David Lambert

Walmart Parking Lot

2023

"Paradigm's Gardens Kitchen: Central City" is a painting by Miro Hoffmann. The piece is 14.5 inches high and 18 inches wide. It is acrylic on panel and ...

"Dig Dug" is a painting by Matthew Scott Myers. The piece is 22 inches high, 11 inches wide, and .5 inches in depth. It is acrylic on panel and it ...

"Doorway Sleeper" is a painting by David Lambert. The piece is 10.7 inches high and 11.5 inches wide. With the included frame, "Doorway Sleeper" is 12 inches high, 12.75 inches wide,...

"Arise to Birth with Me, American Love" is a painting by Leslie Staub. The piece is 20.5 inches high, 18.5 inches wide, and 1.75 inches in depth. It is oil and acrylic on panel and i...

David Lambert's INTERSECTIONS is a show about the intersections of people, places, and things in the city of New Orleans.

David Lambert's INTERSECTIONS is a show about the intersections of people, places, and things in the city of New Orleans. Norman C. Francis and Baudin is an intersection in the Mid-C...

Evening at the Lake #1 acrylic on wood panel 33 x 33 cm 13 x 13 in Exhibited: "The Art of Opera" , Jerusalem Israel January 2023

Evening at the Lake #3 acrylic on wood panel 33 x 33 cm 13 x 13 in Exhibited: "The Art of Opera" , Jerusalem Israel January 2023

Claudio Dicochea de la Agente Federal y el Rojo, la Emperatriz (of Federal Agent and Red, the Empress), 2010 acrylic, graphite, charcoal, transfer, wood 2 @ 48" x 36" Born in San Luis Río Colorado, Mexico and raised on the Mexican/US border in southern Arizona, Claudio Dicochea works at the intersection of colonialism, art history and contemporary popular culture. Using the model of the 18th century genre of Casta paintings...

San Rafael Reef #2, acrylic on panel, 11 x 37 1/2 inches, $2,200 “It is my feeling that the desert country of the American West is too large, too wild, too gorgeous to be encompassed by traditional landscape painting. Our inherited aesthetic defines beauty in landscape as green and arable land or grand, breathtaking places. I feel the need to expand that definition. I want to portray the desert as it is right now; to dispense with the limitations of what has come before, to quietly point out the beauty of places that are harsh and forbidding to habitation but express an aesthetic of the wild. I strive to go beyond the sentimentality that often defines our images of the West. The scale of many of my pieces (an extreme horizontal) is a compositional strategy to capture the vastness of these places.” – M. Knudsen Mark Knudsen...

Park Ave With Raven, acrylic on panel, 15 x 24 inches (Framed Size: 24.25 x 15.5 inches), $1500 Scene from Arches National Park, black raven in foreground. “It is my feeling that the desert country of the American West is too large, too wild, too gorgeous to be encompassed by traditional landscape painting. Our inherited aesthetic defines beauty in landscape as green and arable land or grand, breathtaking places. I feel the need to expand that definition. I want to portray the desert as it is right now; to dispense with the limitations of what has come before, to quietly point out the beauty of places that are harsh and forbidding to habitation but express an aesthetic of the wild. I strive to go beyond the sentimentality that often defines our images of the West. The scale of many of my pieces (an extreme horizontal) is a compositional strategy to capture the vastness of these places.” – M. Knudsen Mark Knudsen...

"Vision" by Maureen O'Hara Ure, mixed media on panel with thin rusted wire, 13 1/2 x 18 1/2 inches. Relying on sturdy panel to hold up to months, sometimes years, of revisions, O'Hara Ure slowly builds up an image, obsessively laying down marks in thin, sanded layers of paint, ink, and pencil to create a uniquely smooth, almost polished texture distinctive to her style. When a panel returns to her studio from a show, she may begin to tinker with the image, perhaps first sanding out or painting over just a section. "Often as not, I keep going and start all over, using gesso to erase any memory I have of the painting." "For over fifteen years, all of my major projects have begun with my drawing overseas in museums and at historical sites. I returned to my studio and set about using some of the raw ideas in my travel sketchbooks to begin developing new work, taking liberties with the art-historical material I had collected. The exhibit of new paintings on panel at Phillips Gallery...