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Jean-Gabriel Domergue
Farniente

Mid-20th Century

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  • Venus and Adonis
    By Baron Pierre Narcisse Guerin (workshop)
    Located in Paris, FR
    Baron Pierre Narcisse GUERIN (Circle of) 1774-1833 French Venus et Adonis (Venus and Adonis) Oil on canvas Canvas: 53" high x 39 1/2" wide Frame: ...
    Category

    19th Century Old Masters Figurative Paintings

    Materials

    Canvas, Oil

  • Rêverie
    By Albert Lynch
    Located in Paris, FR
    Albert LYNCH (1851-1936) French "Rêverie" Oil on canvas Signed lower left Canvas: 43 1/4" high x 24 3/4" wide Frame: 49 5/8" high x 30 3/4" wide Albert LYNCH: Born in Lima in 1851, Albert Lynch studied art at L'Ecole des Beaux-Arts de Paris and in the studios of the figure painters Gabriel Ferrier and Henri Lehmann...
    Category

    19th Century Pre-Raphaelite Figurative Paintings

    Materials

    Canvas, Oil

  • Baigneuse
    By Marguerite Arosa
    Located in Paris, FR
    Marguerite AROSA (1850-1903), French "Baigneuse" (Bather) Oil on canvas Signed lower left Canvas: 66 1/5" high x 50" wide Frame: 74 1/5" high x 57 1/2" wide This painting was e...
    Category

    Late 19th Century Impressionist Figurative Paintings

    Materials

    Canvas, Oil

  • La Danse des Sirènes
    By Adolphe Lalyre
    Located in Paris, FR
    Adolphe LA LYRE 1850-1935 French "La danse des Sirènes" Oil on canvas Signed and dated lower left Painted in 1909 Canvas: 59" high x 78 3/4" wide Frame: 64"high x 84 5/8" wide ...
    Category

    Early 20th Century Academic Nude Paintings

    Materials

    Canvas, Oil

  • Nu de dos
    By Grigory Gluckmann
    Located in Paris, FR
    Grigory Gluckmann 1898-1973 Belarussian Nu de dos Oil on panel Signed lower right Panel : 10 5/8" high x 13 3/4" wide Frame: 17 1/8" high x 20 1/2" wide ...
    Category

    20th Century Post-Impressionist Nude Paintings

    Materials

    Oil, Panel

  • Dans les Rochers de la Plage, a Carteret
    By Adolphe Lalyre
    Located in Paris, FR
    Adolphe La Lyre 1850-1935 French Dans les Rochers de la PLage, a Carteret Oil on canvas Signed lower right Canvas: 42" high x 78" wide Frame: 47 1/4" high x 82 1/2" wide Origi...
    Category

    20th Century Nude Paintings

    Materials

    Canvas, Oil

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    Painting, 19th century, oil on canvas, "Young woman at the well" Signed, B. Kern. Dimensions with frame 61cm x 75cm
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  • Gilded Chair
    By Thomas Darsney
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    An auto-didactic artist, Darsney draws inspiration from a variety of sources, including The Boston School and iconic masters such as Vermeer, Rembrandt, and Degas. These artists’ att...
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  • Dreamer (Mid-Century Impressionist European Nude Man Portrait Painting)
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    A beautiful painting I acquired when I was buying things from Russia and Ukraine maybe 7 or 8 years ago. It's painted on very heavy cardboard, as I'd say the majority from the Soviet...
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    Mid-20th Century Romantic Figurative Paintings

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  • Orientale
    By Henri Fantin-Latour
    Located in New York, NY
    Signed, lower right: Fantin Provenance: Gustave Tempelaere (1840–1904), Paris; possibly by descent to his son: Julien Tempelaere (1876–1961) and with F. & J. Tempelaere, Paris, prob...
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    1890s Romantic Figurative Paintings

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  • J J A Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil painting
    By Jean-Jules-Antoine Lecomte du Nouÿ
    Located in Paris, FR
    Jean-Jules-Antoine Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil study oil on canvas 34 x 19.5 cm In good condition, a few small inpainti...
    Category

    1890s Romantic Nude Paintings

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  • Diptych “The Cries of Fire”; “The Voices of the Stream”
    Located in Roma, RM
    Artist: Eugenio Agneni Title: Diptych “The Cries of Fire”; “The Voices of the Stream”, c. 1865-71. Medium: oil on canvas mounted on wood, cm 128 x 60 each Signature: Signed at the bottom on the base of the frames provenance: Marquis Corsi Salviati; Rome, private collection The two canvases mounted on wooden supports are clearly attributable to Eugenio Agneni (Sutri, 1816 - Rome, 1879), a paradigmatic figure of an Italian painter of the Risorgimento years who combined a successful and continuous international artistic activity with an intense political and military activity, starting from the Roman effervescence following the election of Pius IX to the Mentana expedition and then in the early years of Rome as capital city, a period in which he held various administrative posts. The clarity of attribution of the works derives not only from the large central inscription inserted in the elaborate neo-Gothic scenic layout that encloses the two works in a diptych, but also from the direct kinship that links them to the cycle of frescoes painted between 1865 and 1868 for Marquis Antonio Maria Corsi Salviati in the reception hall of the family villa in Sesto Fiorentino. Agneni resided more or less permanently in the Florentine area between 1863 and 1871 after a phase of European-wide wanderings that began at the end of the Roman republican experience of 1849, in which he was involved to the point of having to hide for some time from July of that year at the home of Marquis Salviati, whom he therefore already knew before his subsequent move to Florence. The need to stay away from Italy, as well as his connections with Mazzinian exiles and evidently also a proven ability to reinvent himself in different cultural spheres allowed Agneni to profitably frequent the artistic scenes of London and Paris, cities in which he lived and worked, obtaining commissions of absolute importance (he decorated several rooms at Buckingham Palace, the Covent Garden Opera and the Louvre), and presenting his works at the Royal Academy in London. Therefore, if we are to keep faith with the remarks of his friend Luigi Calamatta ("you are full of money...
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    1860s Romantic Figurative Paintings

    Materials

    Oil

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