Clifford Hall

A Cafe in Madrid, Oil on Board Painting, Signed and Dated 1950, English Artist

1950

Oil on board Image size: 16 3/4 x 10 1/4 inches (42.5 x 26 cm) This work depicts the three stages of life: infancy, adulthood and old age.

Gouache on card, signed lower left Image size: 14 1/4 x 12 1/4 inches (36 x 31 cm) Contemporary style frame Joan Fairfax Whiteside Joan Fairfax Whiteside was a prodigious artist an...

British School Mid 20th Century The Cricket Match Oil on board Image size: 18 x 24 inches (46 cm x 61 cm)

Oil on board Image size: 5 3/4 x 7 inches (14.5 x 17.75 cm) As can be seen in this painting, Surrealism served as a source of inspiration for Bergner, though he did not consider himself a surrealist but a lover of stories, and indeed narrative elements appear frequently in his work. He uses the “displacement” element, as the Surrealists did, and that is detaching the figures, objects or landscapes from the logical context and into a poetical-magical climate. Nissim Aloni noted in 1983 He paints as though to install stabilizers against the turbulence of the dream, and perhaps these stabilizers serve him in time as a touchstone'. The Artist Yosl Bergner was born in Vienna, Austria, in 1920 and grew up in Warsaw, Poland. With rampant anti-Semitism in Europe, the Freeland League for Jewish Territorial Colonization was formed in the United States in July 1935, to search for a potential Jewish homeland. Soon afterwards a pastoral firm in Australia offered the League about 16,500 square kilometres (6,400 sq mi) in the Kimberleys, stretching from the north of Western Australia into the Northern Territory. As history showed, the plans went nowhere. But for a time, the Australian idea was at least worth considering. Bergner's father, Melech Ravitch, became involved in a serious investigation of the Kimberley Plan. In this way the Bergner family moved to Australia. Yosl emigrated to Australia in 1937 and studied in the National Gallery School in Melbourne. During World War II he served for four and a half years in the Australian Army, and later continued his studies at the Art School. In Melbourne from 1937–48, Bergner befriended many of the local artists who now epitomize modern Australian art: Sidney Nolan, Albert Tucker...

Oil on board Image size: 30 ¼ x 23 ½ inches Gilt frame Plummer specialised in the medium of egg tempera, a technique little used since the frescos of the Renaissance, he often work...

Arthur Moody Flourished 1920 - 1940 Leda and the Swan Oil on board Signed lower left and dated 1925 Image size: 15 × 8 inches (33.5 x 54 cm) Gilt frame

Abstract Modernist oil painting by Zoute dated 1941. Oil on board. Unframed. Zoute (Born-Leon Salter, 1903-1976) was self-taught and well exhibited during his lifetime. He painted from 1940-1954 (he stopped painting at this later date due to his wife's illness and death and never painted again) A self-taught artist, he was part of the great modern wave. He exhibited with many of the most notable artists of the day such as Picasso, Braque, Klee and others at the invitation only State University of Iowa International Show 1946-1947. He had numerous one man shows at NYC galleries, Mortimer Levitt / Joseph Heller...

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Untitled (Transcendental Composition), oil on board, 1947, oil on board, signed and dated lower r...

Oil on cardboard

Oil on cardboard

Oil on cardboard

Oil on cardboard