Bernard Labbe

1950's Big Modernist/ Cubist Painting - Figures Gathered

1950's

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper stuck on card size: 18 x 25 inches condition: very good and ready t...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card size: 25 x 25.5 inches condition: very good and ready to be enjoyed provenance: the artists atel...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card size: 19 x 25 inches condition: very good and ready to be enjoyed provenance: the artists atelie...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper , mounted on card size: 25 x 25.5 inches condition: very good with a small rip in the card frame...

French Figure by Bernard Labbe (French mid 20th century) original gouache on paper, mounted on card size: 17 x 11.5 inches condition: very good and ready to be enjoyed provenance: t...

Portrait by Bernard Labbe (French mid 20th century) original gouache on artist paper, unframed size: 19.5 x 16.5 inches condition: very good and ready to be enjoyed provenance: the ...

Original Painting. Colliers Cover Published American Scene Christmas Modern Antonio Petruccelli (1907 - 1994) Man with Ribbon Colliers published,...

Late Mid Century French watercolour and Gouache on handmade paper of a pair of dancers by Damien Hermellin. Signed and dated bottom right. Pres...

Donald Stacy "Mark" c.1950s Oil pastel and gouache paint on paper 14x17" unframed Unsigned Came from artist's estate Donald Stacy (1925-2011) New Jersey Studied: Newark School of ...

Adolf Arthur Dehn Haitian Scene #7, ca. 1951 Watercolor gouache, hand signed; framed with AAA Gallery label verso Signed on the front bearing the origina...

Issac Mizrahi fashion illustrationon Arches paper signed in ink lower right Circa 1990's Image 29.5" H x 21.25" Frame: 31.5" H x 23.75" W x 1.5" D. Th...

William Gropper Original Gouache on Paper Hand signed lower right 33.5 x 27.5 image 26 x 20.5 The New-York born artist William Gropper was a painter and cartoonist who, with caricature style, focused on social concerns, and was actively engaged in support of the organized labor movement throughout his career. This original watercolor drawing is done in the iconic style of the artist's oeuvre. Born to Harry and Jenny Gropper in 1897, William was raised in New York City's Lower East Side. His parents were Jewish immigrants from Romania and Ukraine, and young William grew up in relative poverty, watching his family struggle to achieve that sought-after American dream. His father, a bright and college-educated man, was unable to find employment that worthy of his intellect. His mother, meanwhile, worked as a seamstress from home. Coupled with the devastating loss of an aunt to the infamous Triangle Factory fire of 1911, significant childhood factors created the foundation that led to Gropper’s exploration of the American experience. Early on, Gropper displayed an extraordinary, natural skill for art. By 1912, he was already studying under the instruction of George Bellows and Robert Henri at the Ferrer School in Greenwich Village. During his time at school, Gropper was also awarded a prestigious scholarship to study at the National Academy of Design. However, he refused to fit into convention and was swiftly expelled from the Academy. After his expulsion, Gropper returned home to help financially by assisting his mother and taking a shop position. However, he didn't abandon art academia and soon presented a portfolio to the New York School of Fine Art which earned him a scholarship for study. Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publications like Vanity Fair, New Masses, The Nation, and Freiheit. His interest in the welfare of the American worker, class inequality, and social injustice was central in his work. After publishing the graphic novel Alley Oop in 1930, Gropper's illustration career extended well into the decade. However, he was never exempt from controversy, and his 1935 Vanity Fair cartoon; prompted anger from the Japanese government. As an involved labor organizer and Social Realist activist, Gropper continued to bring attention to his radical reputation with visits to the Soviet Union and Poland. However, his concern with European politics and U.S. social causes didn't slow down his artistic career, and by the late 1930s, he had produced significant murals for American cities like Washington D.C. His 1938 mural Construction of a Dam was commissioned for the Department of the Interior and represents the Social-Realism style that depicts experiences of the worker and everyday societal life. Measuring at a staggering 27ft by 87ft, the piece portrays muscular, robust American laborers scaling rocky hillsides, building infrastructure, and operating heavy machinery. The mural feels undeniably American with golden scenery, denim blues, and steely gray colors. Gropper fits perfectly into Social-Realism because the style exhibits an illustrative flair with strong lines and simple, bold hues. The inspiration for Construction of a Dam sprang from his 1937 travels to the poverty-stricken Dust Bowl area. The trip was sponsored by a Guggenheim Foundation Fellowship, and his drawings of the Grand Coulee and Boulder Dams...