Corneille

Le ciel orange

1983

Artwork size: 97 x 130 cm. Frame size: 109 x 142 cm. Free shipment worldwide. Signed, titled and dated on the verso. Acquired directly from the artist. “Adami is the maestro of the ...

Unique artwork This work is recorded in the Arman Studio Archives New York under number: APA# 1001.87.013. The painting was executed by Arman at a happening at Malmö Konserthus for t...

Come dare i primi soccorsi ann cane. 1971 Artwork size: 81×100 cm. Frame size: 96,5 × 114,5 × 4,5 cm. Provenance: Galerie Maeght. Zürich – Schweiz. This artwork is accompanied by a...

Acquired directly from the artist. Free shipment worldwide. Painted on the sides. No frame needed. The work of Antonio de Felipe is a constant source of fascination and surprises. I...

Painting Antonio de Felipe "Marilyn puntos rojos" Acquired directly from the artist. Free shipment worldwide. Painted on the sides. No frame needed. The work of Antonio de Felipe is a constant source of fascination and surprises. It is a great pleasure to witness how the artist’s inge-nious world of ideas and his sense of humour are constantly evolving. Antonio de Felipe was born in Valencia in 1965. Ever since a very young age he has felt an artistic drive that led him to earn a fine arts degree at the University of Valencia. During his studies he worked as a creative designer in an advertising agency which undoubtedly influenced what would be his future pictorial style. In 1996 he moved to Madrid where he has his studio. Antonio de Felipe has developed his extensive work in different series. His subject worlds form a surprising genre blend, a linking of series characters, classical art and commercialism side by side with contemporary icon worship. His motifs are often painted in constellations that pay homage to great artists, including Velázquez, Picasso, Mondrian and others. Many of his works exhibit an ingenious ability to express powerful paradoxes. One example of this can be seen in the paraphrase on Diego Velázquez famous Las Meninas (Spanish for The Maids of Honour), painted in 1656. Instead of the glass of cold, perfumed water in the original, Antonio de Felipe places a Fanta soft drink in the hand of the young Spanish princess Margarita. The painting is part of the series LOGOTIPOS (logos) devoted to the world of art and advertising. This series was followed by VACAS (cows), with paintings such as Vaca Vogue, a pink cow on the cover of a Vogue magazine. Then, CINEMASPOP where actors like Marilyn Monroe and Audrey Hepburn among others were revived as pop icons, with well-known creations such as Black Audrey. In 2009 Antonio de Felipe presented POPSPORT in which the artist mixes the world of sport with cartoons and art history, uch as in La carrera where Picasso’s Demoiselles d’Avignon are participating in a run at a stadium. And latest, the LPop series where the artist is playing with the motifs and titles of famous LP album covers, such as Bad Bart where Bart Simpson...

Artwork size: 81 x 119 cm. Frame size: 94 x 132 cm Free shipment worldwide. Acquired directly from the artist. Signed and dated on the verso. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "Three Business Men" signed and dated 1972. New York Times art critic Grace Glueck observed tha...

Signed and dated. «This is not a prison» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory of two dramatic years since 2020 that have affected us all. Covid, and its consequences, have become a common point of reference that we will all talk about and bear remembrance to for a long time. But our memories are like life itself; dynamic and in constant change, often weakening with time, and can either ebb out or be reinforced. O.F. Hvidstens work in this period stand out as an anchor point for this common experience. Ole Fredrik Hvidsten...

Signed and dated. «Me and my girl» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual mem...

Signed and dated. «Late night apiphany» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visua...

Signed and dated. «Doppler Modus» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memo...

Unique artwork. Acrylic on canvas.