Rebecca Haines

Touchstone

My paintings are of animals, plants, and landscapes seen through a moment of shifting focus. I paint the way I explore the rugged mountains by my house, always pushing to see what is over the next hill, searching for the unexpected. I begin my paintings without a plan. No preliminary sketches are made; every thought is worked out directly on the canvas. Artifacts of the creative process can be seen in the rich textures, worked surfaces, and veiled light qualities created by working and reworking the piece. As one image comes into focus another is fading away, retaining a piece of the previous while hinting at what might come next. The result of my search...

My paintings are of animals, plants, and landscapes seen through a moment of shifting focus. I paint the way I explore the rugged mountains by my house, always pushing to see what is over the next hill, searching for the unexpected. I begin my paintings without a plan. No preliminary sketches are made; every thought is worked out directly on the canvas. Artifacts of the creative process can be seen in the rich textures, worked surfaces, and veiled light qualities created by working and reworking the piece. As one image comes into focus another is fading away, retaining a piece of the previous while hinting at what might come next. The result of my search...

My paintings are of animals, plants, and landscapes seen through a moment of shifting focus. I paint the way I explore the rugged mountains by my house, always pushing to see what is over the next hill, searching for the unexpected. I begin my paintings without a plan. No preliminary sketches are made; every thought is worked out directly on the canvas. Artifacts of the creative process can be seen in the rich textures, worked surfaces, and veiled light qualities created by working and reworking the piece. As one image comes into focus another is fading away, retaining a piece of the previous while hinting at what might come next. The result of my search...

This contemporary painting by Fabriano applies hyperrealism and depicts the classically stylish model of a Porsche combined with a richly saturated desert backdrop. With a focus on beauty and harmony, the attention to detail the artist renders this painting with delightfully imbues the automobiles surface with fantastic reflectivity, mirroring the natural surroundings it occupies. The artist paints the car portrait from an intimate perspective, drawing attention to specifically attractive features of the car. The warmth of the setting is suggested through rich hues and combined with glossy tones, making for a crisply polished piece of art. The combination of elements in this piece creates a joyfully positive and serene atmosphere. This artwork is painted in oils on canvas, signed and ready to be displayed. This original artwork by new artist...

Charlie Baird original oil painting ‘Flock.’ Oil on canvas. Framed in a grey-white painted wooden frame – Width 1.5 cm, Depth 4.5 cm. Gulls in flight over sea. A painting featuring B...

Oscar E. Berninghaus (American, 1874-1952) "Winter Pasture" Oil on Canvas Unframed: 20 x 24 inches Framed: 25.5 x 29.5 inches Provo: Noonan-Kocian Gallery, St. Louis, Missouri, Dec. 23, 1954 (Copy of Original Receipt Included) * Will be included in Kodner Gallery's upcoming Oscar E. Berninghaus Research Project on the artist A founder in 1898 of the Taos Society of Artists, Oscar Berninghaus excelled at drawing animals and figures in contemporary garb in Southwestern landscapes. Many of his early paintings were Impressionistic, "suffused with color and light". (Gerdts 254) He was born in St. Louis, Missouri and developed an interest in art through his family's lithography business. He attended night classes at the St. Louis School of Fine Art. In 1898, he was on an illustration assignment for "McClure's" magazine, which took him for the first of many times into New Mexico and Arizona. He had heard of the special beauty of Taos and there met Bert Geer Phillips, who was already a resident, and Phillips invited him to return. This visit began a tradition of spending the winter months in St. Louis and the summers in Taos. He remained active in both communities, and for many years designed the costumes and floats for the Veiled Prophet parade, a famous annual event in St. Louis. He also did a series of western scenes commissioned by the Anheuser-Busch Brewing Association to promote a manly, ruggedness theme in their products and to enhance their image as good Americans, an image that was being attacked by suffragettes. In this capacity and without visiting the area, Berninghaus did a painting titled "Old Faithful, Yellowstone" in 1914, which was used as a calendar illustration in the series. Berninghaus was a sketch artist for the Denver and Rio Grande Railroad to depict landscape of Colorado...