20th Century British school oil painting of seagulls near Brighton pier
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Kathryn Matthews20th Century British school oil painting of seagulls near Brighton pier2008
2008
About the Item
- Creator:Kathryn Matthews
- Creation Year:2008
- Dimensions:Height: 10 in (25.4 cm)Width: 10 in (25.4 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In gallery condition. In a white painted frame with scuffs.
- Gallery Location:Petworth, GB
- Reference Number:1stDibs: LU54038602262
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2010
1stDibs seller since 2017
227 sales on 1stDibs
Typical response time: 2 hours
More From This SellerView All
- French Post Impressionist oil painting of cows grazing in France-Comte, FranceLocated in Petworth, West SussexCharles Wittmann (French, 1876 – 1953) Cows grazing in Franche-Comte Oil on board Signed ‘CH. WITTMANN’ (lower right) 21.1/4 x 36.3/8 in. (54 x 92.5 c...Category
20th Century Post-Impressionist Animal Paintings
MaterialsBoard, Oil
- 20th Century British artist Leigh-Pemberton, painting of horses in landscapeLocated in Petworth, West SussexJohn Leigh-Pemberton (British, fl. 1933 – 1959) Timber horses, Tazmania Signed ‘John Leigh-Pemberton 1934’ (lower right) Oil on canvas 25 x 30 in. (63.5 x 76.2 cm.) Leigh-Pemberton is mainly known for his illustrations for the shell guides...Category
20th Century Modern Animal Paintings
MaterialsCanvas, Oil
- Large oil paintings of Gulls at St. Ives bay, Cornwall by British artist TitcombLocated in Petworth, West SussexWilliam Holt Yates Titcomb (British, 1858 – 1930) Gulls at St. Ives bay Oil on canvas Signed ‘W. H. Y. TITCOMB’ (lower right) 34 x 44 in. (86.3 x 111.8 cm.) Frame measurements: 110.3 x 136 cm.) William Holt Yates Titcomb (1858 - 1930) was an English artist. He was a figurative oil painter, particularly known for his depictions of the Cornish fisherfolk. Titcomb was born in Cambridge, the eighth child and first son of the Rev. Jonathan Holt Titcomb and his wife Sarah. He was educated at Westminster School in London and began his art training at the South Kensington School. His father was appointed the first Bishop of Rangoon, Burma in 1877 and Titcomb joined him there in December 1880. In Burma he made a series of paintings and sketches of life in the local monasteries. Titcomb was taught in Paris by Gustave Boulanger and at the Royal College of Art in Antwerp by Charles Verlat. He married Jessie Ada Morison, in 1892. She was also an artist, living at the time in St. Ives, Cornwall. His painting Primitive Methodists at Prayer, was displayed at the Dudley Museum and Art Gallery in 1889. It won many international medals and was the first of three paintings that Titcomb completed of the Primitive Methodist congregation of Fore street, St. Ives. In 1909, Titcomb settled in Bristol, where he was already an elected Academician of the Bristol Academy...Category
Early 20th Century Academic Animal Paintings
MaterialsOil, Canvas
- British, 21st Century abstract oil painting 'Moonlit Horses'By Max AndrewsLocated in Petworth, West SussexMax Andrews (British, b. 1969) Moonlit horses Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 12.1/5 x 12.1/5 in. (32 x 31.8 cm.)Category
21st Century and Contemporary Abstract Animal Paintings
MaterialsOil, Board
- Mid 20th Century oil painting of a cicada by Belgian artist BaugnietLocated in Petworth, West SussexMarcel Louis Baugniet (Belgian, 1896 – 1995) Sigale de Mer (Cicada of the sea) Oil on board with scraffito Signed ‘M L BAUGNIET / 47’ (upper right) 17.3/4 x 13.1/2 in. (45 x 34.3 cm.) Marcel-Louis Baugniet was born in Liege on the 18th March 1896. Painter, theorist, furniture designer, creator of posters, costumes and stage sets, he was one of the main defenders of the notion of Pure Plastic Arts. Baugniet studied painting at the Royal Academy of Beaux-Arts in Brussels where he mixed with Paul Delvaux, René Magritte, Victor Servrancks and Pierre-Louis Flouquet. He spent some time in Paris and decided that he would become an iconoclastic and avant garde artist. He discovered abstract art with Kandinsky, Kupka, Mondrian and Delaunay and with wonder and stupeur he also learnt of the constructivist movement, which was born in Russia with Malevitch and Lissitsky. In 1922, Baugniet then 26 years old returned to Brussels and married the Russian danser Akarova for whom he designed costumes and stage sets. M-L Baugniet painted, designed and engraved some superb series of dansers and sportspersons (the « Kaloprosopies »), works entrenched with impeccable lines of constructed art. He painted with contemplation geometric compositions which mixed a grace of colours with the rigour of shapes. Baugniet wrote articles on esthetics and applicated arts in the magasine 7 Arts and edited, with the Dutch architect Van Tonderen, the manifesto of the movement that they called « Le beau, C’est l'utile » (beauty is useful) Towards the end of the 20s, he separated from Akarova and in 1927 he opened his own Home Decor shop. With regret Baugniet laid down his paint brushes and threw himself into interior design and the creation of tubular furniture, everyday objects and carpets. He remarried the Russian Olga Reich. He created a circle of ideas that included artists, writers, politicians and intellectuals of all kinds. Throughout his career, Baugniet participated in numerous international exhibitions of decorative art. In 1977 abstraction, constructivism and Marcel-Louis Baugniet were rediscovered. Decorated and lauded, Baugniet began to paint once more and co-founded the magasine Mesures with Jo Delahaut...Category
Mid-20th Century Expressionist Animal Paintings
MaterialsOil, Board
- 18th Century oil painting of a grey horse at an encampment, British schoolLocated in Petworth, West SussexCircle of George Morland (British, 1762 – 1804) A grey horse at an encampment Oil on board Indistinctly with signature (lower left) 12.1/8 x 10in. (31 x 40.8 cm.)Category
18th Century English School Animal Paintings
MaterialsBoard, Oil
You May Also Like
- Summer Sheep By Natalie BirdLocated in Deddington, GBoriginal Oil on board Image size: H:14 cm x W:18 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Oil on boardCategory
2010s Abstract Expressionist Animal Paintings
MaterialsOil, Board
- Welcome in the Desert-ORIGINAL photo realism wildlife tiger oil painting-ArtLocated in London, Chelsea"Welcome in the Desert" by Fabriano is a captivating masterpiece that transports viewers into a surreal and intriguing scene within the arid expanse. This original realism wildlife painting...Category
21st Century and Contemporary Abstract Impressionist Animal Paintings
MaterialsCanvas, Oil
- So British-original photo realism animal-bulldog oil painting-contemporary ArtLocated in London, Chelsea"So British" by Fabriano is a delightful portrayal of quintessential British charm captured in a single scene. This original wildlife painting, executed in oil on canvas, celebrates ...Category
21st Century and Contemporary Abstract Impressionist Animal Paintings
MaterialsCanvas, Oil
- Sleek City Swimmers-original New York Cityscape-wildlife painting-contemporaryBy Nathan NevenLocated in London, Chelsea"Sleek City Swimmers" by Nathan Neven invites viewers into a fantastical realm where the sleek elegance of dolphins meets the iconic urban landscape of New York City. In this surreal...Category
21st Century and Contemporary Abstract Expressionist Animal Paintings
MaterialsCanvas, Oil
- Symbolist Modern British Painting River Landscape with Swan on Water under TreesLocated in Cirencester, GloucestershireContemporary British artist, 21st century oil on board, unframed size: 30 x 20 inches This came from a private collection of artworks by the artist, a few of which are signed 'Andrew...Category
21st Century and Contemporary Abstract Landscape Paintings
MaterialsOil
- Winter PastureBy Oscar Edmund BerninghausLocated in Missouri, MOOscar E. Berninghaus (American, 1874-1952) "Winter Pasture" Oil on Canvas Unframed: 20 x 24 inches Framed: 25.5 x 29.5 inches Provo: Noonan-Kocian Gallery, St. Louis, Missouri, Dec. 23, 1954 (Copy of Original Receipt Included) * Will be included in Kodner Gallery's upcoming Oscar E. Berninghaus Research Project on the artist A founder in 1898 of the Taos Society of Artists, Oscar Berninghaus excelled at drawing animals and figures in contemporary garb in Southwestern landscapes. Many of his early paintings were Impressionistic, "suffused with color and light". (Gerdts 254) He was born in St. Louis, Missouri and developed an interest in art through his family's lithography business. He attended night classes at the St. Louis School of Fine Art. In 1898, he was on an illustration assignment for "McClure's" magazine, which took him for the first of many times into New Mexico and Arizona. He had heard of the special beauty of Taos and there met Bert Geer Phillips, who was already a resident, and Phillips invited him to return. This visit began a tradition of spending the winter months in St. Louis and the summers in Taos. He remained active in both communities, and for many years designed the costumes and floats for the Veiled Prophet parade, a famous annual event in St. Louis. He also did a series of western scenes commissioned by the Anheuser-Busch Brewing Association to promote a manly, ruggedness theme in their products and to enhance their image as good Americans, an image that was being attacked by suffragettes. In this capacity and without visiting the area, Berninghaus did a painting titled "Old Faithful, Yellowstone" in 1914, which was used as a calendar illustration in the series. Berninghaus was a sketch artist for the Denver and Rio Grande Railroad to depict landscape of Colorado...Category
Early 20th Century Abstract Impressionist Landscape Paintings
MaterialsOil, Canvas
Price Upon Request