tribe as Walton Ford, A...

My interest is in creating a permanent record of the impermanence of our world. In considering the exquisiteness of a moment shared, of a new connection, a new thought, an old memory...

My interest is in creating a permanent record of the impermanence of our world. In considering the exquisiteness of a moment shared, of a new connection, a new thought, an old memory...

American, b. 1986 Adam Umbach was born in Chicago, and currently lives and works in Brooklyn, New York. After being inspired from an early age by the modern masters collection at the Art Institute of Chicago, he received his BFA in painting from the University of Wisconsin. He has exhibited his large-scale paintings nationally in Cavalier Ebanks Galleries...

We are please to announce that we are now representing the Pop Art cowboy and cowgirl paintings of the artist Matt Straub. We at the gallery have been exci...

A woman reclines in a disheveled bedroom, the folds in her sweatshirt are delicately rendered by the texture of the paint. She stares at the window, where a black cat stands on the sill, looking back at her. The open window reveals a hint of a snowy cityscape. --- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...

Watchful Eyes

Dana Hawk's (US based) "Lowland Savior" is an original, handmade oil painting that depicts a horse that seems to be stuck in a vat of copper, surrounded with...

"From Above" (2015) by Alexis Kandra Oil and metal leaf on panel, figurative painting Wildlife painter, forest animals, bird, rabbit, birds of prey, haw...