Scottish shipping scene with rough seas off a coastline.
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 8
John Wilson EwbankScottish shipping scene with rough seas off a coastline.1840
1840
About the Item
- Creator:John Wilson Ewbank (1779 - 1847, British)
- Creation Year:1840
- Dimensions:Height: 24 in (60.96 cm)Width: 32 in (81.28 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Framed in a new English hand made gilt frame.
- Gallery Location:Woodbury, CT
- Reference Number:1stDibs: LU50731471783
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1983
1stDibs seller since 2016
406 sales on 1stDibs
More From This SellerView All
- Pair of Antique British River landscapes, with waterfalls, mountains and treesBy Walter WilliamsLocated in Woodbury, CTA pair of Victorian English oils on canvas, North Wales river landscape scenes. Walter Williams (1835-1906) was an English landscape painter who was active in the late 19th century....Category
1870s Victorian Landscape Paintings
MaterialsCanvas, Oil
$2,962 Sale Price25% OffFree Shipping - Antique English Fox hunting scene with huntsman jumping with hounds in a fieldLocated in Woodbury, CTTom Ivester Lloyd 1871-1942 was a fine artist who worked mainly in water colour but was also very accomplished in oils. He served in the first war and produced pictorial records which are now in the army museum. He was a keen hunting man and was Master of the Sherrington Foot Beagles. He was a great hound man and wrote and illustrated a book on hounds. Acquiring an early 20th-century English fox hunting...Category
1920s Victorian Landscape Paintings
MaterialsOil, Board
- 19th century English rural landscapes, with goats by a river and peopleLocated in Woodbury, CTLESLIE E.B. SMYTHE 19th-century English rural landscapes, with goats by a river and people. Smythe was an English painter who was active in paintings in both Scotland and England. ...Category
1860s Victorian Landscape Paintings
MaterialsCanvas, Oil
$3,960 Sale Price20% OffFree Shipping - 19th century Scottish farmers with cows , sheep, dogs in the HighlandsBy Henry William Banks DavisLocated in Woodbury, CTHenry William Banks Davis Scottish farmers with there animals in the Highlands of Scotland Henry William Banks Davis was a landscape and animal painter. He exhibited over one hundr...Category
1870s Victorian Landscape Paintings
MaterialsCanvas, Oil
$5,560 Sale Price20% OffFree Shipping - Scottish 19th century Highland landscape, with a figure and cattle on a pathwayBy Sidney Richard PercyLocated in Woodbury, CTWonderful Scottish 19th century Highland landscape, with a figure and cattle on a pathway overlooking a Loch This piece is signed lower right and is framed in a Vintage Gold Leaf fr...Category
1850s Victorian Landscape Paintings
MaterialsCanvas, Oil
$5,520 Sale Price20% OffFree Shipping - Late 19th century Portrait of a young boy in a Summer landscape with flowersLocated in Woodbury, CTEva Roos, née Vedder was an artist and illustrator, mainly of children's books. She is believed to have lived and worked in the Hampstead area of London in the late 19th and early 20...Category
1890s Victorian Portrait Paintings
MaterialsOil, Canvas
You May Also Like
- Carnevale di Venezia - Large 19th Century Oil Painting of Venice Italy CanalettoBy James HollandLocated in Gerrards Cross, GB‘Carnevale di Venezia’ by James Holland RWS (1799-1870). The painting – which depicts an extensive view of the Grand Canal with hundreds of masked revellers before the Ducal Palace ...Category
Mid-19th Century Victorian Landscape Paintings
MaterialsOil
- Carnevale di Venezia - Large 19th Century Oil Painting of Venice Carnival ItalyBy James HollandLocated in Gerrards Cross, GB‘Carnevale di Venezia’ by James Holland RWS (1799-1870). The painting – which depicts an extensive view of the Grand Canal with hundreds of masked revellers before the Ducal Palace ...Category
Mid-19th Century Victorian Landscape Paintings
MaterialsOil
- 19th Century Oil Painting of a Market Scene by H. C. BryantBy Henry Charles BryantLocated in London, GB19th century oil painting of a market scene by H. C. Bryant English, 1877 Canvas: Height 51cm, width 76.5cm Frame: Height 68cm, width 93.5cm, depth 5cm Painted by the English artis...Category
Late 19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil
- News from the Front - 19th Century Royal Academy Oil Painting Victorian LondonBy Frederick Goodall R.A.Located in Gerrards Cross, GB‘News from the Front’ by Frederick Goodall R.A. H.R.I. (1822-1904). The painting – which depicts a diverse cross-section of Victorian figures gathered outside a post office as they...Category
Mid-19th Century Victorian Figurative Paintings
MaterialsOil
- Ophelia, Victorian 19th Century Royal Academy Oil PaintingLocated in London, GBOil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...Category
Late 19th Century Victorian Figurative Paintings
MaterialsCanvas, Oil
- Ezekiel in the Valley of Dry BonesBy Philip Burne-JonesLocated in New York, NYProvenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Canvas