Wood Panel Figurative Paintings

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

"The wedding" is a painting by Maestro Edele Bessy - MABILLOT GRANDJEAN GENEVIEVE The painting is unframed. Her paintings bring emotion of happiness, love, energy and beauty represented by the vast creative power of her talent.” Dear art lovers, if you like the art of maestro Bessy, please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Maestro Edele Bessy was born on August 7, 1946. Self-taught painter since 1982. At first she mainly worked in miniature on ivory, which she then abandoned in favor of oil painting. New beings appear unconsciously on his canvases taking on the dimension of a wandering crowd, mostly women whose eyes arise and challenge us with ever so much acuity. Maestro Bessy paints in a very personal, constantly evolving style. Maestro MABILLOT GRANDJEAN GENEVIEVE - ADELE BESSY Awards : Prix de Peinture du Salon de Beauchamp 2023 Médaille du Conseil Départemental de Bourg la Reine 2023 Prix de peinture Salon des Amis des Arts de Chaville 2022 Prix de peinture Salon des beaux-arts de Boulogne-Billancourt 2022 2ème Prix de Peinture Salon de Chablis 2022 Prix de la ville Salon du SPAM Pontoise 2021 Grand Prix de Peinture de SEMEAC 2021 Prix du Jury indépendant Etampes 2021 Prix du conseiller Départemental Salon de Croissy sur seine 2019 Médaille de la ville de St Maurice...

"F*ck Bunny" Mixed Media Painting 65" x 44" inch by Ben Cope 2023 Mixed media oil on wood Ben Cope is a Georgia native graduating from Columbus State University with a BFA in cer...

Negation - Scratch #6, Oil and Charcoal on wood panel by San Francisco artist Jeffrey Palladini. It is 30x40. The painting is part of a new series based on the conceptual basis of ...

Artist : Ryan Wilks Title : Aesthetic of the Cross Materials : epoxy resin, chrome mirror paint, glass shards on wood board Date : 9-01-2020 Dimensions : 16" x 20" Description : Reimagining traditional depictions of the iconic cross, giving modern aesthetic to an ancient symbol. Epoxy casted, coated in chrome mirror paint and glass shards, light catches this piece from every direction, changing mood throughs the day as light within a space transitions from day to night. Ryan Wilks is a self-taught artist based in Kansas City, Missouri. Their work explores the various realities of queer existence. Primarily creating with oils, watercolors, sculptural assemblage, and ritual, their work sheds light on queer expression of spirituality and sexuality. Their bodies of work address and confront religion used as weapon and explores new modes of prayer through visual and participatory exhibitions. While religious and archetypal iconography such as the Devil and Lilith are seen within their figures in their paintings and used to express gender and queer ideologies, the work itself does not adopt the feeling of weighted religious rites. Instead, the work invites the viewer to participate in a modernized expression of spirit. Through figurative and narrative drawing and painting, through community-based performance ritual and ceremony, Wilks makes art that explores the various realities of queer existence. Gleaning inspiration from centuries old religious iconography and the oral and written histories documenting the queer experience from the beginning of time to their own personal experience today, Wilks' work strives to depict the push/pull, persecute/elevate relationships of humanity, sexuality, and spirituality. The use of more traditional materials and methods in Wilks' painting and drawing is an intentional nod to Italian masters such as Caravaggio, Titian, and Raphael, but it is the playfulness of Matisse’s figures and the contorting figures of Schiele that have influenced their work the most. Ritual and ceremonial performance is an integral aspect of Wilks'art. The use of objects, both found and made, and base elemental ingredients in occult practices are key components to their performances. Through movement, through ceremony, through studied and adaptive ritual, Wilks is able to engage an audience and create moments of sacred memory. Wilks' performance work is created and displayed in tandem with their 2-D work and further explores concepts displayed within their paintings and drawings. Through these methods of creating, engagement, and display of their art, Wilks strives to express the personal narrative of their queer experience, of their peers’, of those who have passed, and, ultimately, for future generations to research, decode, confront, and enjoy. Wilks has exhibited their work in at least 20 different solo exhibitions across the Kansas City Metropolitan area as well as being featured in 18 different publications regarding their work. Wilks' most recent artist residencies include the Artist in Residence program at the Crossroads Hotel, located in the heart of Kansas City's well known Crossroads Arts District, January-February 2020; and the Artist in Residence program at Arts KC, Jun-July 2020. In 2019, Wilks was nominated for "Best Exhibition" in the Pitch KC's annual "Best of KC" year-end round up for their exhibition "Hell", originally shown at Leedy-Voulkos Art Center. painting, watercolor, mixed media, human figure, religion, iconography, cultural commentary, queer art...