Kevin Chupik

Quiver

2018

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

The use of traditional printmaking to create my images is a direct reference to the naturalist printmakers of the 18th and 19th century, categorizing and labeling the flora and fauna...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

This painting is striking. It's used of mixed media with rich red paint and equally rich gold leaf color brings the piece alive. This was painted on canvas. The bird silhouettes are ...

This mixed media painting is of crabs caught in a net. Framing the cerulean blue crabs are green and violet grapes hanging off of a branch. There houses in the fishing village have lights on; the houses on the shoreline run the gamut in colors like magenta, turquoise, and yellow ochre. On one of the crab's claws is the Puerto Rican flag...

"Happy Day" is a framed mixed media work on canvas by Nathalie Boissonnault, depicting a collaged origami pig with graffiti holding a string of colorful balloons. Boissonnault's tech...

“Through my recent work I have been expressing ‘capturing the essence of the moment’. When from the corner of my eye I capture something that visually excites me, and I want to try t...

Unique Piece / One of a Kind An upper jaw of an Elephant skull. Museum Archival Print on Hahnemühle Laid paper, Photography painted with Drawing Ink, G...

"Blackburian Warbler" is a black and white artwork made from asphalt on cement and plaster mounted on wood panel. Atlanta-based artist, Tim Hunter’s work stems from his love of nature and concern for the environment. In 2003 he began working primarily with images of birds as an expression of his spiritual connection with nature. After reading an article about the declining bird populations in Georgia, he turned his focus to environmental issues. An avid bird watcher, Tim also experienced the heavily wooded area he grew up in, slowly reduced to shopping malls and subdivisions. He uses asphalt and cement to create his works which refer to the loss of habitat due to human expansion, which is one of the main causes of declining bird populations. His silhouettes are taken from Audubon’s series “Birds of America” which references a period in the past when the bird populations in America were more abundant. Tim received a BFA in printmaking from California College of Arts, Oakland, CA and an MFA in painting from Georgia State...

José Bedia (Havana, Cuba, 1959) Lives and works in Miami, FL José Bedia is the most solid representative of post-1959 revolution Cuban art. He was part of the now mythical group s...