Suchitra Bhosle

"Downstream Riot, " Oil Painting

2021

Scott Conary's "Mallard Study" is an original, handmade oil painting that depicts a yellow billed duck floating peacefully in tranquil blue waters. About the Artist: Raised where the East Coast suburbs filtered into the woods and farms, Scott Conary (Rhode Island School of Design, BFA ’93) creates expressive oil paintings with rich surfaces of everyday objects and places, often those with which we have complicated and ambiguous relationships. Pulled from their context, these objects say something about how we interact with the world and one another. These are stories of the arbitrary nature of beauty, of melancholy, of fleeting triumph, and the camouflage of time: the mess and splendor of the broken egg, the weed that fights to survive in the gaps of our attention, the weathered door used for generations but now forgotten, and so on. Fueling and inspiring this work is his young daughter’s battle with complicated heart defects, her experiences with disability, and the impact this has had on those around her. This has directed his focus toward the narratives and tensions in the familiar, and is why he wanders deeper into the thicket of representational work.  Conary's work is in collections nationally and internationally, and has been exhibited widely including Salmagundi’s American Masters shows. Conary is represented by the Principle Gallery (Alexandria, VA), Bowersock Gallery (Provincetown, MA), Turner Fine Art (Jackson...

Cows and Interior

Suchitra Bhosle's "Tom" is an original, handmade oil painting that depicts a male Turkey with his tail feathers flared out into a fan. About the Artist: Suchitra Bhosle is an Indi...

Mia Bergeron's (US based) "Fred" is an original, handmade oil painting that depicts a Humboldt squid, in hues of brown and grey, floating on the white background. Mia Bergeron's in...

Suchitra Bhosle's "I Will Bring You Good Luck" is an original, handmade oil painting that depicts white and orange koi fish mingling and surfacing in the shallow blue water of a koi ...

Derek Penix's (US based) "Penguins" is an oil painting that depicts a huddle of penguins flocking gently together at water's edge. Bio/Artist Statement: Derek Penix was born on December 29, 1980 in Tulsa, Oklahoma. Growing up Penix was surrounded by artists in his family as his mother and grandfather painted. Penix did not pursue painting until after graduating high school. Penix’s mother encouraged him to pursue his talent and took his paintings down to a local gallery where he sold his first piece. Through the years Penix has been inspired by old masters such as Nicolai Fechin, Sargent and the French Impressionists, but it has been over the last few years that Penix has been the most influenced by artist Quang Ho. Penix had the opportunity to take a workshop under Mr. Ho and later to study briefly with him. Since then, Penix believes his paintings have grown more in the last two years than in his last ten years of painting. As an artist Penix gains inspiration from his environment whether that be at the park, in his home, or traveling abroad. He enjoys the freedom to paint different subject matter and has learned to push himself to try new things, even if they are out of his comfort zone. Penix was recognized in South West Art...

Lone figure with hummingbird

John McLeod's "Complete Thought" is an original, handmade oil painting that depicts two cardinal birds facing each other as they perch on a tree branch.

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Harry P Jr Sutton (1897 - 1984) was active/lived in Massachusetts. Harry Sutton is known for figures, interiors, and still life painting. This is a uniq...

Tomorrow is another Day by E. Melinda Morrison is 24 x 30, egg tempera on ACM panel. Framed in a black 3-1/2" gilded frame. Tomorrow is Another Day received honorable mention at t...

"Horses Running", a bold abstract impressionist oil painting with heavy impasto. By Sheila Hedricks. Oil on board. In a period hand...