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French Farmyard Oil Painting signed Lambert Ducks Chickens French 19th century

19th century

Polar Bear 'Ours' by Perez Petriarte This work is on 4 separate canvases each measuring 100cms x 100cms shown here as one To be displayed with gaps between the canvases to represe...

Study of Horses painting in Sepia tones original watercolor circa 1950-1960 By UK artist Peter Hobbs 1930-1994 Signed by the artist This British artist was a professional Sports Car...

Portrait of Collie Dogs Head by Frederick Roe UK Royal Institute Watercolor early 20th Century Well painted portrait of a Collie Dog Frederick Roe RI 1864 - 1947 Roe was born in Cambridge, England, the son of Robert Henry Roe...

Wild Horses Watercolour of horses and their driver Hard to read the signature

Under the Water Painting by Perez Petriarte "This painting is the first of my 'Under the Water' series" Perez Pétriarte grew up on the coast of SW France. She is an artist whose work evolves and follows strong phases of development periodically Her work is strong and distinctive She spent many years living and painting in Paris where she exhibited her works in Parisian Galleries establishing her early decorative style to much acclaim. Subsequently she moved back to the region of her birth, with her family, and re-established her atelier in SW France where her art has moved more strongly towards the politics of ecology and climate change and humanities, the animal world and the planet Perez Petriarte Born 1962 "I grew up by the sea nurtured by the Atlantic Ocean rollers in the shadow of the Pyrenees in Biarritz France. In all my work I am fascinated by light that is the essence of life" Exhibitions Galerie Helène Appel Paris , Invitée d'honneur Association des Basques de Paris , Galerie du Seignanx , Saint Martin de Seignanx , Galerie du Château de Peyrehorade , Galerie Pilli Tafernaberry Bidart ;: Salon 4art Bordeaux , Rencontre du Cadran Saint Geours de Marenne , Salon des Artistes Contemporains Paris , Salon Assemblée Nationale Paris , Salon Jeunes Espoirs Saint Jean De Luz , Salon Le Colisée Biarritz , Salon Interministériel Paris , Salon d'Automne Paris , Salon des Artistes Français Paris , Salon Comparaison Paris . Premier prix du salon Interministériel de la Ville de Paris Prix du salon A.A.P.P Prix salon Interministériel de la Ville de Paris Prix de peinture salon A.A.P.P Médaille de bronze...

Jesus and Mary Magdelene Oil Painting Modernist indistinctly signed M....... dated 1955 Dedicated on the reverse and dated 10/4/56 signed Maurice Unusua...

This fox in the chicken coop, oil on canvas, 105 x 156 without frame and 135 x 185 cm with frame, was clearly painted by Angelo Maria Crivelli (Milan 1660 - 1730) called Crivellone; painter from the Milanese stable but also very active in Piedmont thanks to the Savoy family. The theme in question was very successful in his time and he also developed it vertically, as we can see in some of his works at Castello Sforzesco; here the defense of the hen house...

17th Century Old Master, Figurative and Landscape Painting by Jan Van der Bent So far, little is known about the life and work of Jan van der Bent. He was...

The works of William Smith were regularly exhibited at the Royal Academy in London between 1813 and 1859. Yet little is known about this artist. He lived in Shropshire and was active...

Photorealist oil painting by Manon Cleary (1942-2011). Painting is signed on reverse "Cleary". Painting is stretched on aluminum stretcher and dates to the 1990s. Manon Cleary had a remarkable ability to draw and paint with photographic fidelity, but she was also known as a charismatic teacher at the University of the District of Columbia and as a free spirit whose exuberant life may have been her most enduring work of art. Since the 1970s, Ms. Cleary had been at the center of a group of artists in Adams Morgan. She exhibited her meticulous artwork throughout the city and around the world, but she also became known for her striking presence, her colorful love life and the rats she kept as pets. As an artist, Ms. Cleary borrowed classical techniques from her deep study of Renaissance masters to create paintings and drawings memorable for their frank realism and sometimes disturbing themes. In addition to her many nude self-portraits, Ms. Cleary made erotically charged paintings of flowers. She took inspiration from a painful personal history in a series of works depicting the terror of rape and, in later years, of not being able to breathe without mechanical assistance. Critics considered her a leading figurative artist of the photo-realist school, in which painters render their subjects with camera-like precision. In fact, Ms. Cleary occasionally won awards for photography when adjudicators didn’t realize her works were free-hand creations. She was “widely acknowledged to be among the best, if not the best, of the city’s figurative painters,” Washington Post critic Michael O’Sullivan wrote in 2006. “There is a tension between the cool, clinical detachment of photography and painting’s warm idealization of form.” Ms. Cleary exhibited her art in galleries and museums from Moscow to Paris to Hickory, N.C., but Washington was her home for the past 42 years. In 1974, she settled in the decrepit Beverly Court apartments on Columbia Road NW, where a coterie of artists soon grew up around her. She painted her walls purple, and her fourth-floor apartment — even with the pet rats — became something of a bohemian salon. “She was a star,” painter Judy Jashinsky told the Washington City Paper in 2004. “She was stunning, beautiful; long, brownish–black hair; real thin; wore . . . little sundresses and sandals. She was just very cool, and there was always a crowd around her.” Ms. Cleary had a long list of male admirers, including several whose confrontational attempts at “performance art” led to their arrests. She had a brief marriage in 1981 to a Danish artist known as Tommy — “just Tommy,” Ms. Cleary said — whom she divorced in less than a year. As a kind of graphic homage to her various lovers, Ms. Cleary made a series of intimately revealing portraits that were featured years later on the HBO program “Real Sex.” She met her second husband after a gallery opening in Baltimore. By way of introduction, Kijek, a dancer, stripped naked at a crowded party, walked up to Ms. Cleary and said, “Wouldn’t you like me to pose for you?” They were married in 2001. In spite of her unconventional life, Ms. Cleary was more than a mere provocateur. After a day of teaching at UDC, she would return to her studio, with its windows painted over to block out sunlight, and work late into the night, with a bottle of Dr Pepper at her side. She took nude photographs of herself from every angle, then painstakingly created lifelike images that seemed alive with the warmth of human flesh. After studying in Rome in her youth, she developed what she called “an obsession” with Caravaggio, an iconoclastic painter who lived from 1573 to 1610. She often copied paintings at the National Gallery of Art and, in her own work, blended Renaissance styles with a distinctly modern sensibility. Manon Catherine Cleary was born Nov. 14, 1942, in St. Louis. Her father was a doctor, and her identical twin sister, Shirley Cleary-Cooper, is an artist in Helena, Mont. She was a 1964 graduate of Washington University in her home town and, for the rest of her life, was proud of having been a member of the Pi Phi...

"Contemporary, American, Blue, Vintage TV, with Cat in Mid Century Mod Room" This work is titled, "Ten past 4:00." It is 41 x 58.25" and is Unframed Oil on Canvas. $18,000, price negotiable. A well-known figure of the contemporary Fort Worth art scene, Daniel Blagg...

FOUND FAT 2020 Paris, France Bold, hand-painted, serif typography, painted over a lion's skull on a stained, gessoed canvas. The words read: "Found Fat," mirrored in a vivid green ...