19th Century French Naive Portrait of Gentleman with Moustache Oil Painting

Artist/ School: American School, 19th century Title: Portrait of a Seated Lady Medium: oil painting on canvas, unframed canvas: 38 x 30 inches Prov...

Portrait of a Lady French School, 19th century circle of Henri Rousseau, French 1844 - 1910 oil on canvas, unframed canvas: 24 x 23.5 inches provenance: private collection, France co...

Portrait of a Child European School, early 20th century oil on canvas, framed frame: 21 x 18 inches canvas: 15 x 12 inches provenance: private collection, England condition: extensiv...

Portrait by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas stuck on board, unframed measures: 18 high by 15 inches wide conditi...

Portrait of a Nobleman European School, 20th century (painted after an earlier style) oil on canvas, framed framed: 35 x 29 inches canvas: 30 x 24 inches provenance: private collecti...

The Madonna and Christ Child Eastern European artist, circa 1800's oil on canvas, framed framed: 31 x 27 inches board: 26 x 22 inches provenance: private collection, London condition...

Oil n canvas Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wr...

This is painting is from the School of Cusco depicting St. Michael the Archangel defeating the devil in battle. It is oil on canvas and is in very goo...

Enter Kwame's world. In this work, Kwame looks to the divine for the attachment to worldly things. Almighty God (Kwame Akoto) is a non-academic artist ...

"The Eyes of the Lord Moves Round in All Places Beholding the Good and the Evil" Is Kwame Akoto ( All-Mighty God) the Ghanian Howard Finister? His works...

The artist used very thick oil paint strokes to feature the blazing red hair of a girl and drew her face finely with a crayon. The contrast between the 2 media is striking! Christopher Mark Brennan...

Genre: Modern Subject: Fiddler on the roof, Shtetl matchmaker Medium: Oil Surface: Board, size includes artist decorated frame Country: United States The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...