G. Distefano

'Dancer', Cubist Figural

1965

Signed bottom right 'G. Distefano' and dated 1965. An exploration of tonality using airbrush techniques and negative space, sweeping lines define a figure.

Signed lower right, 'Henry Ottmann' (French, 1877-1927) and painted circa 1915. Born in 1877 in the Loire Valley, Henri Ottmann first exhibited in the Salon de la Libre Esthétique ...

Signed lower right, 'Babu Lal' for Babu Lal Marotia (Indian, born 1961) and painted circa 1995. A double portrait of Shah Jahan and his most favored wife, Mumtaz Mahal, exquisitely detailed and embellished with colored rhinestones. The two portraits share a background of the Taj Mahal, the lyrical architectural symbol of the Shah's undying devotion to his beloved Mumtaz. Matching frame dimensions: 17H x .5D x 15W inches Each painting measures 8 x 6 inches. Shilp Guru Babulal Marotia was born in Jaipur...

Signed lower right, 'Dusso' for Leon D'Usseau, Jr. (American, 1918-1991) and painted circa 1965. A substantial oil painting showing two lovers reclining in a barge on a stream before a Persian palace crowned with domes and minarets; the pair elegantly dressed, with the young woman bejeweled and the young man playing a lute. Born in Los Angeles, Leon D'Usseau began training under the guidance of his father, who was among the earliest fine art film directors in Hollywood. At the age of twelve, he was drawing seriously and, at fifteen, he received a working scholarship at Chouinard School of Art where he studied under Merrill Gage and Alexander Archipenko and also taught a line-drawing class. Adopting the anglicized brush-name of Dusso, he exhibited widely and with success including at the Los Angeles County Museum of Art (1937-40), the California Palace Legion of Honor (1941), the Metropolitan Museum of Art (1942), the Laguna Festival of Arts, Los Angeles Artists Association (1945), the California Watercolor Society (1946) and the Audubon Association (1945). Leon Dusso...

Signed lower right, ‘Zenteno’ for Sergio Zenteno (Mexican-American, born 1955), additionally signed, verso, titled, ‘Trinity’ and dated 1994. Zenteno i...

Signed upper right, 'Oda Lauritsen' for Oda Lauritsen Isbrand (Danish, 1904-1987) and dated, upper left, '1928'. A powerful oil portrait of the artist's husband-to-be, the notable D...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Womenswear. There, he tutored many contemporary greats, including John Galliano, Stella McCartney, Christopher Kane, Wes Gordon, Zac Posen and Hussein Chalayan. Examples of Tangye’s portraits are held in many important collections, both public and private, including the Victoria and Albert Museum (V&A), Harvard University and London’s National Portrait Gallery. Throughout his teaching career Tangye quietly developed a particularly idiosyncratic art practice. By employing a decisive line with bold applications of richly layered materials, Tangye explores the nuances of the human form in an effort to expose his subjects’ true essence and energy. — Howard Tangye Natasha (Sitting), 2012 Mixed media on Pergamenata parchment 100 x 70 cm (39.37 x 27.55 in) (signed) (unframed) — This portrait shows Natasha, an ex-student and model. Here she’s posed in Howard’s studio wearing a look from Louise Gray’s S/S 2013 collection. The collection featured headwear by Stephen Jones, the renowned British milliner who created the cut-out plexiglass fascinator Natasha wears here. This work hails from a series commissioned by Dan Thawley, director of “A Magazine Curated By” for the edition guest edition by Jones who dedicated his issue to Anna Piaggi...

This large mixed medium painting in india ink and coffee grounds on heavyweight deckle BFK print paper, "Touch", depicts an abstract body in motion. With impressionistic strokes the observer can only glimpse her outline in browns and blues, leaving the finer details to the imagination, giving the work a ghostly air of a faded memory. Signed by artist on the lower right. "Capturing movement is everything to me in my work. It exists in the way the brush moves and the hand bends bringing action and life to the surface it is connecting to. The work itself can then exist as a history, and bring forth evidence of time as the essential force within the artwork. In today’s contemporary world, there are many ways to define art. That is why it is impotent that you, the viewer, understand why I create and what art means to me. For me, art is so much more than an image of an object, an advertisement or a statement. Art is in its nature the undeniable evidence of our own humanity and existence. It connects us, to each other and to our past. Speaking to the parts of us we never will fully understand, our emotions, are spirituality and are mortality. As an artist; I need to speak to these feelings and questions. Using mark-making and gestures as a guide, I search, letting go of control as the moment breathes life into the creation of my work. Through the boundary of line, I give shape to the image. Conveying an overall balance between the moment of creation and the structure of the figure. Though this practice, I strive to provoke a universal connection to the work. One that speaks to humanity's emotional understanding of empathy, curiosity, sorrow and joy." - Chris Lujan...

Dimensions: Artwork 11 x 11 in, framed 15 x 15 in This painting is unique, signed on recto by artist, and includes a certificate of authenticity I...