Campbell La Pun

Veuve Clicquot Vintage 2012

2022

Artist: James, Clarence Title: Unios Mysticas Date: 2022 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed Dimensions: 60" x 48" Signature: Signed by Artist on front Edit...

Artist: James, Clarence Title: All of us Together Series: National Arts Club Date: 2022 Medium: Acrylic, Aerosol, Oil Stick on Canvas Unframed ...

Artist: GAMURET, Title: Woodstock Boot (Blue/Pink/Brown) Date: 2021 Medium: Spray Paint on Canvas Board Framed Dimensions: 32" x 26" x 2" Signature: Signed by Artist on Verso ...

Artist: La Pun, Campbell Title: LV Supreme Blutack Date: 2019 Medium: Aerosol on panel Unframed Dimensions: 40.5" x 28.6" Framed Dimensions: 42" x 30" Signature: Signed Editio...

Artist: GAMURET, Title: Woodstock Boot (Blue/Purple/Mint) Date: 2021 Medium: Spray Paint on Canvas Board Framed Dimensions: 32" x 26" x 2" Signature: Signed by Artist on Verso Edition: Unique Provenance: Gamuret Studio; DTR Modern Galleries

Artist: La Pun, Campbell Title: Casamigos Reposado 22901 (Blue Drip) Series: Casamigos Date: 2022 Medium: Aerosol on panel Unframed Dimensions: 57.5" x 40.5" Signature: Signed...

Dominic Beattie 2022 Tiled Paintings XII, 2022 Ink and spray paint on birch plywood 35.5 x 28 cm

Dominic Beattie 2022 Tiled Paintings VIII, 2022 Ink and spray paint on birch plywood 35.5 x 28cm

(3143) Dominic Beattie 2022 Tiled Paintings XI, 2022 Ink and spray paint on birch plywood 35.5 x 28 cm (3143)

Dominic Beattie 2022 Tiled Paintings X, 2022 Ink and spray paint on birch plywood 35.5 x 28 cm

InThree gets its name from jazz improvisation and musical timing. This painting was created using three different mediums oil stick, acrylic paint, and collaged material. The actions...

Helplessly Headless acrylic, spray paint on canvas 72 x 60" 2022 Part of the New Minority Series Dennis Jones was first introduced to the use of a bidet while being extremely ill in Hurghada, Egypt. He has played the game of ‘Jenga’ with prostitutes in Phuket, Thailand. Once he hiked down to the bottom of the Grand Canyon from the North Rim and back in twelve hours. Jones has also visited fifty US National Parks. The work of Dennis Jones is growth oriented. There is diversity among his oeuvre and much risk in such an approach. Eschewing a ‘signature style’ that he considers to be boring, creatively limiting and market driven, he prefers to consider how method and expression intermingle and form a conceptual basis. A cursory glance may consider his prodigious output to lack focus, but a deeper reading reveals that he remains true to himself and allows his work to take him where it needs to go. There has always been the presence of a figure in his work, either implied, or directly visible. One can trace several years of development from his interest in figurative and cartoon-like imagery in, Toyland (2006), through his foray into text based work (2007-13) and a later influence of abstraction (2012-18). Following this trajectory brings one to his current body of work that combines figuration, cartoons and abstraction. He is a visual artist, educator, and architect. Each of the ‘hats’ he wears directly influence his work. He states that ‘a fascination with an integration of material, process and expression, truth of emotion and visually communicating thought are what sustain and drive him as an artist. Jones has participated in over seventy solo and group shows that include local, national and international venues. His creative output includes paintings, sculptures, drawings, installations, videos, photos, books, teaching and residential architecture. Jones’ work was selected to be included in the New American Paintings 2019 Midwest Competition Publication, juried by Staci Boris, Associate Director of Exhibitions, School of the Art Institute of Chicago. Currently, his focus is on a growing body of paintings, in mixed media, on canvas that combine abstraction, figuration and cartoon imagery. Jones had a one person exhibition at the University of Michigan in September through December of 2018. A review of the show can be read on the page titled, Candyland Review. Earlier the same year, He curated an exhibition titled, SIX, that opened in January of 2018, at The Janice Charach Gallery; a five thousand square foot space, located in West Bloomfield, Michigan. The exhibition featured the work of six Detroit artists and provided adequate space for each to show a body of work…essentially six individual shows in one space. Selected venues that have shown Jones’ work include: The OK Harris Gallery, New York; Galerie Protege, NY; The Mary Washington Galleries, Mary Washington University, Fredericksburg, Maryland; The Kraft Lieberman Gallery, Chicago; The Drift Gallery, Portsmouth, NH; The Project Room, Lincoln, NE; The Art Gallery of Windsor, Windsor, Canada; Artcite, Windsor, CA; The Thames Gallery, Chatham, Ontario, Canada; The Kenderdine Art Gallery, University of Saskatchewan, Saskatchewan, CA; Definitely Superior Gallery, Thunder Bay, ON, CA; Gallery Lambton, Sarnia, ON, CA, WKP Kennedy, North Bay...