Riding Away
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Amanda MarieRiding Away2014
2014
About the Item
- Creator:Amanda Marie (1981, American)
- Creation Year:2014
- Dimensions:Height: 19.75 in (50.17 cm)Width: 15.75 in (40.01 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This handmade paper has natural light textures and creases as pictured.
- Gallery Location:Philadelphia, PA
- Reference Number:1stDibs: LU18822831023
Amanda Marie
An American painter and Stencilist, Amanda Marie has been living and painting in Colorado since 2001. She attended the Rocky Mountain College of Art and Design (RMCAD) and has exhibited extensively in the US and Europe. She creates small works on paper and larger works on canvas for indoor exhibition. She also paints large scale murals in outdoor and urban and garden settings. Her use of nostalgic storybook like imagery is an invitation for viewing allegorical and highly painterly compositions . Signature in her very graphic work is the use of children and young adults as imagery tools to deliver clever often subtle messages that can straddle a line between comforting and spooky. Other signature and recognizable traits in her work are the common use of ‘twin imagery’ and the consistent use of vintage sewing patterns as backgrounds to inform the compositions of her paintings. The work has a very wide appeal. Her respect from the Street Art world, and her appeal to a fine Art crowd is a rare combination. Along with Swoon and AIKO, Amanda Marie is among the very best women working in the important genre of Stencilism, and her visual language is as rich and graphically powerful as any of her peers. With Amanda, it is refreshing to see graphic stencils (cutout devices to reproduce and apply graphic imagery or text) which are not the overtly violent or super sexual images that might have originally attracted audiences to the genre. As stencil painting matures Amanda Marie’s work is keeping pace with an evolving and discerning eye. Thematically, a regular comparison from the fine art world is Henry Darger, but Amanda Marie is also heavily influenced by classic ‘golden book’ era illustrators like Eloise Wilken, Tibor Gergely and Leonard Weisgard. Amanda’s paintings use a combination of mediums and techniques In most works, some elements are screen printed, some are wheat pasted, and some elements are drawn out and then made into hand cut stencils and spray painted. There is also acrylic paint applied by brush and splatter techniques, and of course the trademark use of vintage sewing patterns is present in most of her paintings. The complex use of multiple techniques in each piece lends to the depth and subtlety of her work.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2010
1stDibs seller since 2015
369 sales on 1stDibs
Typical response time: 1 hour
Associations
Association of Women Art Dealers
More From This SellerView All
- SupersistoBy Henry HablakLocated in Philadelphia, PAThis piece titled "Supersisto" is an original artwork made from acrylic on paper by Henry Hablak. This piece is shipped with the pictured black frame and measures 19”h x 13”w. Vario...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsPaper, Acrylic
- "Shapeshifter", Acrylic on Wood Panel, Depiction of Birds, Fictional LandscapeBy Adrian Landon BrooksLocated in Philadelphia, PAThis piece titled "Shapeshifter" is an original painting by Adrian Landon Brooks and is made from acrylic on wood panel. This piece measures 19”h x 19”w. Adrian Landon Brooks (b. 19...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsWood, Acrylic
- "Grounding" Cowgirl and buffalo motifs, mixed media tapestry-inspired paintingBy Crystal LatimerLocated in Philadelphia, PAThis piece titled "Grounding" is an original artwork by Crystal Latimer and is made of acrylic, pastel, ink, flock, 24k gold, cotton tassels on panel. This piece measures 20"h x 20"...Category
21st Century and Contemporary Contemporary Animal Paintings
MaterialsGold
- "Tomorrow is Hope" Bears in nature, Cowgirl motifs paintingBy Crystal LatimerLocated in Philadelphia, PAThis piece titled "Tomorrow is Hope" is an original artwork by Crystal Latimer and is made of acrylic, pastel, ink, flock, 24k gold, cotton tassels on panel. This piece measures 28"...Category
21st Century and Contemporary Contemporary Animal Paintings
MaterialsGold
- "Bear Down" Cowgirl and animal motifs, mixed media tapestry paintingBy Crystal LatimerLocated in Philadelphia, PAThis piece titled "Bear Down" is an original artwork by Crystal Latimer and is made of acrylic, pastel, ink, flock, 24k gold, cotton tassels on panel. This piece measures 20"h x 20"...Category
21st Century and Contemporary Contemporary Animal Paintings
MaterialsGold
- "Go Your Own Way", buffalo painting on panel, 24k gold detailingBy Crystal LatimerLocated in Philadelphia, PAThis piece titled "Go Your Own Way" is an original artwork by Crystal Latimer and is made of acrylic, pastel, ink, flock, 24k gold, cotton tassels on panel. This piece measures 34"h...Category
21st Century and Contemporary Contemporary Animal Paintings
MaterialsGold
You May Also Like
- Rider and the Pink Dragon, Pop art contemporary style, bold painting with horseBy Apostolos ChantzarasLocated in Dallas, TXHeroes and Riders are among Apostolos Chantzaras' favourite themes. The story of a hero or saint fighting a dragon is universal, and understood throughout many cultures. With his own...Category
2010s Contemporary Figurative Paintings
MaterialsMixed Media, Oil, Acrylic, Archival Paper
- Ambrosia, Owl #9 “The Wise Guys” series, Pop contemporary blue bird paintingBy Apostolos ChantzarasLocated in Dallas, TXAmbrosia, Owl #9 from "The Wise Guys" series is a poppy and fun painting on Fabriano paper depicting a Blue Owl. The painting is in a white box frame. Ambro...Category
2010s Contemporary Animal Paintings
MaterialsMixed Media, Oil, Archival Paper, Acrylic
- Psychi 9 - The Soul, oil paint on paper, orange contemporary whimsical butterflyBy Apostolos ChantzarasLocated in Dallas, TXThis is a beautiful whimsical original butterfly painting on watercolor paper, currently floated on a matboard, ready to be frame. Painting does not include frame. One of the Owls fr...Category
2010s Contemporary Animal Paintings
MaterialsAcrylic, Archival Paper, Monoprint, Oil
- Leaping From the BoxBy Gordon McConnellLocated in Denver, COThis is a framed painting on paper. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...Category
2010s Contemporary Figurative Paintings
MaterialsArchival Paper, Acrylic
- A cosmic escapadeLocated in Dubai, DUAcrylic on paper, unframed This artwork hints at the concept of lovers ascending into the cosmos.Category
2010s Contemporary Figurative Paintings
MaterialsAcrylic, Archival Paper
- Spots of Many - Original Framed Wild Animal Painting on PaperBy Kellie NewsomeLocated in Los Angeles, CAColumbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...Category
2010s Contemporary Animal Paintings
MaterialsMixed Media, Paper, Acrylic, Pencil