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C. Dimitri
Plays, large abstract with figure and text elements on canvas

2018

About the Item

A sort of cityscape/skyscape concerned with simplicity, minimalism, negative space, and a story of art and the stock market.
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  • Dvořák's Tenth Slovanic Dance, abstract, still-life, landscape, interior
    By C. Dimitri
    Located in Brooklyn, NY
    At the junction of the abstract and the still-life, minimalism and painterliness, simplicity and depth, this painting is a mixing of opposites.
    Category

    2010s Abstract Abstract Paintings

    Materials

    Gesso, Canvas, Oil, Acrylic, Permanent Marker

  • Giant Bunny Seizes Congressmen, white grey neutral colors energetic abstraction
    By C. Dimitri
    Located in Brooklyn, NY
    Figurative, abstract, gestural, minimalist, and also an animal painting, Giant Bunny Seizes Congressmen reflects this moment. It works within strict limits of color and protects nega...
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    2010s Abstract Figurative Paintings

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    Gesso, Charcoal, Oil Crayon, Oil, Permanent Marker

  • Porkparty, gestural abstraction w figure, energy, blue and neutral tones
    By C. Dimitri
    Located in Brooklyn, NY
    Belongs to a series of colliding male figures. Feeling like this in the air lately.
    Category

    2010s Abstract Abstract Paintings

    Materials

    Charcoal, Oil, Spray Paint, Acrylic, Archival Paper, Permanent Marker

  • The Incredible Combustible, colorful abstract of classical figure theme
    By C. Dimitri
    Located in Brooklyn, NY
    Abstract and figurative interpretation of a classic theme. Originally inspired by the Odalisque.
    Category

    2010s Neo-Expressionist Abstract Paintings

    Materials

    Canvas, Charcoal, Oil, Acrylic, Permanent Marker

  • Colchester, bold energetic gestural mixed media abstraction
    By C. Dimitri
    Located in Brooklyn, NY
    Abstract, inventive depiction of an English landscape where the painter studied.
    Category

    2010s Abstract Landscape Paintings

    Materials

    Canvas, Charcoal, Oil, Spray Paint, Permanent Marker

  • Pyre VII, india ink charred plywood abstract patterns earth tones created w fire
    Located in Brooklyn, NY
    Pyre VII 2017 India ink and acrylic paint on charred birch plywood 32" x 24" x 1.25" Pyre VII is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael Watson...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Acrylic, India Ink, Wood, Plywood, Birch, Wood Panel

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