Bratin Khan

Krishna playing flute with Cows & Gopis, Tempera, Green, Red, Yellow "In Stock"

Bratin Khan - Nirvana Tempera on Canvas, 72 x 48 inches The anecdotes and narratives of Krishna's life are generally titled as Krishna Leela. He is a central character in the Mahabh...

Bratin Khan - Jugal Tempera on Canvas, 48 x 36 inches The anecdotes and narratives of Krishna's life are generally titled as Krishna Leela. He is a central character in the Mahabhar...

Subha Basu - Prehistoric Tempera on Paper, 17 x 21.25 inches, 2017 Born - 1982 at Kolkata. B.V.A from The Indian College of Art & Draftsmanship in 2006, M....

Subha Basu - The Bird Tempera on Paper, 17.72 x 13.4 inches, 2017 Born - 1982 at Kolkata. B.V.A from The Indian College of Art & Draftsmanship in 2006, M.F...

Feroz Khan - Untitled Acrylic on Canvas, 55 x 42 inches About Artist : Mohammad Feroz Khan was born in 1978 and brought up in Delhi. He have not undergone any formal training in Art but gained experience first from his Father Late Mohd Ibrahim Khan, a Banner Painter. Subsequently, under the able tutelage of renowned Artist Late Manjit Bawa (Guruji - his Mentor in Art) he studied and learned Art for 14 years. Bawa took much care to train him to use brush and pastels on a variety of subjects, also guided him to savor the beauty and nuances of Texture. Then, as an initial step, his Guru guided him through a maze of depictable visuals scattered over the all too familiar places of Delhi. He asked him to draw inspiration from real life. Deferential to my master’s academic style of figuration, he soon convinced his guru of deft brushmanship and ability to create naturalistic human and animal forms, avoiding explicit linear delineation, while projecting solid masses. He chose to see the ordinary things and scenes that make up for our everyday life. He look at the little details of a tailor working on a manual sewing machine or a street-side vendor selling a cool drink on a hot summer day or rickshaw pullers or beggars and various other street vendors – denizens of the city’s poorest quarters. It is the sheer simplicity of each of these activities that appeals him and is reflected through his Canvas. Selected Solo Shows : 2010 Galerie Waterton (Asian Contemporary Art), Singapore 2008 The incredible every day – ness of being curated by Sushma Bahl at Galerie Romain Roland alliance Francaise New Delhi & Epicenter Gurgaon 2006 Tales of ordinary people at Lalit Kala Academy, New Delhi 2004 Krishna collection art gallery, New Delhi Selected group shows : 2019 Participated in Group Show Harvest, organized by Arushi Arts 2018 Artinsic, clubhouse caitrion, gurugram 2017 Mediating dreams organized by ( Jitendra Padam Jain ) Gallery Sree Arts at Visual art gallery, Indian Habitat Centre, New Delhi 2017 Summer Stories Organised by Gallery Space, Hyderabad 2015 Masters Mentors Protégés Curated by (Vandana Haksar & Kuku Chowdhry New Delhi 2015 Representing inward significance outwards organized by Gallery Sree Arts Gallery Romain Rolland Indo – French cultural center Delhi 2013 Suryaveer Kohl Art Gallery show held in New Delhi 2013 Art Zest ( Vivid Strokes )at Grand Lobby, Arabian Dubai 2013 Parallel Realities at Devlalikar Art Gallery, M G Road Indore 2012 Love or Nothing (Toxteth Art Gallery ) Liverpool, London 2011 Asian students and young artist art festival organized by Gallery, LVS South Korea. 2010 Crescenps Art select in Jumeirah Emirates Towers, Dubai 2009 Galerie Waterton (Asian contemporary art ), Singapore 2009 Participated ( Korea India International Hub Art Exchange exhibition ) at the epicenter Gurgaon 2009 The faraway tree gallery, Chennai 2008 Khushii in association with round table India, organized Indian strokes- a a myriad of art at the Park Hotel, Bangalore 2007 Heritage school, Gurgaon the show was inaugurated by renowned painter Anjolie Ela...

Debabrata Basu - Untitled - 48 x 60 inches (unframed size) Acrylic on Canvas Style : Debabrata derives his style and theme by introspecting within himself. The fears of uncertainty,...

"The owl, patron bird of Goddess Athena, has a history that goes beyond the common association with wisdom and knowledge. In ancient Egypt, owls were known to...

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Migration (The Horses) by Orovida Pissarro (1893-1968) Egg tempera on linen laid on board 76 x 101 cm (29 ⅞ x 39 ...

Karen Shahverdyan „Attack“, 110 X 130cm, oil on canvas

Figurative painting of a fantastic animal that is part of our lives. A magical moment in life: a whale. It is a horizontal painting that combines the oil on canvas technique with a g...

Figurative painting of a fantastic animal. 36" x 64" inches, made with professional Winsor & Newton colors protected with gloss varnish and UV protection. Shipped rolled and protecte...