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Edward Rice
"Dormer Mansard Roof" - Architectural Painting - Contemporary Realism

2010

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    Located in Atlanta, GA
    "Welk" is an oil painting featuring hues of orange, pink, yellow and grey. Jim Wise is inspired by the works of Georgia O'Keeffe, Rene Magritte, James Rosenquist, Ed Ruscha and 17th...
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    2010s American Realist Still-life Paintings

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  • "Gardenias in Juliska Vase" - Still Life - American Realist Painting - botanical
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    Located in Atlanta, GA
    "Gardenias in Juliska Vase" is a still life painting featuring hues of green, white, and dark blue. Sarah Lamb is inspired by the work of John Singer Sar...
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    2010s American Realist Still-life Paintings

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  • "Pitcher & Peaches" - Still Life - American Realist Painting - fruit
    By Sarah Lamb
    Located in Atlanta, GA
    "Pitcher & Peaches" is a still life painting featuring hues of orange, yellow, tan and green. Sarah Lamb is inspired by the work of John Singer Sargent, Wayne Thiebaud and Emil Carlsen. This piece is framed 14 by 14 inches. Sarah Lamb is a talented and dynamic realist painter. With classical skill—and through transparency, depth and texture—she captures the minute details of everyday objects in her dramatic still lifes and luscious landscapes. She makes us love the familiar and see beauty in the mundane. Born in Petersburg, VA, with a passion for art and an appreciation for the past, Sarah spent a semester at the Studio Art Center International in Florence, Italy before graduating from Brenau Women’s College with a BS degree in Studio Art in 1993. Following a summer workshop in Santa Fe, NM with renowned classical painter Jacob Collins, she spent two years painting at The Ecole Albert Defois in the Loire Valley with classical realist artist Ted Seth Jacobs...
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    2010s American Realist Still-life Paintings

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  • 'Laid Bare' - landscape - oil on canvas - woods - George Inness
    By Kathryn Keller
    Located in Atlanta, GA
    "Laid Bare" is a landscape painting featuring hues of grey, green, blue and yellow. Kathryn Keller is inspired by the works of George Inness, Edward Hopper, Giorgio Morandi & Alexander Drysdale. Kathryn Keller is a painter based in New Orleans and Alexandria, Louisiana. She received a BA in Fine Art and English from the University of the South...
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    2010s American Realist Landscape Paintings

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  • "Equestrian Sheet Music" - American Realism - Horse Painting - Rosa Bonheur
    By Julie Ferris
    Located in Atlanta, GA
    "Equestrian Sheet Music" is an oil on canvas study of horses hooves featuring black, white and grey hues. The framed dimensions are 22 by 18 inches. Atlanta native, Julie Ferris is ...
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    2010s American Realist Animal Paintings

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  • "Sea of Stripes: Pears" - still life with pears, stripes - Raphaelle Peal
    Located in Atlanta, GA
    "Sea of Stripes: Pears" is a still life painting featuring hues of green, yellow, blue and white. Jordan Baker is inspired by the works of Rachel Ruysch...
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  • Hydrangeas and Other Garden Flowers
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  • Still Life with Peaches
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    Located in New York, NY
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  • The Race
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    William John Hennessy was born in Ireland. He came to America in 1849 with his mother and brother a year after his father had fled their homeland after taking part in the unsuccessful Young Ireland Party uprising. The Hennessys settled in New York, and when young William came of age, he decided upon a career as an artist. At the age of fifteen, he enrolled at the National Academy of Design, where he learned to draw from the antique, and the following year he was granted admission to the Academy’s life-drawing class. Hennessy first exhibited at the National Academy in 1857, starting a continuous run of appearances in their annuals that lasted until 1870, when he expatriated himself to Europe. During his time in America, Hennessy was principally known as a genre painter and prolific illustrator for such publications as Harper’s Weekly and a number of books, including illustrated works of William Cullen Bryant...
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  • Copley Square, Boston
    By Thomas Fransioli
    Located in New York, NY
    Thomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, trees are sharp, and saturated color permeates the scene. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for the rare appearance of figure and the occasional black cat scurrying across pavement. Instead, humanity is implied. Magic Realism neatly characterizes Fransioli’s viewpoint. First applied to American art in the 1943 MoMA exhibition “American Realists and Magic Realists...
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