Giancarlo Impiglia

Dynamic cubist style oil painting "Marathon" runners and Olympics

2022

A dynamic new oil on aluminum whose rough, reflective qualities add an additional, exciting dimension. Born in Rome, Impiglia moved to New York in the 70s, where he established a s...

A signature work by the masterful Impiglia, who handmade the frame as well. Born in Rome, Impiglia moved to New York in the ‘70s, where he established a signature style on the shoulders of Futurism and Cubism, his technical skill underpinning his eclecticism and allowing him to indulge in an appetite for complexity. His work has been exhibited in numerous galleries around the world and is part of prominent collections including that of The Victoria and Albert Museum and the Absolut Art...

An exploration of light in the signature style of Impiglia, an artist whose work has steadily been increasing in value. Born in Rome, Impiglia moved to New York in the ‘70s, where he established a signature style on the shoulders of Futurism and Cubism, his technical skill underpinning his eclecticism and allowing him to indulge in an appetite for complexity. His work has been exhibited in numerous galleries around the world and is part of prominent collections including that of The Victoria and Albert Museum and the Absolut Art...

A vibrant work on lead by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulders of Futurism...

A vibrant work on lead by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulders of Futurism...

A vibrant work on lead by the indelible Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the shoulders of Futurism...

“Coral Gardens” is an interpretation of the experience we had in the Great Lagoon of Rangiroa, a pristine and tranquil spot in the South Pacific. To catch a sense of motion and flick...

"Synergy" synergic painting: pigments, oil, encaustic on canvas stretched on wood, ∅ 100 cm, 2015. Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. ...

"Cauda Pavonis" synergic painting: pigments, oil, encaustic on canvas stretched on wood, ∅ 80 cm, 2017. Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gda...

Abstract modern oil painting. Sunset on the beach, port. Signed and dated lower right: H. Bachmann `52 Dimensions are with frame. Frame slightly damaged in places. Including cer...

Signed and dated lower right: H. Bachmann `52 Dimensions are with frame. Frame slightly damaged in places. Including certificate of authenticity.

Matthias Alfen’s series of Janus figures are an innovation in figural art predicated on the advances made by the Futurist sculptor and painter Umberto Boccioni and the Modernist Alberto Giacometti. The qualities of chance and spontaneity, necessarily excluded in the sculptural work, are clearly evident in his drawings and paintings. “Psychograms” of unchoreographed hand movements display wide variation, repeatedly playing through one form after another. In the end, this multitude of variation serves to enhance the logic, consistency, and seductively rich appearance of Alfen’s designed sculptural works. Represented by Gallery Schuckin in New York, Paris, France, and Moscow, Russia. Matthias Alfen’s was strongly influenced by his family’s experience during World War II. His grandfather Klemens Alfen (1894-1955) was an accomplished painter and photographer, recognized for his landscape photography and for his technique (Special Honors for Excellence in Photo-Print Technology, 1932). He enjoyed the friendship and support of many in the artistic community, a community largely influenced by its German Jewish members. Having lost his entire circle of friends under Nazi oppression. Klemens, although not Jewish, also suffered under the Nazis for refusing to join them and struggling in post-war Germany, which had nothing to offer an artist like him, Klemens took his own life. At around the age of 16 he worked for some weeks as an assistant at his uncle’s art studio. Fritz Koenig...