Lucio Ranucci

Three Figures (Italian peasant women abstract cubist painting)

1973

Fantastic painting of a young girl blowing bubblegum. Oil on canvas, 24 x 32 inches; slightly larger in chrome frame. Signed illegibly lower right.

Shay Rieger (1923-1975). Fiddler and Dancers, 1975. Oil on canvas, 38 x 50 inches. Some ares of paint loss and flaking as documented in detail photos. No tears or punctures in canvas...

Beautiful mid-century painting of a female dancer by J. Steven. Oil on canvas measures 12 x 30 inches, 21 x 39 inches framed. Signed lower left with arti...

Oskar D'Amico (1923-2003). Fisherman at Dusk, c.1960. Oil on linen canvas, 16 x 30 inches; 18 x 32 inches (frame). Signed lower right. Excellent condition with no damage or conservation. Biography: Oskar Maria D'Amico (February 22, 1923 – May 3, 2003) was an active Italian artist in Rome, Naples, Lanciano, Cisterna, Milan, Gallarate, Torino, Zagabria, Paris, Toulouse, Melun, Carenac, Maubeuge, Madrid, Barcelona, Zaragoza, Budapest, Győr, Mexico City, Cuernavaca, Morelia, Toronto, New York City, Philadelphia, Los Angeles, San Francisco, Miami, Denver, Santa Fe, Albuquerque and Socorro, between 1943 and 2003. He is considered a Nomad artist because of his ability to work in various styles. He had three major periods in his artistic life: Figurative, Materic and Geometric. [1]He also was an outstanding art director for more than 75 epic movies. D'Amico had a very outgoing personality. He was a non-conformist, which was reflected in his work throughout his life. D'Amico was born in CastelFrentano, Italy, a small village in Abruzzo. At a young age, he felt he had to leave and dive into the big world. After being a seminarist with the Salesiani during World War II, he left Naples, where he studied architecture, and began a great adventure in Rome. He specialized at the time in decorating nightclubs and bars, and invented a special type of double ceiling to hide the lights. D'Amico, who was self-taught as a teenager in drawing and painting, burst onto the filmmaking scene in Rome when an art director asked him to do a perspective of a set design. Soon other moviemakers were calling him.[2] D'Amico was an art director on 75 films including two by Orson Welles. D’Amico was able to create a real marble floor in the set of the palace of the King Saul, in "David and Goliath" directed by Orson Welles. Art directors previously painted a simulated marble on top of concrete due to the cost of the real thing. D'Amico became an associate of Jadran Films in ex-Yugoslavia, which specialized in Roman and Egyptian constructions. While an art director, he never stopped painting. His faceless clowns, reflecting the people who had no identity after World War II, were a big success. In the early 1960s, D'Amico moved with his family to Toronto, Canada, another place he felt was too small. He left for Philadelphia and New York City, which affected his work. He turned his focus to abstract, and for more than a decade created abstract Expressionist paintings "on the plane of all matter" that he called "Materic". The Materic style, which he invented, was done in several media and could not be changed once on the canvas. The paintings were very well received. D’Amico sold more than 400 in Philadelphia and New York City. Unfortunately he had to stop doing the Materics because the colors he used were harmful to his liver. In the mid 1970s, he returned to his architectural roots and developed a new vision for Abstract Constructivism using just acrylic colors. Presented in Paris by his French Art dealer, Francoise Tournier, at the Grand Palais de Paris, and in Mexico City, D'Amico's interpretation of the "New Geometry" was widely admired. In 1983, when he presented the work at the Bodley Gallery, people whispered that he had the potential to be the new Picasso because of his eclecticism and the Nomad nature of his styles. In 1987, D'Amico abandoned the gypsy life and settled in New Mexico. Albuquerque was the perfect place to dedicate himself 100 percent to his work.[3] There were no distractions and a good climate that reminded him of his beloved Cuernavaca in Mexico. Staying in close contact with his French art dealer Tournier, D’Amico had several shows in Denver at the Helen Karsh Gallery and in Albuquerque at the Black Swan and Café Galleries. At least once a year, D’Amico went to Europe to immerse himself in the antique world and visit museums and galleries. In 1992, visiting Tournier at the Castle of Saint Cirq Lapopie, he met the man who founded the MADI movement in 1940, Carmelo Arden Quin...

Helen Malta (b.1912). Tattoo Parlor, ca. 1935. Oil on canvas, 20 x 33 inches. Signed lower right. Metropolitan Museum of Art reproduction rights stamp on r...

Beautiful figural abstraction by American artist, Alan Tompkins (1907-2007). Seated Figure, 1956. Oil on Devoe academy board measures 11 x 13 inches; 15....

Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...

Manes has had an extensive career since studying at the Graduate School of Fine Arts, Hunter College (New York) in 1983. Domestically he has shown cross-country, in museums and galle...

Marianne Kolb (born 1958 in Bern) is a self-taught Swiss painter currently living in the United States. She is known for her emotionally-charged figurative paintings that address the human condition. Kolb paints directly onto canvas with her hands, placing her figures in isolation on a monochromatic...

Simon Gaon (born 1943) is an American painter, Expressionist, and action painter. This is a thick impasto oil painting. with a lot of texture and color. This is a nighttime scene of Midtown Manhattan, Times Square, 42nd st. New york city. He is best known for his intense, tempestuous, action oriented paintings of the cityscape. He was also a co-founder of the Street Painters, a group of eight New York City artists who painted directly from the city life they observed on the streets of America's largest city. Born in 1943 in Manhattan, Gaon at an early age displayed creative talents. By age 14 he began painting while attending the Roosevelt School in Stamford, Connecticut. A key influence on him was painter Arthur Bressler (1927–1975) who was Gaon's teacher and mentor. Gaon graduated from the High School of Art and Design in New York City. In 1962, Gaon won the art studio award scholarship from the Art Students League which allowed him to study art on the European continent. In 1964, he studied in Academia 63 in Haarlem, the Netherlands, and furthered his European education with the Art Students League Merit Scholarship (1965) and the Edward G. McDowell traveling scholarship. He later stayed more than ten years in Europe, primarily in Paris, where his style evolved. The works of the Fauvist (Fauve) painters - Andre Derain, Maurice Vlaminck as well as Chaim Soutine, Oskar Kokoschka, Lovis Corinth, Gen Paul, and especially Vincent Van Gogh have all strongly influenced his work. His work is part of the figurative abstraction the was resurgent in NY in the second half of the 20th century. The influence of Robert Beauchamp, Lester Johnson, Jan Muller, Peter Saul, and Leon Golub as well as Rhino Horn artists...

Simon Gaon (born 1943) is an American painter, Expressionist, and action painter. This is a thick impasto oil painting. with a lot of texture and color. Times Square with 42nd st in Manhattan, New York city He is best known for his intense, tempestuous, action oriented paintings of the cityscape. He was also a co-founder of the Street Painters, a group of eight New York City artists who painted directly from the city life they observed on the streets of America's largest city. Born in 1943 in Manhattan, Gaon at an early age displayed creative talents. By age 14 he began painting while attending the Roosevelt School in Stamford, Connecticut. A key influence on him was painter Arthur Bressler (1927–1975) who was Gaon's teacher and mentor. Gaon graduated from the High School of Art and Design in New York City. In 1962, Gaon won the art studio award scholarship from the Art Students League which allowed him to study art on the European continent. In 1964, he studied in Academia 63 in Haarlem, the Netherlands, and furthered his European education with the Art Students League Merit Scholarship (1965) and the Edward G. McDowell traveling scholarship. He later stayed more than ten years in Europe, primarily in Paris, where his style evolved. The works of the Fauvist (Fauve) painters - Andre Derain, Maurice Vlaminck as well as Chaim Soutine, Oskar Kokoschka, Lovis Corinth, Gen Paul, and especially Vincent Van Gogh have all strongly influenced his work. His work is part of the figurative abstraction the was resurgent in NY in the second half of the 20th century. The influence of Robert Beauchamp, Lester Johnson, Jan Muller, Peter Saul, and Leon Golub as well as Rhino Horn artists...

MELISSA MEYER (American, b. 1946), ''Bleeding Heart'', 1982, Oil and wax (encaustic) on canvas, Signed to canvas verso. Canvas 39-1/4''h, 31-3/4''w. Melissa Meyer (born May 4, 1946) is an American artist and painter. The Wall Street Journal has referred to her as a "lighthearted Abstract Expressionist". She works in various formats, large abstract paintings, watercolors, prints, monotype, monoprint and drawings made up of fields of gestures. Selected solo shows: Lennon, Weinberg, Inc., New York, NY; List Gallery, Swarthmore College, Swarthmore, PA; New York Studio School, New York, NY; Rebecca Ibel Gallery, Columbus, OH. Selected Group shows: “The Maslow Collection: Context and Content”, The Maslow Study Gallery for Contemporary Art, Scranton, PA; “Summer Reverie Invitational,” William Siegel Gallery, Santa Fe, NM.; "One of a Kind; Monoprints, Monotypes", The Gallery, Spencertown Academy Arts Center, Spencertown, NY. Awards and Grants: two National Endowment for the Arts grants, two New York Foundation for the Arts grants , Rome Prize Fellowship from the American Academy in Rome, Yaddo Residency Grants. She is known for her calligraphic abstract paintings. Born on May 4, 1946 in Bronx, NY, she received both her BS and MA from New York University, where she came under the influence of Helen Frankenthaler. With her first solo exhibition taking place in 1976, over the decades that followed her paintings have been written about by a number of artists, including Stephen Westfall...