Lee Smith

Denim and Red Boots, Original Painting

2023

Artist Comments
Artist Jessica JH Roller paints a woman sitting on the ground with her legs crossed. Vibrant wildflowers in pink and red thrive all around her. "Summer is in bl...

Artist Comments
Artist Libby Ramage shows a father and daughter being swept away by the beauty of the autumn leaves. "They try to grasp that which is beyond their size," says Libby. A horse gallops forward, representing the fading summer days. She chooses highly saturated colors to enrich the intensity of the moment. "Nature looms large in this artwork."

About the Artist
Libby Ramage infuses a playful and whimsical mood into her works. In fact, she credits the children she works with for greatly influencing her aesthetic. She often uses children’s abandoned work in her collages. Libby currently lives in New Jersey and finds inspiration in the work of Rauschenberg. She believes collectors should buy from the heart.

Words that describe this painting: man, daughter, fall, autumn, season, mixed media, small, leaves, people, horse, primitive, primitivism, nature, people, primitive, acrylic painting, orange

Falling Leaves...

Artist Comments
Artist Libby Ramage presents an autumnal scene marked by large leaves falling from the sky. "As the sun fades, a young boy becomes the man," says Libby. Showing...

Artist Comments
In a neighborhood building, old friends huddle around a worn table to play mahjong. Their eyes are focused on the tiles, thinking of the best strategy to win th...

Artist Comments
Artist Johansen Newman depicts a portrait of Timothy from the book "Nothing Here to See" by Kevin Wilson. "This reminds me of my own experiences as an only child, when my room was my headquarters and the things inside were my comrades-in-arms for navigating the world of grownups," shares Johansen. In the painting, the boy finds comfort in his stuffed animals, using them as a shield from the people around him.

About the Artist
Artist Johansen Newman captures various characters through charming scenes that often weave nostalgia. A reflection of her fondness for edge and funk prevails in her dynamic portrayal of humans with animals and objects of their affection. As a toddler, her mother gave her crayons and allowed her to draw on the walls of her room. She pursued a degree in painting and printmaking, then furthered her education by studying with Bil Baird at his puppet theater in New York, ultimately forming her puppet troupe. Years of crafting puppets, designing scenery, writing stories, and performing shows developed her arsenal of skills—going on to be an award-winning fiber artist exhibiting throughout North America. She integrates these learnings into her current art practice. "My paintings capture fragments of a tale in a time and place that was, is, or has the promise to become," says Johansen. She works at her studio and display gallery at Gorse Mill Studios, a 19th Century textile mill building in Needham, MA. Her woodworking shop doubles as her home studio, where she constantly evolves her compositions to satisfy her aesthetic. Johansen's work has been featured on the cover of local publications, in pictorial essays, and toured museums across the United States. She was a professional and published illustrator for more than 35 years, including two dozen children's books, three of which she also wrote. Besides creating art, she finds herself an enthusiast of vintage collectibles, jukeboxes, signages, tin toys, neon lights, cookie jars, carnival chalkware...

Artist Comments
Artist Johansen Newman presents a portrait of a child in a lavishly decorated room. The girl wears her finest dress while clutching onto her rattiest stuffed animal. With her defiant stance, wild hair, and choice of stuffed animal to hold, Hannah seems to be crying out, “You can dress me up and put me in the parlor, but you can’t make me a girly girl.” The painting reminds Johansen of her childhood when she resisted the effort of adults to define how she should look and act.

About the Artist
Artist Johansen Newman captures various characters through charming scenes that often weave nostalgia. A reflection of her fondness for edge and funk prevails in her dynamic portrayal of humans with animals and objects of their affection. As a toddler, her mother gave her crayons and allowed her to draw on the walls of her room. She pursued a degree in painting and printmaking, then furthered her education by studying with Bil Baird at his puppet theater in New York, ultimately forming her puppet troupe. Years of crafting puppets, designing scenery, writing stories, and performing shows developed her arsenal of skills—going on to be an award-winning fiber artist exhibiting throughout North America. She integrates these learnings into her current art practice. "My paintings capture fragments of a tale in a time and place that was, is, or has the promise to become," says Johansen. She works at her studio and display gallery at Gorse Mill Studios, a 19th Century textile mill building in Needham, MA. Her woodworking shop doubles as her home studio, where she constantly evolves her compositions to satisfy her aesthetic. Johansen's work has been featured on the cover of local publications, in pictorial essays, and toured museums across the United States. She was a professional and published illustrator for more than 35 years, including two dozen children's books, three of which she also wrote. Besides creating art, she finds herself an enthusiast of vintage collectibles, jukeboxes, signages, tin toys, neon lights, cookie jars, carnival chalkware...