Guy Nicod

Mid 20th Century French Painting Figures Working in Factory Post Impressionist

French Expressionist/ Modernist by Guy Nicod (French 1923 - 2021) stamped verso watercolour on artist paper, unframed painting : 15 x 19.5 inches provenance: artists estate, France c...

Lady in Interior by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed stamped verso painting : 15 x 16.75 inches provenance: artists estate, France condition: very...

Mirror Reflection by Bernard Labbe (French mid 20th century), stamped verso original gouache/watercolour painting on board overall size: 11 x 8 inches condition: very good and ready ...

Wine Bottles by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 10 x 11.75 inches provenance: artists estate, France condition: very good and sound co...

Wallpaper Sketch by Josine Vignon (French 1922-2022) pastel/watercolor paper, unframed painting: 19 x 25 inches good condition provenance: from the artists estate, France Josine Vi...

French Bar original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 9.5 x 12.5 inches I...

Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet Antonio Petruccelli (1907 - 1994) Santas Feet At Midnight New Yorker c...

Medium: Gouache on Board Signature: Signed Lower Left The Saturday Evening Post cover, September 12, 1953

Uday Mondal - Tango (Beauty @Home Series) - 30 x 20 inches (unframed size) Acrylic on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society ...

"Nativity Procession" Water Colors & Pencils on Paper 19" x 12" inch by Ragheb Ayad signed & dated Water Colors & Pencils on Paper Ragheb Ayad was born i...

oil on linen on mounted board outsider pastel on archival paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking f...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...