Daisy Patton

Untitled (Woman with Gray Vines and Mauve Flowers)

2018

Mario Zoots uses abstract, figurative, and still life objects to create abstract collages which challenge concepts of form, color, and object identificatio...

Mario Zoots uses abstract, figurative, and still life objects to create abstract collages which challenge concepts of form, color, and object identificatio...

From Los Angeles, California, Daisy Patton moved back and forth between Oklahoma and California during her childhood. She spent much of her early years reading adventure and detective tales, history and art history books...

In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to reimagine, to re-enliven these individuals removed from their space and time. Family photographs are sacred relics to their loved ones, but unmoored the images become hauntingly absent. Taussig states that defacing these types of objects forces a “shock into being;” suddenly we perceive them as present, revered, and piercing. By mixing painting with photography, she lengthens Roland Barthes’ “moment of death” (the photograph) into a loving act of remembrance yet also a form of purgatory. Not alive but not quite dead, each person’s newly imagined and altered portrait...

In Forgetting is so long, Daisy Patton collects abandoned, anonymous family photographs, enlarges them past their familiar size, and paints over them. She uses paint to disrupt, to r...

comprised of two panels each 96"x40" exhibition history: "Uncovered Spaces" at the International Museum of Art and Science in collaboration with the Center for Latin American Arts at...

This painting is made by Dutch artist Jantien de Boer (1984, Classical Academy for Painting Groningen) The artist likes to tell a story in her paintin...

A large scale, unique oil painting on a boxed timber panel, ready to hang. Framing on request.

"Jumpers" is a framed oil on linen on panel work by Philip Buller, depicting abstracted figures engaged in ice-skating and skiing. Buller's painterly approach to these Wintery subjects, as well as the repetitive, echoing composition evokes the nostalgia of vintage home movies or layered photography film. The vibrant, contrasting colors and figures in mid-jump create playful tension and a heightened sense of movement. This piece has an artist-supplied black frame that is in "as-is" condition. Pricing includes the pictured frame. The unframed dimensions are 65 X 80 inches. About the artist: Philip Buller was born to American diplomat parents in Delhi, India in 1954, but spent his youth mostly in northern Virginia and his ancestral home...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...