Jane Hammond

"Hand in the World", Mixed Media Collage on Rice Paper

1993

This mixed media on paper from the seminal artist Artis Lane is a surreal study based off the model paintings from her long and illustrious career. The subj...

This mixed media on paper from the seminal artist Artis Lane is one of the many model pictures from her long and illustrious career. The subject i...

This large mixed medium painting in india ink and coffee grounds on heavyweight deckle BFK print paper, "Touch", depicts an abstract body in motion. With impressionistic strokes the observer can only glimpse her outline in browns and blues, leaving the finer details to the imagination, giving the work a ghostly air of a faded memory. Signed by artist on the lower right. "Capturing movement is everything to me in my work. It exists in the way the brush moves and the hand bends bringing action and life to the surface it is connecting to. The work itself can then exist as a history, and bring forth evidence of time as the essential force within the artwork. In today’s contemporary world, there are many ways to define art. That is why it is impotent that you, the viewer, understand why I create and what art means to me. For me, art is so much more than an image of an object, an advertisement or a statement. Art is in its nature the undeniable evidence of our own humanity and existence. It connects us, to each other and to our past. Speaking to the parts of us we never will fully understand, our emotions, are spirituality and are mortality. As an artist; I need to speak to these feelings and questions. Using mark-making and gestures as a guide, I search, letting go of control as the moment breathes life into the creation of my work. Through the boundary of line, I give shape to the image. Conveying an overall balance between the moment of creation and the structure of the figure. Though this practice, I strive to provoke a universal connection to the work. One that speaks to humanity's emotional understanding of empathy, curiosity, sorrow and joy." - Chris Lujan...

“Icarus Suspended” is an extraordinary painting of Ayrton's obsession with flight, myths, mirrors and mazes. This complex piece shows a figure in flight, frozen in action, either swooping down or, perhaps, falling to earth. Named after the Greek mythological figure, Icarus, who along with his father attempted to escape from Crete by means of wings that his father constructed from feathers and wax. Flying too close to the sun the wax melted and both fell to earth. The positioning of Ayrton's figure is reminiscent of "The Fall of Icarus" by Jacob Peter Gowy, Museo Nacional del Prado. This is part of a series of artworks on Icarus some sculptural and some three-dimensional paintings on canvas. Verso contains gallery label Matthiesen Gallery, 142 Bond St., London, England, with a signature and text in upper right corner: "To Morton Schotnick. Bought on the occasion of The Archives of American Arts Tour to London, England. October 10, 1961. Michael Ayrton...

SALE ONE WEEK ONLY “Annie Hall” is a brilliant complicated mixed media piece composed of disparate parts and pieces that together make up a successful whole similar to the Woody All...

SALE ONE WEEK ONLY "Spidey" is in the style of Graffiti, or, Street Art. It's a spray painted portrait of the iconic figure from the popular action-figure comic genre, "Spiderman," and the subject matter of several famously popular movies under the same title. Antonio “Shades” Agee, a passionate Detroit native and public figure, was an active participant in the creation of the Detroit graffiti scene as one of the first documented graffiti artists in the city. The piece is signed, dated and titled on verso. Growing up in the Motor City...

The city we live in today. We can call it a city of buildings, of people. In this work, the garbage stack can be in the surroundings of your city. Chaurasiya experiments with his me...

A peaceful landscape scene is set in shades of pale yellow with light blue in this encaustic (pigmented beeswax) painting with oil, pigments from Morocco and India, volcanic ash from...

This is a one of a kind original surrealist figurative encaustic wax painting by San Diego artist, Tiffany Bociek. It's dimensions are 11"x11"x1.25. It ...

This is a one of a kind original conceptual encaustic wax painting by San Diego artist, Tiffany Bociek. It's dimensions are 12"x12"x1.5". It is unframed...

This is a one of a kind original surrealist figurative encaustic wax painting by San Diego artist, Tiffany Bociek. It's dimensions are 9"x9"x1.75". It comes framed. A certificate of authenticity will follow delivery. Artist Statement: In this piece, I wanted to create an environment that on the surface looks lovely: the colors are pretty, and the shapes feel inviting. This piece should give the viewer a sense of peace or hope. But I was also looking to explore an unarticulated sense of fear. The children head to a horizon of nothing. There are no trees, buildings, or any recognizable object. In fact, they are heading to unknown. The unknown can be our greatest fear. The fear of not knowing what is ahead of us can be debilitating, this type of fear can pull you back, keep you where you are. This type of fear can say to you: “It’s a scary world out there, better just stay where you are”. Instead of listening to the fear, these children represent the hope that it takes to continue to move forward relentlessly and resiliently. They are the part of us that represents the courage it takes to do thing in spite of pain, suffering, shame, or guilt. It takes courage...

Wedding Procession is a colored raised line woodcut, done in 1924 by Bertha Boynton Lum (American, 1869 – 1954) . The image measures 13-7/8 x 10-1/8". Raised line impression and painted by the artist, while living in China. Image 13.25"H x 8.75"W Sheet 14.75"H x 10.75" (approx) Signed Lower center in pencil "Bertha Lum" New acid free mat included. Bertha Lum was fascinated by the legends and mythology of the Orient and wrote extensively about them. These legends provided the subject matter for many of her works in woodcut. Bertha Boynton Lum was an American artist known for helping popularize the Japanese and Chinese woodblock print outside of Asia. In May 1869, Lum was born as Bertha Boynton Bull in Tipton, Iowa. Lum's father was Joseph W. Bull (1841–1923), a lawyer and her mother was Harriet Ann Boynton (1842–1925), a school teacher. Both of Lum's parents were amateur artists. Lum had a sister and two brothers, Clara, Carlton, and Emerson. Education and career: In 1890 she lived in Duluth and listed her occupation as artist. She enrolled in the design department of the Art Institute of Chicago in 1895. A few years later she studied stained glass with Anne Weston and attended the Frank Holme School of Illustration. From November 1901 to March 1902, she studied figure drawing at the Art Institute of Chicago and was influenced by the Japanese techniques of Arthur Wesley Dow in his book Composition, which was published in 1899. Lum married Burt F. Lum, a corporate lawyer from Minneapolis, Minnesota, in 1903. They spent their seven-week honeymoon in Japan, where she searched for a print maker who could teach her the traditional ukiyo-e method. Toward the end of her stay in Japan, she found a shop that reproduced old prints. The shop sold her some woodcutting tools...