José Palmeiro

Parade of Children

1949

Signed lower right. Description A portrait of a stylized young man dressed in a blue coat with a ruffled white shirt in an artistic background suggest that it may be a portrait of a young actor or performer. About the artist. Joseph Pollet was an important member of the Woodstock Art Colony. He emigrated to NYC in 1911 from Albbruck, Germany (born in 1897) and at age 21 had a promising career as an advertising copywriter. While working, he studied painting and his landscapes were immediately successful in NYC galleries. He studied at the Art Student's League with John Sloan, Robert Henri, and Homer Boss...

Signed lower right and dated 1954. Bio: FASANELLA, RALPH (1914-97) was a self-taught painter who created large, colorful and intricate paintings of working-class culture and American politics from 1945 until his death in 1997. Fasanella had an artistic vision born of a working life. A child of Italian immigrants, he spent his youth delivering ice with his father and enduring the harsh regimen of a Catholic reform school. During the Great Depression, Fasanella worked in garment factories and as a truck driver. From his mother—a literate, sensitive, and progressive woman, Fasanella acquired a social conscience. Through her influence he became active in antifascist and trade union causes. Fasanella's political beliefs were radicalized by the Depression. His antifascist zeal led him to volunteer for duty in the International Brigades fighting fascism in Spain, where he served in 1937-1938. Upon his return to New York City Fasanella became an organizer for various unions, particularly the United Electrical, Radio, and Machine Workers of America, with whom he achieved some major organizing successes. In 1945, disillusioned by the labor movement and plagued by a painful sensation in his fingers, Fasanella started to draw. He left organizing and began to paint full time. He painted obsessively, capturing the vibrant moods of the city and the tumult of American politics. For a brief time he received some critical notice for his work, and had shows of his work in galleries as well as union halls. Fasanella included in his paintings a profusion of brightly colored details, showed interiors and exteriors simultaneously, and combined past and future. He populated his paintings with likenesses of family and friends. In 1950 Fasanella married Eva Lazorek, a schoolteacher who supported the couple through over two decades of artistic obscurity and blacklisting by the FBI. In the 1950s Fasanella retreated from political content in his works out of fear of reprisals. With the emergence of the New Left in the 1960s, however, his works became large, sharply focused political essays using images from the popular media. In 1972 Fasanella was featured in "New York" magazine and in an illustrated coffee-table book, "Fasanella's City". His large-scale, intricate paintings of urban life and American politics were then introduced to art critics and the public. In the late 1970s Fasanella spent two years in Lawrence, researching the 1912 Bread and...

Signed lower left. A blond woman clad in a red blouse and skirt sits atop a blue blanket at the top of a set of stairs leading to a garden at the edge of a large body of water, with wooded hills in the distant background. Her back is turned from the viewer, her left hand and arm supporting her from behind as she gazes out beyond, her face hidden and sheltered from the sun by a straw hat. Arne Kavli...

Signed lower right and dated 1930. Lever’s “Fishing Harbor in Brittany” is as much a scene celebrating the boats and quaint architecture of coastal France, as it is a nod to its ...

Signed lower left.

Signed and titled lower left. Francois Gall, Hungarian by birth, became a naturalized French citizen in 1942. He is best known as an impressionist painter in the pure French traditi...

Provenance: Cernuda Art, Coral Gables Private Collection, Los Angeles

"Jesus y Los Pescadores" by Alvar Sunol is an original oil on canvas painting and measures 59 x 59 inches. This painting incorporates Alvar's favorites drawing inspiration of mixing ...

Jim’s of Lambertville is proud to offer this artwork. Signed and dated lower right. Illustrated in "Charles Searles" 2013 exhibition catalog (La Salle University Art Museum / Tyler School of Art) pg. 195 Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...

Corrida Espagnole by JEAN DUFY (1888-1964) Oil on canvas 33.2 x 55.3 cm (13 ¹/₈ x 21 ³/₄ inches) Signed lower right, Jean Dufy This work is accompanied by a certificate of authentic...

Sunil Das - Confrontation Series - 57.5 x 65 inches (unframed size) Oil on Canvas Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artis...

Sleeping woman  is an artwork realized by Antonio Feltrinelli in 1930s.  Oil on canvas, 110 x 160 cm.  Very good conditions Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942) wa...