Cindy Press

"Yes Please (Black)" black & white oil painting of a woman in a dress and heels

2021

In her paintings, Tracey Sylvester Harris presents a dazzling, iconic vision of the female form that merges the past with the present. The paintings speak to the central issues of human existence- desire and loss, impermanence and beauty, and the many dimensions of our connections with others Inspired by found, black and white snapshots from the mid-century, her paintings are colorful yet bittersweet, depicting fleeting moments captured a lifetime ago. Suspended in time, Harris’ stylish and elegant, cropped figures put on scarlet lipstick, dream by the pool or sit in contemplation. With the context of their lives removed, the women become mysterious; they are alluring not for their bodies, but for the secrets they hold. Raised by two professional artists, Harris’s art career began at an early age. Initially showing in her family’s gallery and then branching out into other venues, her work has since shown in museums and galleries nationwide and has been featured on the cover of numerous books and also in the movie, The Face of Love...

The work of Cindy Press celebrates women by exploring the connection between our physical bodies and personal identity. Inspired by fashion and popular cul...

Lily Sol’s current work “Flower Goddess” is a symbol of blooming into her true self and honoring the divine femine energy within all of us. Through her paintings she is able to celebrate the fierce women in her life and shine light on the diverse and unique beauty of cultures around the world. She loves exploring different mediums in her art journal, playing with collage, acrylic paints, watercolors, and pressed blooms. While painting she tries to stay in an intuitive mindset and allow her works to transform naturally—always seeking the harmony between staying loose yet in control, yin & yang of life. Bright colors, a playlist she can dance...

Lily Sol’s current work “Flower Goddess” is a symbol of blooming into her true self and honoring the divine femine energy within all of us. Through her paintings she is able to celebrate the fierce women in her life and shine light on the diverse and unique beauty of cultures around the world. She loves exploring different mediums in her art journal, playing with collage, acrylic paints, watercolors, and pressed blooms. While painting she tries to stay in an intuitive mindset and allow her works to transform naturally—always seeking the harmony between staying loose yet in control, yin & yang of life. Bright colors, a playlist she can dance...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissan...

“I have been creating art on some level for as long as I can remember. Life has led me in various directions but one thing that has always remained a constant is my love for art and involving myself in the creative process. Jill was born and raised in the inspiring state of Vermont. She studied Fine Art at The University of Vermont and upon graduating with a B.S. in Art Education, she moved to San Diego California where she continued studying painting at The University of California San Diego. After a brief career as a fine art educator, she realized her true passion was being more hands on in creating and has been painting professionally ever since. Jill and her family have recently settled back on the east coast from the San Francisco area. She feels so fortunate to be living and working in the inspiring state of Maine. As with anything, art is a process and my recent work is representative of how it has evolved. One of the hardest things as an artist is to find a voice in your work. I spent a long time focusing on replicating things that I saw rather truly seeing them through an artistic eye. My work now is based on an initial idea or vision, I still will use some references in the process, but my most successful moments in painting happen when I lose that security and the work is coming from within. Adding, editing, allowing color interaction...

"New Move 8" Oil on Canvas is a mix of blues and greens with chrome yellow accents. Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculpto...

Jamel Akib Born in Leigh-on-sea, Essex in 1965 to English and Malaysian parents, Jamel moved to North Borneo at the age of five. At thirteen he returned to England to pursue his edu...

Dramatic oil on canvas surrealist painting by John Abrahamson (American 20th Century) depicting a nude male with the motto Partitus Ero or I wager in Latin. Abrahamson is known for h...

Collections: Robert Isaacson; James Draper, New York, 2014. Exhibited: Cambridge, The Fitzwilliam Museum, Beggarstaffs: William Nicholson and James Pr...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...

Provenance: Ibid Projects Private collection, Los Angeles