Georges Braque

Georges Braque - Héméra - Beautiful Litograph

Antonio Segui 38 x 46 cm Distraido Oil on Canvas Signed and Dated on the back Antonio Segui Biography Born in Córdoba, Argentina in 1934, Antonio Seguí currently lives and works in Paris. He studied at the San Fernando Academy in Madrid, Spain as well as the Ecole des Beaux-Arts in Paris, France. His first solo exhibition was in Argentina at age 23. Antonio Seguí is one of the most internationally renowned Argentinian artists. He began his artistic endeavors at a young age after leaving Argentina to travel the world and study art. His journeys through Latin America, Europe and Africa exposed him to new ideas and encouraged his culturally diverse approach to art. Influenced by artists like Fernand Leger and Diego Rivera, Seguí’s work is generally satirical, critiquing society and human nature. In a pre-computer age, the artist created a vocabulary that is now being explored by a new generation of artists through comics and Manga, yet his visual language and social commentaries remain poignant, both symbolically and literally. Throughout his career, Seguí has developed a fascination for urban life, creating in his work the idea of the “everyman.” The city movement, the fast pace at which life happens and the people who live in these urban spaces are some of the elements that constitute the world depicted in his paintings. It is a prototypical realm inhabited by speedy automatons that take immutable routes leading nowhere. Up close, each figure is an individual, walking down dark alleys, pointing, waving and emerging from potholes. But from a distance, the individuals morph into complex patterns swallowed up in a labyrinth of buildings and cookie-cutter trees. Utilizing cubist techniques, Seguí’s repeated elements give shape to the cities causing planes to vibrate between line and color. Numerous perspectives unfold with each vibration and reflect the many angles of life of the urban man. Always in action, the little figures trample, tip-toe, dodge and advance through Seguí’s imaginary metropolis of life. His work is representated on a series of narratives and criticisms reflected on paintings that show many little men, dressed in 20's style clothes. He uses his own recourse based on comic strip characters, texts, arrows and various signs, juxtaposed onto the figures that resemble comic strip style language. Seguí’s work is collected and exhibited worldwide in places such as the MoMA, New York; Art Museum of the Americas, Washington, D.C.; Frissiras Museum, Athens, Greece; Museo de Arte Moderno de Buenos Aires, Argentina; Museum der Moderne Salzburg, Austria; Museum of Modern Art Dubrovnik, Croatia; and Museo Tamayo, Mexico City, Mexico. The Musée National d´Art Moderne, Paris organized a retrospective of his works on paper in 2005. A monograph on the artist by Daniel Abadie was published in 2010 by Hazan. Antonio Segui Resumé 1995 Art Miami '95, USA. S. Zannettacci, Geneva, Switzerland Marwan Hoss, Paris, France Gallerie du Cirque Divers, Belgium Le Moulin du Roc, France Fundacao C. Gulbenkaian, Portugal Gallerie J. Rubeiz, Beirut, Liban 1994 F. Santos, Portugal E. Franck Gallery, Belgium 1993 Galleria San Carlo, Milan, Italy Galería I. Vega, Puerto Rico Winance-Sabbe, Belgium FIAC, Paris, France 1992 Casa Rosada, Buenos Aires, Argentina Espace Julio Gonzales...

Louis TOFFOLI (1928 - 1999) Brodeuse Signed lower right Oil on canvas 55 x 38,1 cm 78 x 60 cm (Framed) Louis TOFFOLI was born in Trieste, in Italy in 1907. After graduatin...

M. CHAT Untitled Painting mounted on canvas Signed Dimensions : 120 x 120 cm including frame Framed painting Avec certificat Discreet and unobtrusive, Monsieur Chat or M. Chat has been working on the streets since he was 15. His anonymity was broken in 2007 when he was caught painting his famous symbol – the cat. The man behind the mask was revealed to be Thoma Vuille, but he didn’t allow himself to be disturbed by this. Instead, he continued to exacerbate the already crystallized curiosity around the urban graphics of his increasingly present symbol. The shadow of his anonymous existence dispersed upon being shined on, but in the end, he realized that he and his alter ego are one and the same person, so he learned to drop the mask and raise his name alongside the signature of his alter ego. Believing in the idea and repeating it continuously over time, the artist got to the point where he was able to shape those around him in a way that, ultimately, the image he projects outwards is reflected back at him at times when he starts to entertain his own doubts about it. Throughout the World Born in Boudry, in the canton of Neuchâtel, Switzerland, Chat began roaming the streets around 1987. He studied at the Institute of visual Arts of Orléans, graduating in 2001. In 1997, during one of the workshops, the grinning cat was born. In his, now omnipresent symbol, the culture of the neighborhood meets the never-ending optimism of the artist, making a combination that is easily recognizable and widely famous. His dream of uniting human beings, different as they might be, is now possible. That single unifying subject has been found, and he’s ever since on a mission of spreading that subject throughout the world. It was this kind of contagious optimism that nudged the film-maker Chris Marker into approaching the artist, and eventually making a documentary about him in 2004. Reflecting on France’s state after the 9/11, Marker used the phenomenon of the Chat’s cat to explore the sad feelings of the people, but to share some optimism as well. The attention was not focused on the artist, for once, as we do not need to know his personal history to be able to feel something upon seeing his work. In fact, the state of mind, or an attitude, or a philosophical aspiration, is represented through an image. Behind that image lies all the simplicity of a smile painted on a wall, and all the power that comes with it. Vuille keeps the drawing simple and the line clear. On the first sight, the cat looks like a logo. However, it can’t be reduced to a logo, as it’s so much more than that. Belonging to street art, it’s a character with a strong identity and many variations. A character that achieves a symbolic dimension through its simplicity. A Dispute with RATP – Let Art Be Free Street art is highly unpredictable – where one sees inspirational pieces, others see the destruction of property. The artist had been previously arrested on brush in hand by the Police Municipal of Orléans in 2007. The Régie autonome des transports Parisian demanded 1,800 euros in damages, stating that Vuille had, without prior authorization, drawn inscriptions, signs or drawings, in the case of Cat Heads on the walls of the Châtelet-Les Halles station during its renovation in May 2014. Due to some contradictories, Vuille’s lawyer raised the invalidity of the notice of the artist, stating that he and his client were not completely sure what they were accused of. The court found the nullity of the summons, and the RATP finally asked one euro in damages, an amount incomparable to their previous requests. The whole thing turned out to be nothing more than a bad memory for Monsieur Chat, stating that he was not a criminal, but an artist. He also explained that his intention was to humanize a transit corridor, which was gray. All he did was putting some color on it, sharing happy feelings with all who passed nearby. Discreet and unobtrusive, Monsieur Chat or M. Chat has been working on the streets since he was 15. His anonymity was broken in 2007 when he was caught painting his famous symbol – the cat. The man behind the mask was revealed to be Thoma Vuille, but he didn’t allow himself to be disturbed by this. Instead, he continued to exacerbate the already crystallized curiosity around the urban graphics of his increasingly present symbol. The shadow of his anonymous existence dispersed upon being shined on, but in the end, he realized that he and his alter ego are one and the same person, so he learned to drop the mask and raise his name alongside the signature of his alter ego. Believing in the idea and repeating it continuously over time, the artist got to the point where he was able to shape those around him in a way that, ultimately, the image he projects outwards is reflected back at him at times when he starts to entertain his own doubts about it. city english cookies video Monsieur Chat – Siesta à Paris, 2016 (Left) / Sky With Dufy, 2016 (Right), image courtesy of Galerie Brugier-Rigail Throughout the World Born in Boudry, in the canton of Neuchâtel, Switzerland, Chat began roaming the streets around 1987. He studied at the Institute of visual Arts of Orléans, graduating in 2001. In 1997, during one of the workshops, the grinning cat was born. In his, now omnipresent symbol, the culture of the neighborhood meets the never-ending optimism of the artist, making a combination that is easily recognizable and widely famous. His dream of uniting human beings, different as they might be, is now possible. That single unifying subject has been found, and he’s ever since on a mission of spreading that subject throughout the world. It was this kind of contagious optimism that nudged the film-maker Chris Marker into approaching the artist, and eventually making a documentary about him in 2004. Reflecting on France’s state after the 9/11, Marker used the phenomenon of the Chat’s cat to explore the sad feelings of the people, but to share some optimism as well. The attention was not focused on the artist, for once, as we do not need to know his personal history to be able to feel something upon seeing his work. In fact, the state of mind, or an attitude, or a philosophical aspiration, is represented through an image. Behind that image lies all the simplicity of a smile painted on a wall, and all the power that comes with it. Vuille keeps the drawing simple and the line clear. On the first sight, the cat looks like a logo. However, it can’t be reduced to a logo, as it’s so much more than that. Belonging to street art, it’s a character with a strong identity and many variations. A character that achieves a symbolic dimension through its simplicity. The simplicity of the smile painted on a wall represents the state of mind page france french Monsieur Chat – Le Masque...

Yoel Benharrouche Oil on Canvas Title: The Wise Man of Time Dimensions: 33 x 24 cm Framed dimensions: 73 x 63 cm Signed "Spirit must meet with matter. Th...

William Rosewood - Stigmata Medium: Oil on panel Casted in Gold 24 Karat Dimension: Diameter: 120 cm (Framed 130cm) William Rosewood is a talented artist who has discovered th...

after Marc CHAGALL (1887 - 1985) Poster for "Les peintres témoins de leur temps Musée Galiera" 1963 Created by Charles Sorlier after Chagall's 1937 painting...

framed 36 X 28 board 30 X 21.75 Sandu Liberman (Romanian-Israeli) was born in Yasi, Romania in 1923. between 1946 and 1953 he took part in the state art shows in Bucharest. in 1952 ...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Provenance: Cernuda Art, Coral Gables Private Collection, Los Angeles

"Jesus y Los Pescadores" by Alvar Sunol is an original oil on canvas painting and measures 59 x 59 inches. This painting incorporates Alvar's favorites drawing inspiration of mixing ...

Roman Zaslonov is a Russian Postwar & Contemporary artist who was born in 1962. Roman Zaslonov's work has been offered at auction multiple times. Only o...

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...