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K. Bayer
'Breathe on Me', Surrealist oil Figural

2006

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  • 'Self Portrait with Orchids', National Association of Women Artists, AWS
    By Leonebel Jacobs
    Located in Santa Cruz, CA
    An enigmatic and psychologically penetrating self-portrait in vivid shades of yellow, green and red. Signed lower right, 'Leonebel Jacobs' (American, 1883-1967) and painted circa 1945. Writer, sculptor, teacher and portrait painter Leonebel Jacobs first studied under Brush and Charles Hawthorne at the University of Oregon. A well traveled artist, Jacobs lived and painted in China, Hawaii, New York City and Los Angeles. She was a member of the American Watercolor Society, the American Federation of Arts, the Municipal Art Commission of New York, the National Association of Women Artists, the New York Watercolor Club and the Pen & Brush Club. Jacobs spent her early years in the Foreign Colony in Peking, China as a portrait artist to nobles and visiting foreigners, including Rabindranath Tagore. Notably, Jacobs painted several portraits of the Emperor and Empress after they fled to Tianjin when Christian General Feng Yu-Hsiang came to power. Additionally, Jacobs's paintings include Hawaiian notables, former First Ladies Grace Coolidge...
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    1940s Surrealist Still-life Paintings

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  • 'Surreal Cityscape', National Academy of Design, San Francisco Museum of Art
    By Daniel Albert Harris
    Located in Santa Cruz, CA
    Signed lower right, 'ZEV' for Daniel Albert Harris (American, 1914-1986) and dated "1952-1953". A dramatic, Mid-century cityscape showing numerous figures, both concealed and partially-revealed, dispersed in a neo-classical townscape beneath a vibrant sunset. Born Daniel Harris, and adopting the name of Zev, Harris studied at the Masters Institute of the Roerich Museum in Hungary and at the National Academy of Design...
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    1950s Surrealist Figurative Paintings

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  • 'Young Woman with Doves', AIC, Salon d'Automne, Paris, Art Deco
    By Nura Ulreich
    Located in Santa Cruz, CA
    A view of a landscape with a young woman shown seated and bathing her bare foot in a pool of water with white doves flying in a clouded, blue sky. Signed verso 'Nura' for Nura Wood...
    Category

    1930s Surrealist Figurative Paintings

    Materials

    Oil, Illustration Board

  • 'Story Time', Paris, Salon d'Automne, New York, ASL, Corcoran, PAFA, Art Deco
    By Nura Ulreich
    Located in Santa Cruz, CA
    Signed lower left 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Additionally signed, verso, dated March 1928 with artist's New York City ...
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    1920s Surrealist Figurative Paintings

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    Oil, Illustration Board

  • 'Study of a Young Woman', Framed Modernist Oil
    Located in Santa Cruz, CA
    Signed lower center, "Mancini"; additionally signed verso and painted circa 1975. Figurative oil in crimson, vermilion, jade, and deep blue, showing a young woman wearing a hat with...
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    Oil, Board

  • 'Venetian Canal', Woman Artist, Venice, Italy, Post-Impressionist Oil
    By Harriet Rosander
    Located in Santa Cruz, CA
    Signed lower right, 'Rosander' for Harriet Rosander de Tourtchaninoff (Danish, 1912-1965) and painted circa 1935. A substantial, early twentieth century, Post-Impressionist oil show...
    Category

    1930s Post-Impressionist Figurative Paintings

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    Oil, Canvas

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  • Carmelo Niño, Lechera, 2014, Oil on canvas, 207 x 149 cm, 81.4 x 58.6 in.
    By Carmelo Niño
    Located in Miami, FL
    Carmelo Niño Lechera, 2014 Oil on canvas 207 x 149 cm 81.4 x 58.6 in. The work is accompanied by a certificate of authenticity signed by the artist. Carmelo Niño, a Venezuelan artist originally from Maracaibo, Zulia State, an oil-producing region of Venezuela, is today one of the most outstanding painters in the plastic arts landscape in the country. Many years have passed since his birth in 1951 to the present, when he inaugurates this August 2022, a major exhibition at the Ascaso Gallery in Miami, with paintings from different dates resulting from the permanent and daily work of reflection, physical and intellectual, that he has always pursued in his creative life. Without neglecting a single moment of day-to-day life to be in front of the medium-sized canvas on the easel or of larger canvas hanging on a wall, he works in his large studio in the area of El Junco, outside the capital city of Caracas, surrounded by lush green vegetation, with a wonderful climate of pleasant temperature and poetic mist that invites to the reverie and glorification of his life as a painter. From a very early age Niño and his family discovered his vocation for drawing, a discipline in which he showed a special disposition and talent. From this moment on he dedicates his life to art, to the practice of painting, starting from a fantastic and strange world of fantasy, close to surrealism, unfailingly influenced by the circus of fantasy owned by his mother and a musician father. These circumstances will shape the artist's life. His traces and influences from the beginning will be present in his creative work, especially through the memories of the infinite curiosity to look, touch and be enraptured by the strange furniture and objects from his mother's circus that he knew were deposited in a room of the house. This universe of fantasy will leave an indelible mark on his subconscious and will serve as the thematic and artistic support for all his work. In an interview conducted by the critic Roberto Montero Castro in 1977, Carmelo Niño states, "the symbols of my painting come from the everyday life". His life has been one of continuous work and effort. At the age of fifteen he enrolled in the School of Arts of Maracaibo, graduated three years later, 1966, and immediately, with a scholarship, he travelled to Spain, took a few courses at the San Fernando Academy in Madrid, strengthened his preparation in art workshops and in frequent visits to the big museums of this European capital. With a sensitive gaze he penetrates the mysteries of masterpieces of the great artists who have made the universal history of art. His life as a painter has been intense, of intense study, preparation and work. With much composure and modesty he talks about his life and his artistic production, recognized not only in Venezuela, but also internationally. His participation in exhibitions began in 1969 and as early as 1970 he held his first individual exhibition at the Fine Arts Center of Maracaibo. From these dates onwards successes started to come, with the participation in collective and individual exhibitions, in Venezuela and abroad, as well as the awards from 1971, when he won the Scholarship Award at the First National Salon of Young Artists in Maracay, Aragua State; in 1972 he was awarded the Second Prize at the Regional Salon of Maracaibo. 1975 is the year of awards, he received the First Prize at the IV Salon of Young Artists in Caracas; the Aurelio Rodriguez Award at the IV Avellan Salon in Caracas and the First Prize at the Salon of Young Zulian Artists in Maracaibo; he also participated in the group exhibition of History of Painting in Venezuela, at Casa de Las Americas, Havana, Cuba; and in 1976 he was invited by Jose Gomez Sicre to take part in the exhibition of Venezuelan painting...
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    Located in Nottingham, GB
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