Carlos Quintana

RABBIT

2019

Caitlin Cherry’s paintings feature larger-than-life subjects in striking color: Black femme figures, familiar composites drawn from an image culture that thrives on appropriating the...

Fahamu Pecou Rising Down, 2014 Acrylic, gold leaf,spray paint, oil stick on canvas 60 x 40 inches (152.4 x 101.6 cm)

Farrokh Mahdavi (b. 1970, Tehran, Iran) is amongst the cutting edge painters of his generation in Iran, with his work being shown in over thirty exhibitions in Iran and abroad. Farrokh's works are easily distinguished with their unique pink hue and recognizable technique. As he once said about his portraits, Farrokh aims to reach “a more material meaning” by “omitting the impurities”, defamiliarization of known facial elements, and crossing over “cliché definitions”. Farrokh Mahdavi's work has been presented at the Iranian...

Sean Landers Minotaur, 2008 Oil on linen 11 x 14 inches (27.9 x 35.6 cm)

Ben McLaughlin Monday: 3 down, Method of removing hair roots (12), 2008 Oil on panel 6 3/4 x 4 1/2 inches (17.1 x 11.4 cm)

Fahamu Pecou is a visual artist and scholar whose works combine observations on hip-hop, fine art and popular culture. Pecou’s paintings, performance art, and academic work addresses...

Dramatic oil on canvas surrealist painting by John Abrahamson (American 20th Century) depicting a nude male with the motto Partitus Ero or I wager in Latin. Abrahamson is known for h...

Collections: Robert Isaacson; James Draper, New York, 2014. Exhibited: Cambridge, The Fitzwilliam Museum, Beggarstaffs: William Nicholson and James Pr...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...

Provenance: Ibid Projects Private collection, Los Angeles

Mikhail Yakhilevich (Israeli, Russian) Boating 116x89 cm oil on canvas Michael Yakhilevitz was born in 1956 in Moscow. He graduated from The Stage Design Department of The Moscow Ar...

Mother Mary, 2017 John Hartley discovered his life's passion while growing up in Piqua, Ohio. Encouraged to develop his talents in an academic environme...