Delphine Rocher

WILD GRASS - oil painting

2021

Large size Triptych, Oil Painting on canvas stretched on a wooden frame, Signed by the artist. "I like to use transparencies and glazes; bodies and figures appear as mountains or ri...

Oil painting on canvas stretched on a wooden frame, already framed in a Museum box. 'Madame Reve XVI" is part of the 'Madame Reve" series of 16. Delphine Rocher is a graduate of the...

Oil painting on canvas stretched on a wooden frame. Delphine Rocher is a graduate of the Duperré School of Applied Arts, Paris, France. Her favorite themes are the American West, a...

Oil Painting on canvas stretched on a wooden frame. Delphine Rocher is a graduate of the Duperré School of Applied Arts, Paris, France. Her favorite themes are the American West, ...

Oil painting on canvas stretched on a wooden frame, signed by the artist Delphine Rocher is a graduate of the Duperré School of Applied Arts, Paris, France. Her favorite themes are...

Delphine‘s paintings are concerned with the interaction between humankind and his landscape , his role as an actor, his relationship to space, his status as a spectator. She enjoys e...

Jamel Akib Born in Leigh-on-sea, Essex in 1965 to English and Malaysian parents, Jamel moved to North Borneo at the age of five. At thirteen he returned to England to pursue his edu...

Jamel Akib Born in Leigh-on-sea, Essex in 1965 to English and Malaysian parents, Jamel moved to North Borneo at the age of five. At thirteen he returned to England to pursue his edu...

Blue Statue, 2020 "For Blackburn, the Western’s heroic drama, good-versus-evil narrative, and assertive landscape are challenges to face in her work. These aspects of film can overwhelm a painting, thus distancing the viewer from the art. She wants the art to be dominant; “Painting wins,” she declares. She finds this happens when a painting possesses what she terms “classical balance.” By this the artist means that everything is where it needs to be compositionally—nothing can be changed—and “the whole can be seen at once.” Linda Blackburn...

Bisti Wash, 2020 "For Blackburn, the Western’s heroic drama, good-versus-evil narrative, and assertive landscape are challenges to face in her work. These aspects of film can overwhelm a painting, thus distancing the viewer from the art. She wants the art to be dominant; “Painting wins,” she declares. She finds this happens when a painting possesses what she terms “classical balance.” By this the artist means that everything is where it needs to be compositionally—nothing can be changed—and “the whole can be seen at once.” Linda Blackburn...

I am not afraid to define it as a metaphysical painting, - says Angelo Crespi - and right in the suffix "beyond" (in Greek "meta") also of the title "Oltremare" the intent to climb over the wall of the sensible and the real is revealed. There is another vein to which the new paintings of Nahmad refer and it is that of Romanticism, in the strong idea that art should represent the sublime, not the beautiful. The skies like John Constable, thick with purplish blue clouds (such as "Rainstorm over the Sea" of 1828 which anticipates by a century modernity), the stormy seas like William Turner, give the viewer the idea of infinity and vastness of nature compared to the finitude and misery of the human. If Caspar Friedrich...

Zhang Lili oil paint on canvas 30 x 40cm dated 2019 Zhang lili was born in Hunan, China. She received her MA from Central Academy of Fine Arts in China in 1996.