Adam Mysock

Early American Aliens (James Madison)

2016

after: Joseph Shuster’s Action Comics #1 Cover (1938) and #19 Burning Flesh from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards (1962) Framed: 9h x 9w in Continuing the exploration of Superman’s role as extraterrestrial anomaly – an alien who’s also a friend, I spent time considering how important one’s actions (on a singular occasion, in sum, alone, in collaboration with others, etc.) are in determining overall “goodness” or social value. In literally his first exposure to any reader, on the cover of Action Comics #1, Superman is shown smashing a large car against a rock, while three well-dressed men run away in fear. Taken by itself the image presents a deranged, super-strong vandal. It’s only upon reading the full narrative that we understand Superman’s action to be part of a rescue mission and the men to be gangster villains. When we allow Superman to be considered as an individual, responsible for his own actions, and over a series of events, rather than one incident, we find our hero. But when I offer Superman another alien (this one up to no good), and deny any exposure to a fuller understanding of circumstance, it’s much more difficult to separate Superman’s destructive actions from those of his new companion. Better Alone Than in Bad Company...

after: Pieter Bruegel the Elder’s The Blind Leading the Blind (1568), Akseli Gallen-Kallela’s Building (1903), and #17 Beast and the Beauty from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards...

after: Joseph Shuster’s Superman #1 Cover (1939) and #17 Beast and the Beauty from Wally Wood’s, Bob Powell’s, and Norm Saunders’ Mars Attacks trading cards...

(after: Henry Fawcett; Dame Millicent Garrett Fawcett by Ford Made Brown, 1872) Framed: 8.50h x 10w in On November 7th, 2016, it seemed as if everyone knew how the U.S. presidential...

after: "And In His Eyes I Saw Death" by Ejnar Nielsen, 1897 Framed: 10h x 8.50w in Being discontented means being left with choices. We can either accept a current status quo or ch...

after: “La Lutte” by Émile Friant, 1889 Framed: 10h x 8.50w in As I’ve gotten older, I’ve been particularly struck by the staggering number of unintende...

Claudio Dicochea de la Agente Federal y el Rojo, la Emperatriz (of Federal Agent and Red, the Empress), 2010 acrylic, graphite, charcoal, transfer, wood 2 @ 48" x 36" Born in San Luis Río Colorado, Mexico and raised on the Mexican/US border in southern Arizona, Claudio Dicochea works at the intersection of colonialism, art history and contemporary popular culture. Using the model of the 18th century genre of Casta paintings...

"Bewitching" by Marwan Nahle, acrylic on panel (yellow painted edges) 8 x 8 x 1.5 inches, $950 Marwan Nahlé is a citizen of the world. As a free spirit ...

Title: New York Ti Amo Size: 50x50 cm Media : Acrylic on wood Ulivieri's art is characterized by its spontaneous flow and precise lines. His imagination is a key component of his journey, which he calls 'Strafantasie.' As a maestro born in the same city as Michelangelo, Botticelli, and many other geniuses, Ulivieri's work is a testament to the rich artistic tradition of his hometown. Faustini Arte has held several important national and international exhibitions, but has never been as successful as with Uliviero Ulivieri...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Old Friends 2022 Acrylic, Color pencil, on Washi (Japanese handmade paper) over wood panel. Brooklyn-based Japanese artist Masaya Nakayama creates work by wrapping wooden panels with Washi (Japanese handmade paper) followed by “drawing” with a special painter's tape. After covering the panels with a mix of acrylic, colored pencil, and gold leaf, Nakayama pulls up the tape to reveal his motif. The artist’s current body of work details his life in the USA as an immigrant on the path to citizenship. He centers on iconic images with themes representing what the artist equates with American culture through the lens of an artist of color...

This piece belongs to the first series of 6 large coins created by Natasha Lelenco in 2019, starting from the concept of the "face" and incorporating a floral background inspired by ...