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Cheryl Johnson
N°201777_Red Embrace

2019

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  • Retracing Steps
    By Katherine Bello
    Located in Kansas City, MO
    Katherine Bello Title: Retracing Steps Medium: mixed media on canvas Year: 2020 Size: 36" x 24" x 1.5" Signed, dated and inscribed by hand COA provided (issued by representing gallery) Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...
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    2010s Abstract Expressionist Paintings

    Materials

    Canvas, Varnish, Oil Crayon, Acrylic

  • When the Night
    By Katherine Bello
    Located in Kansas City, MO
    Katherine Bello Title: When the Night Medium: mixed media on canvas Year: 2020 Size: 12" x 12" Birch panel in black floater frame Signed, dated and inscribed by hand COA provided (issued by representing gallery) Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...
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    2010s Abstract Paintings

    Materials

    Birch, Panel, Varnish, Oil Crayon, Acrylic

  • The Fox Den
    Located in Kansas City, MO
    Jennifer Bricker-Pugh The Fox Den Materials: Mixed Media on Panel Date: 2021 Dimensions : 18"x1.5"x18" Signed by hand COA provided Description: In my opinion, color is an artists mos...
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    2010s Abstract Abstract Paintings

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    Mixed Media, Oil, Acrylic, Panel

  • Tangerine
    Located in Kansas City, MO
    Jennifer Bricker-Pugh Tangerine Materials: Mixed Media on Panel Date : 2019 Dimensions : 12"x1.5"x12 Signed by hand COA provided Description: In my opinion, color is an artists most ...
    Category

    2010s Abstract Abstract Paintings

    Materials

    Panel, Mixed Media, Oil, Acrylic

  • Amsterdam
    Located in Kansas City, MO
    Jennifer Bricker-Pugh Amsterdam Materials: Mixed Media on Canvas Date: 2019 Dimensions : 37"x1.5"x28.5" Signed by hand COA provided Description: In my opinion, color is an artists mo...
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    2010s Abstract Impressionist Abstract Paintings

    Materials

    Canvas, Mixed Media, Oil, Acrylic

  • Dream this Night Away
    Located in Kansas City, MO
    Jennifer Bricker-Pugh Dream this Night Away Materials: Mixed Media on Canvas Date: 2018 Dimensions : 12"x1.5"x12" Signed by hand COA provided Description: In my opinion, color is ...
    Category

    2010s Abstract Impressionist Abstract Paintings

    Materials

    Canvas, Mixed Media, Oil, Acrylic

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  • THE AIR I BREATHE
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  • Family Portrait #5 (Contemporary Abstract Painting, Framed)
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    "I have been painting seriously for somewhere around 35 years, but have only ever sold regionally - most recently, through my gallery on Magazine Street in New Orleans. Through 1stDi...
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  • Quorum
    By G. Campbell Lyman
    Located in New Orleans, LA
    (Comes framed in a deep-profile maple or black floater frame, ready to hang.) Artist's Statement: "This painting harkens back to my 'Gridish' series but with more negative space, a broader array of media and more complexity to the oval forms. I have tried to create tension between these iconic forms through the divergence of dissonant and unusual materials, colors and textures. These ovals keep reappearing in my work; they seem almost like groups of silent but sentient beings to me." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...
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  • Bloom
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    (Comes framed in a deep-profile maple floater frame, ready to hang.) Artist's Statement: "I was working on my loose, almost graffiti-like "Rosetta" series when this painting took a turn towards formality, and instead of trying to wrench it back into the Rosetta mold I just let it go where it wanted to. Has my usual insane assortment of mediums . . . " “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...
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