America Martin

Woman and the Waterfall

America Martin "Music Man Diptych" Acrylic on Linen (Gold Frame) 52" x 21.5" Each 52" x 43" Overall Exploring the identity of both her namesake and countr...

America Martin "Woman in Gray I" Acrylic on Linen (Gold Frame) 52" x 21.5" Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration from ...

America Martin "Woman with Branches Dance III" Acrylic on Linen (Gold Frame) 52" x 21.5" Exploring the identity of both her namesake and country, LA-based America Martin draws ins...

America Martin "Bird Flies with Flower" Acrylic on Linen 74" x 38" Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration from he...

America Martin "Woman with Branches Dance II" Acrylic on Linen (Gold Frame) 52" x 21.5" Exploring the identity of both her namesake and country, LA-based America Martin draws insp...

America Martin "Woman with Branches Dance I" Acrylic on Linen (Gold Frame) 52" x 21.5" Exploring the identity of both her namesake and country, LA-based America Martin draws inspi...

Katrina Revenaugh Bunny Luv Acrylic Paint and Spray Paint on stretched Raw Belgian Linen. Back side of linen is primed. Year: 2020 Size: 61.25×49in Signed: On Verso COA provided Ref...

Reminiscent of the Fauvist movement and Italian classicism, Italian artist Giuseppe Beddru’s bold outlines, dynamic brushstrokes and contrasting use of color make his work visually e...

Katrina Revenaugh Bee Mindful No. 1 Archival Pigment Ink, Acrylic, Spray Paint and Oil Pastel on Stretched Belgian Linen with a Matte Varnish Year: 2021 Size: 46x36in Signed: On Vers...

The Conspiracy Theorist acrylic, spray paint on canvas 28 x 34" 2022 Part of the New Minority Series Dennis Jones was first introduced to the use of a ...

Helplessly Headless acrylic, spray paint on canvas 72 x 60" 2022 Part of the New Minority Series Dennis Jones was first introduced to the use of a bidet while being extremely ill in Hurghada, Egypt. He has played the game of ‘Jenga’ with prostitutes in Phuket, Thailand. Once he hiked down to the bottom of the Grand Canyon from the North Rim and back in twelve hours. Jones has also visited fifty US National Parks. The work of Dennis Jones is growth oriented. There is diversity among his oeuvre and much risk in such an approach. Eschewing a ‘signature style’ that he considers to be boring, creatively limiting and market driven, he prefers to consider how method and expression intermingle and form a conceptual basis. A cursory glance may consider his prodigious output to lack focus, but a deeper reading reveals that he remains true to himself and allows his work to take him where it needs to go. There has always been the presence of a figure in his work, either implied, or directly visible. One can trace several years of development from his interest in figurative and cartoon-like imagery in, Toyland (2006), through his foray into text based work (2007-13) and a later influence of abstraction (2012-18). Following this trajectory brings one to his current body of work that combines figuration, cartoons and abstraction. He is a visual artist, educator, and architect. Each of the ‘hats’ he wears directly influence his work. He states that ‘a fascination with an integration of material, process and expression, truth of emotion and visually communicating thought are what sustain and drive him as an artist. Jones has participated in over seventy solo and group shows that include local, national and international venues. His creative output includes paintings, sculptures, drawings, installations, videos, photos, books, teaching and residential architecture. Jones’ work was selected to be included in the New American Paintings 2019 Midwest Competition Publication, juried by Staci Boris, Associate Director of Exhibitions, School of the Art Institute of Chicago. Currently, his focus is on a growing body of paintings, in mixed media, on canvas that combine abstraction, figuration and cartoon imagery. Jones had a one person exhibition at the University of Michigan in September through December of 2018. A review of the show can be read on the page titled, Candyland Review. Earlier the same year, He curated an exhibition titled, SIX, that opened in January of 2018, at The Janice Charach Gallery; a five thousand square foot space, located in West Bloomfield, Michigan. The exhibition featured the work of six Detroit artists and provided adequate space for each to show a body of work…essentially six individual shows in one space. Selected venues that have shown Jones’ work include: The OK Harris Gallery, New York; Galerie Protege, NY; The Mary Washington Galleries, Mary Washington University, Fredericksburg, Maryland; The Kraft Lieberman Gallery, Chicago; The Drift Gallery, Portsmouth, NH; The Project Room, Lincoln, NE; The Art Gallery of Windsor, Windsor, Canada; Artcite, Windsor, CA; The Thames Gallery, Chatham, Ontario, Canada; The Kenderdine Art Gallery, University of Saskatchewan, Saskatchewan, CA; Definitely Superior Gallery, Thunder Bay, ON, CA; Gallery Lambton, Sarnia, ON, CA, WKP Kennedy, North Bay...

Gyre acrylic, spray paint on canvas 80" x 96" 2022 Part of the New Minority Series Dennis Jones was first introduced to the use of a bidet while being extremely ill in Hurghada, Egypt. He has played the game of ‘Jenga’ with prostitutes in Phuket, Thailand. Once he hiked down to the bottom of the Grand Canyon from the North Rim and back in twelve hours. Jones has also visited fifty US National Parks. The work of Dennis Jones is growth oriented. There is diversity among his oeuvre and much risk in such an approach. Eschewing a ‘signature style’ that he considers to be boring, creatively limiting and market driven, he prefers to consider how method and expression intermingle and form a conceptual basis. A cursory glance may consider his prodigious output to lack focus, but a deeper reading reveals that he remains true to himself and allows his work to take him where it needs to go. There has always been the presence of a figure in his work, either implied, or directly visible. One can trace several years of development from his interest in figurative and cartoon-like imagery in, Toyland (2006), through his foray into text based work (2007-13) and a later influence of abstraction (2012-18). Following this trajectory brings one to his current body of work that combines figuration, cartoons and abstraction. He is a visual artist, educator, and architect. Each of the ‘hats’ he wears directly influence his work. He states that ‘a fascination with an integration of material, process and expression, truth of emotion and visually communicating thought are what sustain and drive him as an artist. Jones has participated in over seventy solo and group shows that include local, national and international venues. His creative output includes paintings, sculptures, drawings, installations, videos, photos, books, teaching and residential architecture. Jones’ work was selected to be included in the New American Paintings 2019 Midwest Competition Publication, juried by Staci Boris, Associate Director of Exhibitions, School of the Art Institute of Chicago. Currently, his focus is on a growing body of paintings, in mixed media, on canvas that combine abstraction, figuration and cartoon imagery. Jones had a one person exhibition at the University of Michigan in September through December of 2018. A review of the show can be read on the page titled, Candyland Review. Earlier the same year, He curated an exhibition titled, SIX, that opened in January of 2018, at The Janice Charach Gallery; a five thousand square foot space, located in West Bloomfield, Michigan. The exhibition featured the work of six Detroit artists and provided adequate space for each to show a body of work…essentially six individual shows in one space. Selected venues that have shown Jones’ work include: The OK Harris Gallery, New York; Galerie Protege, NY; The Mary Washington Galleries, Mary Washington University, Fredericksburg, Maryland; The Kraft Lieberman Gallery, Chicago; The Drift Gallery, Portsmouth, NH; The Project Room, Lincoln, NE; The Art Gallery of Windsor, Windsor, Canada; Artcite, Windsor, CA; The Thames Gallery, Chatham, Ontario, Canada; The Kenderdine Art Gallery, University of Saskatchewan, Saskatchewan, CA; Definitely Superior Gallery, Thunder Bay, ON, CA; Gallery Lambton, Sarnia, ON, CA, WKP Kennedy, North Bay...