François Hippolyte LALAISSE

Stallion in the stable

Félix Saturnin BRISSOT de WARVILLE (Véron, 1818 – Versailles, 1892) Sheep at the sheepfold Oil on panel Signed lower left 28 x 36 cm Félix Saturnin Brissot de Warville was born in the Yonne, at Véron near Sens, on May 7, 1818. He is the grandson of Jacques Pierre...

Charles Zacharie LANDELLE (Laval, 1821 – Chennevières/Marne, 1908) Portrait of a child with blue eyes Oil on canvas Monogrammed and dated lower l...

Nicolas Edward GABE (Paris, 1814 - Paris, 1865) The death of General Négrier on Place de la Bastille on June 25, 1848 Oil on canvas Signed and dated lower right 82 x 101 cm 1849 Nicolas Edward Gabé is a 19th century artist who is still little studied to this day and yet seems to have enjoyed, according to the artistic press of the time, a certain notoriety, in particular for his seascapes. The few bibliographical elements that we have come from the Salon booklets and tell us that the artist was born in Paris in 1814, therefore shortly before the end of the Empire. No elements on his artistic training are mentioned in the booklets, we just know that Gabé exhibited at the Paris Salon from 1835 to 1864 where he first practiced miniature then then approached easel painting, risking himself as well in still life that the seascapes, the landscape, the portrait or the hunting. According to press articles, he also took part in various exhibitions in the provinces such as Boulogne-sur-Mer and Marseille. Notably, Gabé did not exhibit at the Salon his large historical canvases on the revolution of 1848, which today are of obvious documentary and iconographic interest; probably for political reasons which are easily understandable to us today in view of the historical events of then. Gabé died in Paris at the age of 51 on January 4, 1865 with a mention in the January 7, 1865 edition of L'Union des Arts: “The death of Mr. Gabé, painter, well known in the export trade in paintings as well as to the auctioneers' hotel, whose sales it supplied through its numerous navies. “ "On June 25, 1848, in front of the barricades erected in the Bastille by the insurgents of the Red Republic, General Négrier fell to death, while he was uttering words of order and conciliation". Here are the opening lines of the tribute paid by Colonel Borgarelli d´Ison, friend of General Négrier. General Négrier belonged to a family from Maine, brought back by Marshal Lannes from emigration. Born in Le Mans on April 27, 1788, François Marie Casimir de Négrier entered, barely 18, as a volunteer in the 2nd Light Infantry Regiment. He began in 1806 with the campaigns of Prussia and Poland, during which he earned, through his bravery, the rank of sergeant and the decoration of the Legion of Honor. He made the following campaigns in Spain and Portugal, and left, with his regiment, only for the campaign of France, in 1814, after having risen successively, by actions of brilliance and by a serious wound, to the ranks of head of battalion and officer of the Legion of Honor, with which he was provided from October 1813. The Restoration retained his rank in his regiment. After having fought and wounded a second time seriously in Waterloo, Négrier was recalled in 1816 under the second Restoration. He was appointed, in 1825, lieutenant-colonel, then colonel in 1830, brigadier general in 1836, and of division in 1841. From March 1837 he participated in the conquest of Algeria. The Revolution of 1848 found Negrier in possession of the important command of the 16th Military Division in Lille. Quaestor of the Assembly in these times which promised to be troubled, Négrier reviewed the Place de la Concorde on June 23 at around noon various mobile guard battalions. He then took the head of 2,000 men provided by the 10th and 11th legions of the national guard and bivouacked on the Place du Palais until the next day 24. On Sunday 25 at nine o'clock, the Négrier division resumed the fight towards the Saint suburb. -Antoine. The troop gains continual advantages. At around two o'clock the column of Négrier had seized the Pont Marie: it had removed the barricades from the Quai Saint-Paul, the rue de l'Etoile, the rue des Barres...

Camille METRA or METRA-HUBBARD (XIX - XX) The Thule King's Cup Oil on canvas Signed lower right and dated 1896. 113,5 x 146 cm Presentation at Union Exhibition of Women Painters and Sculptors 1896 under number 627 Figure painter and pastelist. She exhibited two works at the Salon of the Société Nationale des Beaux-Arts in 1895 under her maiden name METRA and implemented in 1896 in the same Salon as METRA-HUBBARD. Effectively, she married Monsieur Gustave Hubbard, Deputy of Seine et Oise, August 14, 1895. She was a member of the Union of Women Painters and regularly exhibited at the annual exhibition of 1891 to 1911 and she was repeatedly remarked. This painting refers to a poem published in 1782 by Goethe and resume it widely in his Faust (Part 1, 2759-82 lines). This poem will go to the full mode romantic nineteenth century by various translations of which the best known are Gérard de Nerval (1827) and later Louise Ackermann (1863). Franz Schubert...

French School of the early 19th century Circle of Baron GERARD (1770-1835) or Circle of Élisabeth Louise VIGÉE-LEBRUN (Paris, 1755 – Paris, 1842) Cupid ...

Théodore VALERIO (Herserange, 1819 – Vichy, 1879) Study of a Breton shepherdess Oil on canvas mounted on cardboard Bears the sale stamp at the bottom 31 x 22 cm Provenance: Sale o...

In the manner of Eugene Delacroix. Framed This 19th century painting depicts soldiers riding horses in the heat of a violent battle.

The Favourite Pet by Lucien Gerard (French 1852-1935) signed lower right corner oil on wood panel, framed panel: 8.75 x 6.75 inches plus the substantial antique gilt frame provenance...

A stunning and atmospheric painting by Marius Petit (1882-1960). It dates from the 1920s, the height of the art deco period. Glorious, scintillating and beautifully coloured; it is a...

Jamel Akib Born in Leigh-on-sea, Essex in 1965 to English and Malaysian parents, Jamel moved to North Borneo at the age of five. At thirteen he returned to England to pursue his edu...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Oil on canvas Shooting by the woods by Chapman Bayley (1818-1832) Early 19th Century gent standing by the woods with his two dogs shooting. Signed by the artist in original frame. Ch...