kelynn Alder

Osita

2016

Master painter from Argentina, Eugenio Cuttica cuts a broad swath between humanity and apes in the animal Kingdom. This prophetic painting features Luna a small feral child who live...

A sculptural depiction of 'Luna', feral child who figures in many of the artist's works including vast paintings. This piece is a clever lamp that throws a soft shadow of the girl on...

In this relationship, we can notice a distance, an absence in one of the two parts. The nucleus which in essence is responsibility, seems to be closer to the more emotionally balance...

Existence… The lack of inventing and experimenting new experiences in a passionate relationship, will surely dry up the magic of love. Love… like everything else, is not forever. It...

Two beings in bright Red, totally fused between one another. Here the relation can’t be stagnant for even a small moment. He goes to look for that moment. Desperately losing himself...

Two beings in RED totally merged with one another. This is the climax of the relationship- with the burning desire for one another, now more than ever. ...

The rapid pace of the ride over a country landscape and the relationship between the rider and horse are felt in this oil on canvas painting by Chris Brizzard...

Born in Mouscron in the Belgian province of Hainaut, Cogghe attended the Academy of Roubaix where he studied under Constantin Mils. In 1876, Cogghe was admitted to the École Nation...

This monumental painting is by the celebrated Dutch artist Otto Eerelman, one of 19th-century Europe's most popular and important animal portraitists, an...

Signed landscape oil on canvas circa 1890 by French Academic painter Marie-Francois Firmin-Girard. The work depicts a farmyard filled with animals - cows, horses, chickens and ducks. Signature: Signed lower left Dimensions: Framed: 29"x35" Unframed: 20"x26" Provenance: Private French collection As a very young man in 1854, Firmin Girard entered the studios of Charles Gleyre...

Charming impressionist oil on canvas from the late 19th century representing a view of a quay in Rouen on the Seine with a herd on pasture and Rouen Cathedral...

William Holt Yates Titcomb (British, 1858 – 1930) Gulls at St. Ives bay Oil on canvas Signed ‘W. H. Y. TITCOMB’ (lower right) 34 x 44 in. (86.3 x 111.8 cm.) Frame measurements: 110.3 x 136 cm.) William Holt Yates Titcomb (1858 - 1930) was an English artist. He was a figurative oil painter, particularly known for his depictions of the Cornish fisherfolk. Titcomb was born in Cambridge, the eighth child and first son of the Rev. Jonathan Holt Titcomb and his wife Sarah. He was educated at Westminster School in London and began his art training at the South Kensington School. His father was appointed the first Bishop of Rangoon, Burma in 1877 and Titcomb joined him there in December 1880. In Burma he made a series of paintings and sketches of life in the local monasteries. Titcomb was taught in Paris by Gustave Boulanger and at the Royal College of Art in Antwerp by Charles Verlat. He married Jessie Ada Morison, in 1892. She was also an artist, living at the time in St. Ives, Cornwall. His painting Primitive Methodists at Prayer, was displayed at the Dudley Museum and Art Gallery in 1889. It won many international medals and was the first of three paintings that Titcomb completed of the Primitive Methodist congregation of Fore street, St. Ives. In 1909, Titcomb settled in Bristol, where he was already an elected Academician of the Bristol Academy...