Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 14

Maxfield Parrish
My Duty Towards my Neighbor, and My Duty Towards God (diptych)

1898

About the Item

Overall Dimensions, including artist frame: 54 x 80 in. Each Painted Panel: 33 x 24 in. Medium: Oil on Panel Signature: Each panel signed and dated Literature: Coy Ludwig, Maxfield Parrish, New York, 1973, p. 153, nos. 194-95, illustrated Alma Gilbert, Maxfield Parrish: The Masterworks, Berkeley, California, 1992, p. 116 (as My Duty Towards God and My Neighbor) Laurence S. Cutler, Judy Goffman Cutler, Maxfield Parrish and the American Imagists, Edison, New Jersey, 2004, p. 299, mentioned This diptych was commissioned for the Mrs. Parsons Chapel at Trinity Episcopal Church in Lenox, Massachusetts. Art historian Coy Ludwig observed the works possess an "interesting Pre-Raphaelite quality" reminiscent of the American Arts & Crafts Movement. While the faces and costumes evoke the styles of Rossetti and Waterhouse, the frame's design, colors, and lettering reflect the influence of the Arts and Crafts aesthetic. Parrish clearly intended a fully integrated artistic expression, recognizing that independent framing would have compromised his intended overall effect. The overall composition, including its artist-designed frame, reveals Parrish's working methods and his natural artistic inclinations. His initial architectural interests, evident in his early education, made this site-specific commission a natural fit. The deliberate selection of an architectural space within an existing structure further underscores his innate interest in architecture. Moreover, these intimate murals exemplify Parrish's early artistic approach, characterized by a flat, linear style directly informed by his poster and cover designs, which relied on strong contours and silhouettes for impactful visual communication.
  • Creator:
    Maxfield Parrish (1870-1966, American)
  • Creation Year:
    1898
  • Dimensions:
    Height: 54 in (137.16 cm)Width: 80 in (203.2 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Fort Washington, PA
  • Reference Number:
    Seller: 40921stDibs: LU38435782552

More From This Seller

View All
Little Girl Running from Waves, Original cover for The Saturday Evening Post
By Sarah S. Stilwell Weber
Located in Fort Washington, PA
The Saturday Evening Post Magazine, July 23, 1921 (cover illustration). Sarah Stilwell-Weber is celebrated for her captivating illustrations of children. While her early work often ...
Category

1920s Figurative Paintings

Materials

Oil, Linen, Panel

Thanksgiving, The Saturday Evening Post cover, November 12, 1910
By Joseph Christian Leyendecker
Located in Fort Washington, PA
Medium: Oil on Canvas Laid on Panel Signature: Signed Lower Right The Saturday Evening Post cover, November 12, 1910
Category

1910s Figurative Paintings

Materials

Canvas, Oil, Panel

French Military on Horseback
By Jules Delaunay
Located in Fort Washington, PA
Date: 1893 Medium: Oil on Panel Dimensions: 14.50" x 21.00" Signature: Signed and Dated Lower Right: J. Delaunay. 1893
Category

1890s Figurative Paintings

Materials

Oil, Panel

Stan Laurel & Oliver Hardy - Comedians Traveling Road Sign
Located in Fort Washington, PA
This Stan Laurel and Oliver Hardy illustration was used as a traveling show sign for the comedy duo. Medium: Oil on Wood Panel Signature: Unsigned
Category

1940s Figurative Paintings

Materials

Wood, Oil, Panel, Wood Panel

Couple in a Horse-Drawn Carriage
By William Henry Dethlef Koerner
Located in Fort Washington, PA
Date: 1923 Medium: Oil on Panel Dimensions: 24.00" x 36.00"
Category

1920s Figurative Paintings

Materials

Oil, Panel

The Scarlet Cockerel interior book illustration
By Frank Schoonover
Located in Fort Washington, PA
Medium: Oil on Canvas Laid on Panel Sight Size 30.00" x 21.00;" Framed 36.50" x 27.50" Signature: Signed and Dated Lower Right: F. E. Schoonover / 31 "I began to notice the mysterio...
Category

1930s Figurative Paintings

Materials

Canvas, Oil, Panel

You May Also Like

Study of a dog
Located in Amsterdam, NL
Study of a dog Oil on paper laid down on panel, 17.5 x 25.5 cm Provenance Private collection, the Netherlands Note: We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht. In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year. According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him. De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck...
Category

Mid-17th Century Old Masters Animal Paintings

Materials

Paper, Oil, Wood Panel

Study of a dog
Price Upon Request
Free Shipping
Portrait of a girl with a rose and a red coral necklace (c. 1631)
Located in Amsterdam, NL
David Finsonius (Veere 1597- Bergen op Zoom 1646/1648) Portrait of a girl with a rose and a red coral necklace With traces of the artist’s signature and annotated AETATIS S.V. 2 1⁄2 Ao 1631 Oil on panel, H. 104.5 x 79.5 cm Provenance: Purchased by Jonkheer Helenus Marius Speelman (1857-1909), Kasteel de Wittenburg; thence by descent The work shows a strong resemblance to a portrait by Finsonius in the North Brabant Museum. This signed and dated "Girl with Basket and Cherries" (Inv. 15529), was painted just a year later, in 1632. Not only are the paintings remarkably similar in overall size and format, in painting style, and in the positioning of the girls in full length in their white lace dresses. They are also connected by the iconographic scheme of the respective coral necklaces, each with a gold memorial medal hanging from it. Although they are of course individuals, the faces are very similar in their depictions of features such as eyes, nose, and lips. This points to the same technique applied by the same painter. Finally, the handwriting is almost the same on the works by Finsonius known so far. About the painter, David Finson named 'Finsonius' (related to the better-known Louis Finson...
Category

17th Century Dutch School Portrait Paintings

Materials

Oil, Wood Panel

Set of Eight Apostles, Portrait of Men, Head Studies, Flemish School, Van Dyck
Located in Greven, DE
Set of Eight Apostles each oil on panel each framed (different as some are golden, some are not, please view the photos) So far there is no certain attribution. The style of the ser...
Category

17th Century Baroque Figurative Paintings

Materials

Oil, Panel

Yport - The cliff of Amont in Normandy
Located in BELEYMAS, FR
Alexandre DEFAUX (1826, Bercy - 1900, Melun) Yport, the Amont Cliff Oil on panel H. 59.5 cm; W. 38.5 cm Signed and located lower right A student of Corot, Alexandre Defaux was a fai...
Category

1860s French School Landscape Paintings

Materials

Oil, Wood Panel

"Notre Dame de Paris" Robert Cabay, French artist, Impressionist style, 1960 c.
Located in New York, NY
Artist: Robert Cabay (French, 1901-1990) Title: Notre Dame de Paris Medium: Oil on panel Dimensions: 41 x 31 cm l 16 1/8 x 12 1/4 in Frame: 52 x 42 cm l 20 1/2 x 16 1/2 in. Immerse...
Category

20th Century Impressionist Landscape Paintings

Materials

Oil, Panel

The cardinal's favorites French oil painting on panel by Victor MARAIS-MILTON
By Victor Marais-Milton
Located in Gavere, BE
The cardinal's favorites French oil painting on panel by Victor MARAIS-MILTON Signed to lower right Genre Painter, b. 1872 - d. 1948 Victor Marais-Milton was born in Puteaux, locate...
Category

1920s French School Figurative Paintings

Materials

Oil, Wood Panel

Recently Viewed

View All