Hayes Lyon

Portrait of Artist's Wife with Fruit, 1945 American Modern Oil Painting

1945

Oil on canvas signed by artist Angelo Di Benedetto (1913-1992) featuring two young figures reading a book together while sitting from 1947. Painted in shades of green, orange, red, gray, and green. Image measures 28 x 38 inches, framed dimensions are 33 ¾ x 39 ¾ inches. Painting is in good condition - please contact us for a detailed condition report. About the Artist: Born New Jersey 1913 Died Central City, CO 1992 The son of Italian immigrants from the Salerno province in southern Italy, as a teenager Di Benedetto worked to study at the Cooper Union Art School in New York City (1930-34) from which he graduated with a certificate in freehand drawing. He won a scholarship to the Boston Museum Art School where he studied for three years, beginning in 1934. In 1937, he entered his first juried exhibition at the Montclair Museum in New Jersey, winning first prize and first honorable mention. In December 1938, the Royal Netherlands Steamship Line sent him on a two-month ethnological study trip to Haiti, his first exposure to a different environment outside the United States. In 1940, his Haitian paintings were exhibited at the Montross Gallery in New York – his first solo show. Before World War II, Di Benedetto traveled extensively around the United States doing regional paintings. During the war in 1941, Di Benedetto volunteered for a secret mission based in Eritrea, Africa before the Allied invasion. Following Africa, he served as an orientation officer and aerial photographic officer in the District of Columbia. In 1945 he was assigned to a mapping unit at Buckley Airfield in Denver where he served until his discharge in 1946. Like many other servicemen stationed at the time in Colorado, Di Benedetto chose to remain in Colorado, impressed by the state’s physical grandeur and healthful climate. He settled in the old mining town of Central City in 1947. In 1949 Di Benedetto and his wife, ceramist Lee Porzio, opened the Benpro Art School in his studio where he conducted summer art classes. In 1950, Di Benedetto teamed up with Frank Vavra...

Modernist watercolor on paper painting by Lloyd Mylan of two women sitting amongst an exterior landscape. Painted in colors of pink, orange, blue, and green. Presented in a custom gold frame, outer dimensions measure 24 ¾ x 30 ⅜ x 1 ¾ inches. Image sight size is 13 ⅝ x 19 ½ inches. Painting is clean and in very good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Lloyd Moylan studied at the Minneapolis Art Institute, the Art Students League in New York, and the Broadmore Academy in Colorado Springs. Moylan later became the Curator of the Museum of Navajo Ceremonial Art in Santa Fe, New Mexico. During his lifetime, Moylan made numerous trips to Arizona and New Mexico where he sketched and painted the Hispanic and Indian population. He specialized in Southwest Indian...

Oil on panel painting by Lewis Lee Tilley (1921-2005) titled "Opera Matinee" from 1948. Image presents two women at an opera, one in pink leans over to the other in blue to whisper i...

Expressionist style self portrait of the artist, Cornelis Ruhtenberg (1923-2008), oil on board painted in 1949. Signed by the artist on verso. Interior scene of the artist painted in...

'Two Ladies Trying to Out-Mystify Each Other', Original 1969 semi-abstract cubist style oil painting portraying two female figures with still life. Oil on burlap, estate stamped, tit...

The Dance of Salome or the Dance of the Seven Veils is a Triptych painted in 3 panels in oil on board. Each panel depicts a semi-abstract, cubist style individual figure: Herod, Herodias and Salome. Painted in bright colors of yellow, orange, red, green, fuchsia, purple, pink, white, blue, black and brown. Presented in vintage frames, framed dimensions of each panel measure 29 x 17 x 1 ½ inches, Image size is 23 ½ x 12 ¼ inches, each. Overall dimensions of the triptych measure 29 x 53 ½ x 1 ½ inches as displayed with 1 inch spacing between each panel. Based on the Dance of Seven Veils in which Princess Salome danced...

"Indian Chief" is a 10 x 15 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is estate stamped 20206 on verso. The painting h...

"Seated Figure" is a 30 x 25 inches, oil on canvas painting by American modernist, female artist Peter Miller. The work is painted in a muted color palette with intense color highlights only placed strategically to draw attention to the figures mystique. Peter Miller often used methods like this to create a strong sense of spirituality, creating patterns simulating the texture of canyon walls and the surrounding terrain. The work is estate stamped 202190 on verso and framed in a natural wood frame. The painting has been conserved and inspected by conservation specialist, Gratz Gallery & Conservation Studio, Inc. "Seated Figure" is signed "Peter Miller" and titled on verso, and framed in dark, natural wood. Provenance: Estate of the Artist; Private Collection, Saugerties, New York; Gratz Gallery & Conservation Studio, Doylestown, Pennsylvania. American artist Peter Miller (1913-1996) was born Henrietta Myers in Hanover, Pennsylvania. She began using the name Peter Miller after concluding her studies at the Pennsylvania Academy of the Fine Arts in 1934 and her marriage to fellow artist and Academy student Earle Miller in 1935. She felt collectors and critics would take her paintings more seriously if she was identified as a male. In childhood, Henrietta and her best friend Ruth picked fictitious nicknames for themselves, and Henrietta reportedly decided upon the name Peter because she liked the idea that it was derived from the Greek word for “rock” or “stone”. Drawn to being one with the natural world would prove to be an essential inspiration to her creativity throughout her life. Miller is classified as an American Modernist, a reputation she earned for having shown at the prestigious gallery and premiere showcase for Surrealist painting of Julien Levy in New York in the 1940s. Reviewers of her exhibitions noted the unmistakable influence of the artists Joan Miró, whose work she owned and whom she knew, and Arthur Carles, whom she studied with, and sources in Native American culture, which came from sharing time between her home state of Pennsylvania and New Mexico. Peter and her husband Earle considered New Mexico their spiritual home, and in 1935 they built a ranch in Española, about 25 miles north of Santa Fe. Being neighbors of the indigenous people of the Tewa Pueblo, their crafts and religious beliefs fascinated Peter and the reliance of Native Americans upon the land and the animals permeated her work for most of her career. Their belief that all creatures could serve as intermediaries in communication with the spiritual world, inspired Miller to incorporate their symbols in her own paintings, along with signs drawn from indigenous pottery...

"Man Thinking of Winter Fields" is a 12 x 9 1/8 inches, oil on board painting by American modernist and surrealist, female artist Peter Miller. Signed and titled "Man Thinking of Win...

Norman Rockwell 1894-1978 American Man Seated by Radiator Signed “Norman Rockwell” (lower right) Oil on canvas Combining Norman Rockwell’s remarkable talents for narrative and nostalgia, this oil on canvas by the great American illustrator was almost certainly created as an advertisement for a radiator company. Depicting a kindly old man and his feline companion warming themselves next to the heater, this delightful oil on canvas represents the artist’s immense talent for rendering the nuances of everyday life. The painting boasts extraordinary detail and endless charm, and it is heartwarmingly Rockwellian in all aspects. With his astute eye for narrative, Rockwell conveys the utility and convenience of a radiator, which was considered a luxury appliance in the early 20th century but was gaining in popularity around the time of this work’s creation circa 1935. Rockwell crafts an inviting setting, drawing viewers into the living space of his charming subject with believable and masterfully executed details, from the gentleman placing his book down for a moment to warm his hand over the radiator to the snow falling outside. The composition’s rich, warm palette enhances the coziness of the scene, and the subject’s friendly smile seems to invite the viewer into the scene. Rockwell's ability to capture the character of the nation was prized not only by magazine art editors from popular publications such as Life, Literary Digest and the iconic Saturday Evening Post, but also by advertisers. Nearly all major companies of the day sought the artist out for his highly appealing compositions, including Jell-O, Coca-Cola, General Motors, Ford, Post Cereals, and the U.S. Army. Taken together, his many paintings capture the essence of the American spirit. “I paint life as I would like it to be,” Rockwell once said. Mythical, idealistic, and innocent, his paintings evoke a longing for a time and place that existed in his rich imagination and in the hopes and aspirations of the nation. Norman Rockwell led a long and successful career as an artist. While history was in the making all around him, Rockwell chose to fill his canvases with the small details and nuances of ordinary people in everyday life. Taken together, his many paintings capture the essence of the American spirit. Rockwell said, "Without thinking too much about it in specific terms, I was showing the America I knew and observed to others who might not have noticed." Rockwell's distinguished career earned him the Presidential Medal of Freedom in 1977, the highest honor bestowed upon an American civilian. This work is pictured in Norman Rockwell: A Definitive Catalogue, Volume II, by Laurie Norton Moffatt. Circa 1935 Canvas: 40" high x 30 1/4" wide Frame: 49 5/8" high x 39 3/4" wide Provenance: Collection of Studio 53...

Signed lower right, 'Kirinoe' for Setsuo Kirinoe (Japanese, 1925-1999) and dated December 1958. A loosely painted oil portrait of a US Customs Officer shown wearing his official badge and peaked hat. Setsuo Kirinoe exhibited with success including at San Francisco's California Palace Legion of Honor (1960-1961). Kirinoe's work is held in the permanent collections of museums including the Fine Arts Museums of San Francisco. Along with fellow artist Itsuo Jimb, Kirinoe traveled to the US in 1958 on the Mitsui steamship line...

Wonderful figurative by Patricia Gren Hayes (American, 20th Century). Signed on verso. Unframed. Size: 30"H x 40"W. Bay Area Figurative / Bay Area Feminist Art Movement artist, Pat...