Albert Lynch

Rêverie

circa 1900

Charles Chaplin 1825-1891, French Reverie (Dream) Oil on canvas Signed lower left Canvas: 27 1/2" high x 41 3/8" wide Frame: 35" high x 49 1/4" wide This masterpiece come from...

Leon-François Comerre 1850-1916 French The Ballerina’s Loge, circa 1900 Oil on canvas Signed lower in the center Canvas: 29 1/2" high x 23 1/2" wide ...

Albert Lynch (Peruvian 1851 – 1912) The maiden of spring Signed ‘A Lynch’ on reverse Oil on canvas laid down on board 26.5 x 11.5cm. Born in Lima in 1851, Albert Lynch studied art at L'Ecole des Beaux-Arts de Paris and in the studios of the figure painters Gabriel Ferrier and Henri Lehmann and the landscape painter Jules Nšel. He exhibited at the Salon from 1890 and was awarded a third class medal in that year, a first class medal in 1892, and a gold medal in 1900 at the Exposition Universelle. Lynch specialised in painting female subjects to which he brought a charming elegance and sophistication typical of such belle epoque paintings...

Literary Origins of Angelica The subject of this painting is Angelica, a princess from the epic chivalric romances of the Italian Renaissance. She first appears in Matteo Maria Boiardo’s Orlando Innamorato (1483) and reappears famously in Ludovico Ariosto’s Orlando Furioso (1532). In these poems – part of the Matter of France cycle of Charlemagne and his paladins – Angelica’s extraordinary beauty ensnares many knights, including Orlando (Roland) and his cousin Rinaldo, sparking rivalries and adventures. Ariosto’s narrative particularly highlights Angelica’s tumultuous journey: at one point she is stripped and chained to a rock as a sacrifice to a sea monster (a scene mirroring the myth of Andromeda) before being dramatically rescued by the valiant knight Ruggiero on his winged horse. Ultimately, however, Angelica chooses her own destiny. She falls in love with a humble Saracen soldier, Medoro, whom she nurses back to health, and she returns with him to her far-off Asian kingdom – an affair that drives the heartbroken Orlando to madness. This independent resolution (marrying outside the circle of Christian knights) made Angelica an emblem of feminine agency and romantic idealism in Renaissance literature. Her story remained popular in art and literature through the centuries, symbolizing the allure and elusiveness of love. Kronberg’s Portrayal and Composition In Julius Kronberg...