Michel Georges-Michel

Chopin, Vienne

1938

(Bo Arvid) Sten Burén (Swedish, ∗ 12th July 1909, Södra Munkarp; † 31st January 1993, Burlöv) Female Nude carrying an Amphora • Mosaic style painting in either gouache and/or oil paint on thick paper, ca. 50 x 35 cm • Image size ca. 43 x 31 cm • Signed bottom right • The backing of the paintings original frame has a Swedish newspaper article attached, reporting that the Sten Burén painting was won by farmer Arne Herlöfsen from Skegrie in a raffle during a political meeting in the 1960’s. I will include the old backing in the delivery Fantastic work of Art - The pointillist-cubist image is made up of thousands of little coloured, different shaded squares, imitating a mosaic tiles. The technique is very reminiscent of the famous painting ‘Ad Parnassum’ by Paul Klee created in 1932. The Swedish artist Burén studied art in Berlin and was trained by Jules Schyl. Burén undertook numerous study trips to Germany, Austria and Switzerland, befor returning to his native Sweden. His body of work includes figures in a semi-cubist style, mosaic panels, glas work...

François Lafon (French, 1846-c.1920) Draped nude Woman seated between Pillars with young Child • Oil sketch on paper • Visible image, ca. 35 x 22 cm •...

Daniel Tavares considers his oil paintings part drawing and part painting. His artwork is a visual synthesis of his life experiences reflecting the influence of comic books - which ...

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

Lester Johnson "Head with Plant" 1959 oil on paper. Early figurative expressionist painting on paper. Nicely framed.

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...