Alexandru Rădvan

Hercules and Sea Urchin - 21st Century, Sea, Hero, Blue, Yellow, Red, Figurative

2019

Island for Umberto (triptych), 2014 Acrylic on canvas 59.05 H x 82.67 W in. ( 59.05 H x 27.55 W in.) 150 H x 210 W cm (each 150 H x 70 W cm) "Island for Umberto" has the literary so...

Descriptive 1, 2013 Acrylic on canvas, (Signed, Front left lower end) 27 9/16 H x 19 11/16 W in. 70 H x 50 W cm The artwork "Descriptive 1" was part of ...

Idols Camouflage by Tide, 2020 acrylic on canvas 27 9/16 H x 27 9/16 W in. 70 H x 70 W cm The new series of paintings signed by Alexandru Rădvan was born during the total isolation ...

People with Small Crab, 2022 acrylic on canvas 170 H x 130 W cm 66 59/64 H x 51 3/16 W cm The painting by Alexandru Rădvan is about our moments of 'respiro' about the minutes/secon...

Moonrise, 2023 acrylic on canvas 130 H x 150 W cm 51 3/16 H x 59 1/16 W cm The painting by Alexandru Rădvan is about our moments of 'respiro' about the minutes/seconds when we noti...

Dogs Greeting a Man, 2023 acrylic on canvas 245 H x 130 W cm 96 29/64 H x 51 3/16 W cm The painting by Alexandru Rădvan is about our moments of 'respiro' about the minutes/seconds ...

Eliyahu Boxer Facets and Faces (triptych), 2023 acrylic and ink on canvas 60 x 150 cm 24 x 59 in Eliyahu was born in the United States and moved to Israel with his family at a ver...

Blue Statue, 2020 "For Blackburn, the Western’s heroic drama, good-versus-evil narrative, and assertive landscape are challenges to face in her work. These aspects of film can overwhelm a painting, thus distancing the viewer from the art. She wants the art to be dominant; “Painting wins,” she declares. She finds this happens when a painting possesses what she terms “classical balance.” By this the artist means that everything is where it needs to be compositionally—nothing can be changed—and “the whole can be seen at once.” Linda Blackburn...

Bisti Wash, 2020 "For Blackburn, the Western’s heroic drama, good-versus-evil narrative, and assertive landscape are challenges to face in her work. These aspects of film can overwhelm a painting, thus distancing the viewer from the art. She wants the art to be dominant; “Painting wins,” she declares. She finds this happens when a painting possesses what she terms “classical balance.” By this the artist means that everything is where it needs to be compositionally—nothing can be changed—and “the whole can be seen at once.” Linda Blackburn...

"El rapto" is a painting by Venezuelan artist Carmelo Niño (b. 1951). Since he first appeared in the local scene, with his early individual exhibitions at...

"Chelsea Hotel" is a one of a kind original artwork. This is made with acrylic paint on canvas, already framed.

Introducing "Ribbon," an extraordinary painting from the "Jersey Meadow Series" by Martin Hoffman in the 1970s. From the 1970s onwards, Hoffman's career showcased a masterful combination of beautiful painting techniques and challenging subject matter. This contemporary painting depicts an abandoned landscape with a hypnotic blue plastic ribbon at its center. Hoffman's landscape creates an almost mesmerizing effect, where the subject matter of destruction and decay is presented poetically. The warm shades of grey with hints of blue, brown, and purple create a limited yet powerful palette that enhances the melancholic beauty of the painting. The painting measures 151cm x 202cm / 59.5in x 79.5in and is signed 'Martin Hoffman' on the reverse side of the canvas. It is titled 'Ribbon' and is dated '73.' Additionally, the artist specifies that the painting is part of the 'Jersey Meadow Series.' It is ready to hang and comes with a silver-painted frame. The condition of the painting is great, with hardly any signs of wear. The frame has a few scratches but is otherwise in good condition. Artist Bio: Martin Hoffman was a versatile artist and illustrator, mostly known for his paintings. He was a self-taught painter and a gifted drummer who had worked as an art director for the Miami News, Graphic Arts Inc., and Steiner & Wall Advertising. In 1973, Martin Hoffman landed his first solo exhibition at the OK Harris...