Items Similar to Refugee from England ( Memories), 20th Century Contemporary Acrylic
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Graham DeanRefugee from England ( Memories), 20th Century Contemporary Acrylic1975
1975
About the Item
Graham Dean
1975
Refugee from England ( Memories)
Acrylic on canvas
Image size: 47 x 41 inches
Provenance
Nicholas Treadwell Gallery
This painting was reproduced internationally, it was in The Sunday Times colour supplement and featured on TV.
The Artist
Graham Dean was born in Birkenhead in 1951. He studied at the Laird School of Art in Birkenhead and the Faculty of Art and Design at Bristol Polytechnic.
Dean began his artistic career as a book jacket illustrator in London, but his talent was soon spotted by the innovative Nicholas Treadwell Gallery, who championed his work. Dean began painting in acrylics, which was very unusual at that time. As he recalls ‘Acrylics then were the new big thing – they were American, all the realists and Pop artists used them, although British critics used to look down on them’. His satirical Post-pop images painted in a medium considered outlandish at the time perfectly caught the emerging diversity of culture and society in 1970’s Britain. It is worth remembering that he was only in his twenties at the time, so ideally placed to recognise and reflect the social change that was happening all around him.
During these formative years Dean was renting an attic studio in the house of the writer Jay Landesman, a Bohemian hubbub where conceivably anyone could turn up at any time. Dean remembers the day musician Tom Waits did just that, and took the time to look at his paintings. Dean was working on one of his most renowned paintings, The Pugilist, during this time – a perfect example of his urban realist style. 8 Duncan Terrace, a view of dustbins outside the Landesman residence, was used as part-payment of the rent, truly in the style of many struggling yet aspiring artists.
Dean’s paintings from this time are intensely detailed, a direct result of his graphic design studies whilst at Bristol Poly. Themes such as apartheid, skin disorders, intimacy and social division are explored. He used this realism to illustrate his perception of the changing world around him, sometimes with a very apparent underlying message. The figures, events and situations jump from painting to painting following through a thread of different events. A detail from one becomes part of a larger narrative in an another. Works such as Refugee from England (Memories), Signpost and Camouflage, encapsulate an era that seems so familiar but yet so different from the present.
Graham Dean now lives in Brighton. The human body and condition still remain his subject, but his preferred medium now is watercolour. His current works are more visceral, still depicting the presence of the human body in space although that space is now altogether less defined. The urban realism of his early days has been replaced with an ethereal, more mysterious edge.
- Creator:Graham Dean (1951, British)
- Creation Year:1975
- Dimensions:Height: 47 in (119.38 cm)Width: 41 in (104.14 cm)
- More Editions & Sizes:1 of 1Price: $30,745
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU5245703871
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2007
1stDibs seller since 2014
64 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- SignpostBy Graham DeanLocated in London, GBGraham Dean 1977 Signpost Acrylic on canvas Image size: 78 x 50 inches The painting depicts a time before electronic travel boards, when train times were chalked on blackboards. The...Category
1970s Contemporary Figurative Paintings
MaterialsAcrylic, Canvas
- This Side and ThatLocated in London, GBAcrylic on canvas, signed and dated '1973' on verso Image size: 17 1/4 x 11 1/2 inches (44 x 29.5 cm) Contemporary style frame Exhibition label 'Royal Academy Exhibition 1973' on ve...Category
1970s Figurative Paintings
MaterialsCanvas, Acrylic
- Ophelia, Victorian 19th Century Royal Academy Oil PaintingLocated in London, GBOil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Canvas
- The Choir Boys, 17th Century Italian SchoolLocated in London, GBOil on canvas Image size: 22 x 33 1/2 inches (56 x 85 cm) This is a half portrait of two choir boys wearing white ruffs at their necks, looking down as the...Category
17th Century Figurative Paintings
MaterialsOil, Canvas
- Summer Haze, Early 20th Century Original OilBy David Forrester WilsonLocated in London, GBDavid Forrester Wilson 1873 - 1950 "Summer Haze" Oil on canvas, signed lower left Image size: 18 x 24 inches Original gilt frame David Forrester Wilson's sensitive portrayal of ...Category
Early 20th Century Figurative Paintings
MaterialsOil, Canvas
- Sleeping Angel, English School 19th Century Reclining Figure OilLocated in London, GBEnglish School 19th Century Sleeping Angel Oil on canvas Image size: 29 x 40 inches Contemporary gilt frameCategory
19th Century Figurative Paintings
MaterialsOil, Canvas
You May Also Like
- Archaic Hercules Skinning a Rabbit - Contemporary, Sun, Rabbit, Red, YellowBy Alexandru RădvanLocated in Berlin, DEArchaic Hercules Skinning a Rabbit, 2019 Acrylic on canvas 53.14 H x 55.11 W in. 135 H x 140 W cm In classical mythology, Hercules is famous for his strength and his numerous far-ra...Category
2010s Contemporary Figurative Paintings
MaterialsAcrylic, Canvas
- Magnificence 6 - Impasto Thick Paint Gold and Black Original ArtworkBy Cynthia Coulombe BéginLocated in Los Angeles, CACoulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...Category
21st Century and Contemporary Contemporary Figurative Paintings
MaterialsCanvas, Acrylic
- Luis Miguel Valdes, La soledad de las columnas, Oil on canvas, 55x182 inBy Luis Miguel ValdesLocated in Miami, FLLuis Miguel Valdes (Cuba, 1949) 'La soledad de las columnas', 2018 oil on canvas 55.2 x 181.2 in. (140 x 460 cm.) ID: VAL-334Category
2010s Contemporary Paintings
MaterialsAcrylic, Cotton Canvas, Oil Pastel, Oil Crayon, Oil, Canvas
- GyreLocated in Detroit, MIGyre acrylic, spray paint on canvas 80" x 96" 2022 Part of the New Minority Series Dennis Jones was first introduced to the use of a bidet while being extremely ill in Hurghada, Egypt. He has played the game of ‘Jenga’ with prostitutes in Phuket, Thailand. Once he hiked down to the bottom of the Grand Canyon from the North Rim and back in twelve hours. Jones has also visited fifty US National Parks. The work of Dennis Jones is growth oriented. There is diversity among his oeuvre and much risk in such an approach. Eschewing a ‘signature style’ that he considers to be boring, creatively limiting and market driven, he prefers to consider how method and expression intermingle and form a conceptual basis. A cursory glance may consider his prodigious output to lack focus, but a deeper reading reveals that he remains true to himself and allows his work to take him where it needs to go. There has always been the presence of a figure in his work, either implied, or directly visible. One can trace several years of development from his interest in figurative and cartoon-like imagery in, Toyland (2006), through his foray into text based work (2007-13) and a later influence of abstraction (2012-18). Following this trajectory brings one to his current body of work that combines figuration, cartoons and abstraction. He is a visual artist, educator, and architect. Each of the ‘hats’ he wears directly influence his work. He states that ‘a fascination with an integration of material, process and expression, truth of emotion and visually communicating thought are what sustain and drive him as an artist. Jones has participated in over seventy solo and group shows that include local, national and international venues. His creative output includes paintings, sculptures, drawings, installations, videos, photos, books, teaching and residential architecture. Jones’ work was selected to be included in the New American Paintings 2019 Midwest Competition Publication, juried by Staci Boris, Associate Director of Exhibitions, School of the Art Institute of Chicago. Currently, his focus is on a growing body of paintings, in mixed media, on canvas that combine abstraction, figuration and cartoon imagery. Jones had a one person exhibition at the University of Michigan in September through December of 2018. A review of the show can be read on the page titled, Candyland Review. Earlier the same year, He curated an exhibition titled, SIX, that opened in January of 2018, at The Janice Charach Gallery; a five thousand square foot space, located in West Bloomfield, Michigan. The exhibition featured the work of six Detroit artists and provided adequate space for each to show a body of work…essentially six individual shows in one space. Selected venues that have shown Jones’ work include: The OK Harris Gallery, New York; Galerie Protege, NY; The Mary Washington Galleries, Mary Washington University, Fredericksburg, Maryland; The Kraft Lieberman Gallery, Chicago; The Drift Gallery, Portsmouth, NH; The Project Room, Lincoln, NE; The Art Gallery of Windsor, Windsor, Canada; Artcite, Windsor, CA; The Thames Gallery, Chatham, Ontario, Canada; The Kenderdine Art Gallery, University of Saskatchewan, Saskatchewan, CA; Definitely Superior Gallery, Thunder Bay, ON, CA; Gallery Lambton, Sarnia, ON, CA, WKP Kennedy, North Bay...Category
2010s Contemporary Figurative Paintings
MaterialsCanvas, Spray Paint, Acrylic
- Luis Miguel Valdés ¨Torre Fuerte¨, 1998, Acrylic, 78.7x78.7 inBy Luis Miguel ValdesLocated in Miami, FL"Luis Miguel Valdes (Cuba, 1949) 'Strong Tower', 1998 acrylic, marbel dust on canvas 78.8 x 78.8 in. (200 x 200 cm.) ID: VAL- "Category
1990s Contemporary Paintings
MaterialsCanvas, Acrylic
- Luis Miguel Valdés ¨Cuarto¨, 2017, Acrylic, 76.8x76.8 inBy Luis Miguel ValdesLocated in Miami, FL"Luis Miguel Valdes (Cuba, 1949) 'Cuarto', 2017 oil, acrylic on canvas 76.8 x 76.8 in. (195 x 195 cm.) ID: VAL- "Category
2010s Contemporary Paintings
MaterialsCanvas, Oil, Acrylic
Recently Viewed
View AllMore Ways To Browse
House New England
Vintage And Memories
Paintings 1970s Acrylic
Dean Artist
Vintage Dean
Urban Realism
20th Century American Realism
Refugee Art
Early 20th Century Realism Paintings
Dean Brown
Graphic Jacket Vintage
Vintage Attic
Jacket Art Graphic
View From Terrace
Vintage Canvas Jacket
Tom Nicholas
Nicholas Down
Vintage Bohemian Jacket